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Dutch And Flemish Renaissance Painting
Dutch and Flemish Renaissance painting represents the Renaissance in the Low Countries, 16th-century response to Italian Renaissance art in the Low Countries, as well as many continuities with the preceding Early Netherlandish painting. The period spans from the Antwerp Mannerism, Antwerp Mannerists and Hieronymus Bosch at the start of the 16th century to the late Northern Mannerists such as Hendrik Goltzius and Joachim Wtewael at the end. Artists drew on both the recent innovations of Italian painting and the local traditions of the Early Netherlandish painting, Early Netherlandish artists. Antwerp was the most important artistic centre in the region. Many artists worked for European courts, including Bosch, whose fantastic painted images left a long legacy. Jan Mabuse, Maarten van Heemskerck and Frans Floris were all instrumental in adopting Italian models and incorporating them into their own artistic language. Pieter Brueghel the Elder, with Bosch the only artist from the per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Patinir
Joachim Patinir, also called Patenier ( – 5 October 1524), was a Dutch and Flemish Renaissance painting, Flemish Renaissance painter of History painting, history and Landscape painting, landscape subjects. He was Flanders, Flemish, from the area of modern Wallonia, but worked in Antwerp, then the centre of the art market in the Low Countries. Patinir was a pioneer of landscape as an independent genre and he was the first Flemish painter to regard himself primarily as a landscape painter. He effectively invented the world landscape, a distinct style of panoramic northern Renaissance landscapes which is Patinir's important contribution to Western art.Hans Devisscher. "Patinir, Joachim." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 30 April 2022. Subscription required His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanism (painting)
Romanism is a term used by art historians to refer to painters from the Low Countries who had travelled in the 16th century to Rome. In Rome they had absorbed the influence of leading Italian artists of the period such as Michelangelo and Raphael and his pupils. Upon their return home, these Northern artists (referred to as ‘Romanists’) created a Renaissance style, which assimilated Italian formal language. The style continued its influence until the early 17th century when it was swept aside by the Baroque.Ilja M. Veldman. "Romanism." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 March 2015 By drawing on mythological subject matter, the Romanists introduced new themes in Northern art that corresponded with the interests and tastes of their patrons with a humanist education. The Romanists painted mainly religious and mythological works, often using complex compositions and depicting naked human bodies in an anatomically correct way but with contrived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern Europe, Northern, Southern Europe, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognisable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry N
Harry may refer to: Television * ''Harry'' (American TV series), 1987 comedy series starring Alan Arkin * ''Harry'' (British TV series), 1993 BBC drama that ran for two seasons * ''Harry'' (New Zealand TV series), 2013 crime drama starring Oscar Kightley * ''Harry'' (talk show), 2016 American daytime talk show hosted by Harry Connick Jr. People and fictional characters *Harry (given name), a list of people and fictional characters with the given name, including **Prince Harry, Duke of Sussex (born 1984) *Harry (surname), a list of people with the surname Other uses *"Harry", the tunnel used in the Stalag Luft III escape ("The Great Escape") of World War II * ''Harry'' (album), a 1969 album by Harry Nilsson *Harry (derogatory term) Harry is a Norwegian derogatory term used in slang, derived from the English name Harry. The best English translation may be "cheesy" or "tacky". '' Norsk ordbok'' defines "harry" as "tasteless, vulgar". The term "harry" was first used by upper ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Renaissance Painting
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas. The city of Florence in Tuscany is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting, although later in the era Rome and Venice assumed increasing importance in painting. A detailed background is given in the companion articles Renaissance art and Renaissance architecture. Italian Renaissance painting is most often divided into four periods: the Proto-Renaissance (1300–1425), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieronymus Bosch - The Garden Of Earthly Delights - Hell
Hieronymus, in English pronounced or , is the Latin form of the Ancient Greek name (Hierṓnymos), meaning "with a sacred name". It corresponds to the English given name Jerome. Variants * Albanian: Jeronimi * Arabic: جيروم (Jerome) * Basque: Jeronimo * Belarusian: Еранім (Yeranim) * Bulgarian: Йероним (Yeronim) * Catalan: Jeroni * Written Chinese: 希罗尼穆斯 ** Chinese Pinyin: xī luó ní mù sī * Croatian: Jeronim * Czech: Jeroným, Jeronýmus (archaic) * Danish: Hieronymus * Dutch: Hiëronymus, Jeroen * English: Jerome, Hieronymus, Geromy, Rhonemus, Geronimo * Esperanto: Hieronimo * Estonian: Hieronymus * Finnish: Hieronymus * Flemish: Jerom * French: Jérôme, Gérôme * Galician Xerome * German: Hieronymus * Ancient Greek : (Hierṓnymos) * Modern Greek: Ιερώνυμος (Ierónymos) * Hebrew: הירונימוס (Hieronymus) * Hungarian: Jeromos * Indonesian: Hieronimus * Interlingua: Jeronimo * Italian: Girolamo, Gerolamo, Geronimo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthonis Mor
Anthonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro (c. 1517 – 1577), was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis or Mor van Dashorst, and as António Mouro, Anthony More, etc., but signed most of his portraits as Anthonis Mor. Mor developed a formal style for court portraits, largely based on Titian, that was extremely influential on court painters across Europe, especially in the Iberian Peninsula, where it created a tradition that led to Diego Velázquez. His works can include considerable psychological penetration, especially in portraits of men, but always gives the subject a grand and self-possessed air. Early life and education Mor was born in Utrecht, Netherlands, by some estimation between 1516 and 1520. Little is known about his early life, except that his artistic education commenced under Jan van Scorel. His earliest known work is a portrait which is now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hierarchy Of Genres
A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value. In literature, the Epic poetry, epic was considered the highest form, for the reason expressed by Samuel Johnson in his ''Life of John Milton'': "By the general consent of criticks, the first praise of genius is due to the writer of an epick poem, as it requires an assemblage of all the powers which are singly sufficient for other compositions." Below that came lyric poetry, and comic poetry, with a similar ranking for drama. The novel took a long time to establish a firm place in the hierarchy, doing so only as belief in any systematic hierarchy of forms expired in the 19th century. In music, lyrics, lyrical settings of words were accorded a higher status than merely instrumental works, at least until the Baroque period, and opera retained a superior status for much longer. The status of works also varies with the number of players ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Life
A still life (: still lifes) is a work of art depicting mostly wikt:inanimate, inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or artificiality, human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish art, Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allego ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Beuckelaer
Joachim Beuckelaer (c. 1533 – c. 1570/4) was a Flemish painter specialising in market and kitchen scenes with elaborate displays of food and household equipment.Joachim Beuckelaer at the Netherlands Institute for Art History His development of the genre of market and kitchen scenes was influential on the development of still life art in Northern Europe as well as Italy and Spain.''The Collector's Cabinet: Flemish Paintings from New England Private Collections'', Univ of Massachusetts Press, 1983, pp. 16–19Norman Bryson, Looking at the Overlooked: Four Essays on Still Life Painting, Reaktion Books, London, 2013, p. 146 He also painted still lifes with no figures in the central scene. He further added the staffage (i.e. the figures) or the garments in works of other local painters, such as Anthonis Mor.< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
