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Ein Ungefärbt Gemüte, BWV 24
Johann Sebastian Bach composed the church cantata (An open mind) (literally: An undyed mind), 24 in Leipzig for the fourth Sunday after Trinity and first performed it on 20 June 1723. It is the third new cantata of his first cantata cycle in Leipzig. The title has been translated more freely, for example as "An unstained mind", "An unblemished conscience", "An undisguised intention", and "An unsophisticated mind". History and words Bach composed the cantata for the Fourth Sunday after Trinity and first performed it on 20 June 1723, three weeks after he took up the position as in Leipzig with . Bach had begun to compose one cantata for almost every Sunday and holiday of the liturgical year, a project described by Christoph Wolff as "an artistic undertaking on the largest scale". The prescribed readings for the Sunday were from the Epistle to the Romans, "For the earnest expectation of the creature waiteth for the manifestation of the sons of God" (), and from the Sermon on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomaskirche
The St. Thomas Church () is a Lutheran church in Leipzig, Germany, located at the western part of the inner city ring road in Leipzig's central district. Martin Luther preached in the church in 1539. It is associated with several well-known composers, especially Johann Sebastian Bach, who was its Thomaskantor (music director) from 1723 until his death in 1750. The church holds his remains. Although rebuilt over the centuries and damaged by Allied incendiary bombs in 1943, the church mainly retains the character of a late-Gothic hall church. The Thomanerchor, the church choir, likely founded in 1212, is an internationally known boys' choir. History The current property was the site of a church at least since the 12th century. Foundations of a Romanesque building were discovered in the choir and crossing of the current church. Between 1212 and 1222, the earlier structure became the church of the new St. Thomas college of Augustinian canons founded by Markgraf Dietric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of Matthew
The Gospel of Matthew is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells the story of who the author believes is Israel's messiah (Christ (title), Christ), Jesus, resurrection of Jesus, his resurrection, and his Great Commission, mission to the world. Matthew wishes to emphasize that the Jewish Christianity, Jewish tradition should not be lost in a church that was increasingly becoming gentile. The gospel reflects the struggles and conflicts between the evangelist's community and the other Jews, particularly with its sharp criticism of the scribes, chief priests and Pharisees with the position that the Kingdom of God (Christianity), Kingdom of Heaven has been taken away from them and given instead to the church. Scholars find numerous problems with the traditional attribution to the Matthew the Apostle, Apostle Matthew, though it is possible the gospel incorporates a source written by the disciple. The predominant scholarly view ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarion (instrument)
Clarion is a name for a high-pitched trumpet used in the Middle Ages and the Renaissance. It is also a name for a 4' organ reed stop that produces a high-pitched or clarion-like sound on a pipe organ in the clarion trumpet's range of notes. The word ''clarion'' has changed meanings over centuries and across languages. Today, in modern French'' clairon'' refers to the bugle, while in Italy '' chiarina'' refers to modern trumpets of historic design, made from bent tubing and without valves, similar to the natural trumpet. Resembling these instruments is the modern fanfare trumpet, like the ''chiarina'' or natural trumpet, but with the option of using valves. ''Clarion'' became a musical term to refer the upper register of the standard trumpet. However, a ''clarin'' trumpet did exist with a narrower bore than the standard trumpet and a "broad, flat mouthpiece," designed to "play the high partials." In war the trumpet historically had a harsh sound, often described as, "like the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Hatte Viel Bekümmernis, BWV 21
Johann Sebastian Bach composed the church cantata (I had much grief), 21 in Weimar, possibly in 1713, partly even earlier. He used it in 1714 and later for the third Sunday after Trinity of the liturgical year. The work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as (and for all times), indicating that due to its general theme, the cantata is suited for any occasion. The text was probably written by the court poet Salomon Franck, who includes four biblical quotations from three psalms and from the Book of Revelation, and juxtaposes in one movement biblical text with two stanzas from Georg Neumark's hymn " Wer nur den lieben Gott lässt walten". The cantata is structured in eleven movements, including an opening sinfonia. It is divided in two parts to be performed before and after the sermon, and scored for three vocal soloists (soprano, tenor, and bass), a four-part choir, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Himmel Erzählen Die Ehre Gottes, BWV 76
Johann Sebastian Bach composed the church cantata (), 76 in Leipzig for the second Sunday after Trinity of the liturgical year and first performed it on 6 June 1723. Bach composed the cantata at a decisive turning point in his career. Moving from posts in the service of churches and courts to the town of Leipzig on the first Sunday after Trinity, 30 May 1723, he began the project of composing a new cantata for every occasion of the liturgical year. He began his first annual cycle of cantatas ambitiously with , in an unusual layout of 14 movements in two symmetrical parts, to be performed before and after the sermon. , performed a week later, has the same structure. The unknown poet begins his text with a quotation from Psalm 19 and refers to both prescribed readings from the New Testament, the parable of the great banquet as the Gospel, and the First Epistle of John. Bach scored Part I with a trumpet as a symbol of God's Glory. In Part II, performed after the sermon and during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar
Weimar is a city in the state (Germany), German state of Thuringia, in Central Germany (cultural area), Central Germany between Erfurt to the west and Jena to the east, southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouring cities of Erfurt and Jena, it forms the central metropolitan area of Thuringia, with approximately 500,000 inhabitants. The city itself has a population of 65,000. Weimar is well known because of its cultural heritage and importance in German history. The city was a focal point of the German Enlightenment and home of the leading literary figures of Weimar Classicism, Johann Wolfgang von Goethe and Friedrich Schiller. In the 19th century, composers such as Franz Liszt made Weimar a music centre. Later, artists and architects including Henry van de Velde, Wassily Kandinsky, Paul Klee, Lyonel Feininger, and Walter Gropius came to the city and founded the Bauhaus movement, the most important German design school of the int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barmherziges Herze Der Ewigen Liebe, BWV 185
Johann Sebastian Bach composed the church cantata (Merciful heart of eternal love), 185 in Weimar for the fourth Sunday after Trinity and first performed it on 14 July 1715. Bach composed the cantata as concertmaster in Weimar, responsible for one church cantata per month. The text was written by the court poet Salomon Franck for the occasion and published in 1715. He included as the closing choral the first stanza of Johannes Agricola's hymn "". The cantata is structured in six movements and begins with a duet, followed by a sequence of alternating arias and recitatives and closed by a four-part chorale. It is scored for a small ensemble of four vocal parts, oboe, strings and continuo. Bach led the first performance in the court chapel of Schloss Weimar on 14 July 1715. He performed the cantata again, with small instrumental revisions, at the beginning of his tenure as in Leipzig, coupled with the new cantata . History and words On 2 March 1714 Bach was appointed conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek language, Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of hymns. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other major religious groups, world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian ''stanza'', ; ) is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the paragrap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
