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English National Opera
English National Opera (ENO) is a British opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with The Royal Opera. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic, for the benefit of local people. Baylis subsequently built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and The Royal Ballet, respectively. Baylis acquired and rebuilt the Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Pountney
Sir David Willoughby Pountney (born 10 September 1947) is a British-Polish theatre and opera director and libretto, librettist internationally known for his productions of rarely performed operas and new productions of classic works. He has directed over ten world premières, including three by Peter Maxwell Davies, Sir Peter Maxwell Davies for whom he wrote the librettos of ''The Doctor of Myddfai'', ''Mr Emmet Takes a Walk'' and ''Kommilitonen!''Baumgartner (22 July 2009) Biography Pountney was born in Oxford and was a chorister at St John's College, Cambridge (1956–61). He was then educated near Oxford at Radley College (1961–66) before returning to St John's College, Cambridge to read for his degree. His first major breakthrough came in 1972 with his production of ''Káťa Kabanová'' for the Wexford Festival Opera, Wexford Festival. From 1975 to 1980, he was the Director of Productions at Scottish Opera, and, from 1982 to 1993, Director of Productions at English Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Corri
Charles Montague Corri (22 June 1861 – 8 June 1941) was an English musician, conductor and arranger. He spent most of his career working for Lilian Baylis, as her musical director at the Old Vic Theatre, and then at Sadler's Wells Opera. Life and career Corri was born in Walworth, London, the son of William Charles Cunningham Corri and Maria Louisa Pennal. He came from an Italian family of musicians who settled in Britain in the 18th century. ''Grove's Dictionary of Music and Musicians'' lists eight members of the Corri family active as musicians in Britain from 1771 onwards, which includes Domenico Corri, Sophia Corri Dussek, Philip Antony Corri, and Fanny Corri-Paltoni. Corri married Martha Mayell in Liverpool in 1889. They had ten children In 1898, Emma Cons, who ran the Old Vic Theatre, engaged him as musical director. At the same time she recruited her niece Lilian Baylis to help run the theatre."Obituary – Mr. Charles Corri", ''The Times'', 13 June 1941, p. 7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Santley
Sir Charles Santley (28 February 1834 – 22 September 1922) was an English opera and oratorio singer with a ''bravura''From the Italian verb ''bravare'', to show off. A florid, ostentatious style or a passage of music requiring technical skill technique who became the most eminent English baritone and male concert singer of the Victorian era. His has been called 'the longest, most distinguished and most versatile vocal career which history records.' Santley appeared in many major opera and oratorio productions in Great Britain and North America, giving numerous recitals as well. Having made his debut in Italy in 1857 after undertaking vocal studies in that country, he elected to base himself in England for the remainder of his life, apart from occasional trips overseas. One of the highlights of his stage career occurred in 1870 when he led the cast in the first Wagner opera to be performed in London, ''The Flying Dutchman (opera), The Flying Dutchman'', at the Theatre Royal, Dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Hall
Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the World War I, Great War. It faded away after 1918 as the halls rebranded their entertainment as Variety show, variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within pubs during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Era
In the history of the United Kingdom and the British Empire, the Victorian era was the reign of Queen Victoria, from 20 June 1837 until her death on 22 January 1901. Slightly different definitions are sometimes used. The era followed the Georgian era and preceded the Edwardian era, and its later half overlaps with the first part of the ''Belle Époque'' era of continental Europe. Various liberalising political reforms took place in the UK, including expanding the electoral franchise. The Great Famine (Ireland), Great Famine caused mass death in Ireland early in the period. The British Empire had relatively peaceful relations with the other great powers. It participated in various military conflicts mainly against minor powers. The British Empire expanded during this period and was the predominant power in the world. Victorian society valued a high standard of personal conduct across all sections of society. The Victorian morality, emphasis on morality gave impetus to soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatre, theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Edward Harrigan, Harrigan and Tony Hart (theater), Hart in America. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs and including dances. It is lighter than opera in terms of its music, orchestral size, and length of the work. Apart from its shorter length, the operetta is usually of a light and amusing character. The subject matter may portray "lovers' spats, mistaken identities, sudden reversals of fortune, and glittering parties". It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string instrument, string player. A composer of both Secular music, secular and Church music, sacred music, and a pioneer in the Origins of opera, development of opera, he is considered a crucial Transition from Renaissance to Baroque in instrumental music, transitional figure between the Renaissance music, Renaissance and Baroque music, Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of St Mark's Basilica, San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of List of compositions by Claudio Monteverdi, Monteve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annilese Miskimmon
Annilese Miskimmon (born 1974) is a Northern Irish opera director who has been the artistic director of English National Opera since 2020. She previously held equivalent posts at Ireland's Opera Theatre Company (2004–2012), Danish National Opera (2012–2017) and the Norwegian National Opera and Ballet (2017–2020). She is also a freelance director who has often worked with Glyndebourne Festival Opera, Opera Holland Park and other companies. Her productions include classics of the repertoire, such as Puccini's ''Madama Butterfly'' (2018), as well as rarely performed operas. They are often reset in the twentieth century, with several stagings employing Miskimmon's native Ireland as the setting, including Janáček's ''Jenufa'' (2015), Bellini's ''I Puritani'' (2015) and Puccini's ''Suor Angelica'' (2024). Early life and education Annilese Miskimmon was born in 1974 in Bangor, County Down, near Belfast, to Irene and John Miskimmon. She was educated at Glenlola Collegiate School ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calixto Bieito
Calixto Bieito (Miranda de Ebro, 2 November 1963) is a Spanish theater director known for his radical interpretations of classic operas. Biography Born in the small town of Miranda de Ebro, Bieito moved to Barcelona with his family when he was 14. His mother was an amateur singer who encouraged him to play piano. His father was a railway worker, though he also shared a love of music, particularly the zarzuela tradition. Many of Bieito's uncles and cousins were musicians as well. From 1999 to 2011, Bieito was Artistic Director of the Teatre Romea in Barcelona and from 2010 to 2012, Guest Director of the International Arts Festival of Castilla y León. Since 2017, he is Artistic Director of the opera house Teatro Arriaga in Bilbao. References 1963 births Living people People from Miranda de Ebro Spanish opera directors Spanish theatre directors {{Spain-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
