Divertimento For Chamber Orchestra After Keyboard Pieces By Couperin
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Divertimento For Chamber Orchestra After Keyboard Pieces By Couperin
The ''Divertimento for Chamber Orchestra after Keyboard Pieces by Couperin'', Op. 86 (German: ''Divertimento aus Klavierstücken von François Couperin für kleines Orchester'') is an orchestral suite composed by Richard Strauss published in 1942 which consists of eight movements, each one based on a selection of pieces from François Couperin's ''Pièces de Clavecin'' written for the solo harpsichord over the period 1713 to 1730. Composition history The bulk of the divertimento was written to complement the earlier 1923 ''Dance Suite after Keyboard Pieces by Couperin'' for a ballet ''Verklungene Feste: Tanzvisionen aus zwei Jahrhunderten'' (''Bygone Celebrations: Dance Visions from Two Centuries'') premiered in Munich on May 20, 1941. The divertimento was then published in 1942 with two additional movements (III and VIII) as an orchestral suite and given an opus number. The premiere was given on 31 January 1943 by the Vienna Philharmonic conducted by Clemens Krauss. Although m ...
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Strauss 1938
Strauss, Strauß or Straus is a common Germanic surname. Outside Germany and Austria ''Strauß'' is always spelled ''Strauss'' (the letter " ß" is not used in the German-speaking part of Switzerland). In classical music, "Strauss" usually refers to Richard Strauss or Johann Strauss II. The name has been used by families in the Germanic area for at least a thousand years. The overlord of Gröna, for example, went by the name of Struz and used the image of an ostrich as his symbol. Examples of it could still be seen on the thousand-year-old church bell of that town. "Struz" or "Strutz" is the North-German form of the word "Strauss", which is the modern German word for ostrich. Some of the earliest Jewish bearers of the name hailed from the Judengasse in medieval Frankfurt, where families have been known by the name of the houses they inhabited. All the houses had names and these included Haus Strauss, complete with an image of an ostrich on the façade. When, for tax purposes, ...
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Boston Symphony Orchestra
The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston, Massachusetts. It is the second-oldest of the five major American symphony orchestras commonly referred to as the " Big Five". Founded by Henry Lee Higginson in 1881, the BSO performs most of its concerts at Boston's Symphony Hall and in the summer performs at Tanglewood. Since its founding, the orchestra has had 17 music directors, including George Henschel, Serge Koussevitzky, Henri Rabaud, Pierre Monteux, Charles Munch, Erich Leinsdorf, William Steinberg and James Levine. Andris Nelsons is the current music director of the BSO. Seiji Ozawa has the title of BSO music director laureate. Bernard Haitink had held the title of principal guest conductor of the BSO from 1995 to 2004, then conductor emeritus until his death in 2021. The orchestra has made gramophone recordings since 1917 and has occasionally played on soundtrack recordings for films, including ''Schindler's List''. History Early year ...
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Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous e ...
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Ballet Music
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century Classical period in ballet coincided with the 19th century Romantic era in music. Ballet music composers from the 17th–20th centuries, including the likes of Jean-Baptiste Lully, Pyotr Ilyich Tchaikovsky, Igor Stravinsky, and Sergei Prokofiev, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky's and Stravinsky's lifetime, ballet music composition and ballet in general spread across the western world. History Until about the second half of the 19th century, ...
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Compositions By Richard Strauss
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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Dubrovnik
Dubrovnik (), historically known as Ragusa (; see notes on naming), is a city on the Adriatic Sea in the region of Dalmatia, in the southeastern semi-exclave of Croatia. It is one of the most prominent tourist destinations in the Mediterranean, a seaport and the centre of the Dubrovnik-Neretva County. Its total population is 42,615 (2011 census). In 1979, the city of Dubrovnik was added to the UNESCO list of World Heritage Sites in recognition of its outstanding medieval architecture and fortified old town. The history of the city probably dates back to the 7th century, when the town known as was founded by refugees from Epidaurum (). It was under the protection of the Byzantine Empire and later under the sovereignty of the Republic of Venice. Between the 14th and 19th centuries, Dubrovnik ruled itself as a free state. The prosperity of the city was historically based on maritime trade; as the capital of the maritime Republic of Ragusa, it achieved a high level of develo ...
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Raoul Auger Feuillet
Raoul Auger (or Anger) Feuillet (c.1660–1710) was a French dance notator, publisher and choreographer most well-known today for his ''Chorégraphie, ou l'art de décrire la danse'' (Paris, 1700) which described Beauchamp–Feuillet notation, and his subsequent collections of ballroom and theatrical dances, which included his own choreographies as well as those of Pécour. His ''Chorégraphie'' (1700) was translated into English by John Weaver (as ''Orchesography. Or the Art of Dancing'') (1706) and P. Siris (as ''The Art of Dancing''), both published in 1706. Weaver also translated the ''Traité de la cadance'' from Feuillet's 1704 ''Recŭeil de dances'' (as ''A Small Treatise of Time and Cadence in Dancing'', 1706). Feuillet's ''Recŭeil de contredances'' (1706), a collection of English country dances, was translated into English by John Essex (as ''For the Furthur Improvement of Dancing'', 1710).Essex, John (1710''For the Furthur Improvement of Dancing'' References E ...
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Pino Mlakar
Pino Mlakar () (2 March 1907, Novo Mesto – 30 September 2006) was a Slovenian ballet dancer, choreographer, and teacher. He was born in Novo Mesto. In 1927 he graduated from the Rudolf Laban Choreographic Institute in Hamburg. He was a member of the Ljubljana Opera and Ballet Company from 1946 to 1960. For 25 years he was a full professor at the Academy for Theatre, Radio, Film and Television (AGRFT) of the University of Ljubljana. He was married to fellow choreographer Maria Luiza Pia Beatrice Scholz (1910–2000), who was professionally known as Pia Mlakar. Their daughter Veronika Mlakar was also a ballet dancer. He died in Novo Mesto Novo Mesto (; sl, Novo mesto; also known by other alternative names) is a city on a bend of the Krka River in the City Municipality of Novo Mesto in southeastern Slovenia, close to the border with Croatia. The town is traditionally considered .... External links Obituary (1 October 2006) "Umrl Pino Mlakar" ''24ur'' Ljubljan ...
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Josephslegende
''Josephslegende'' (''The Legend of Joseph''), Op. 63, is a ballet in one act for the Ballets Russes based on the story of Potiphar's Wife, with a libretto by Hugo von Hofmannsthal and Harry Graf Kessler and music by Richard Strauss. Composed in 1912–14, it premiered at the Paris Opera on 14 May 1914. Composition Hugo von Hofmannsthal first proposed the ''Josephslegende'' to Strauss as a ''Zwischenarbeit'' (interim work) between ''Ariadne auf Naxos'' and ''Die Frau ohne Schatten''. Composition began in June 1912, but in a letter of 11 September Strauss confided that the work wasn't progressing as quickly as he expected: "The chaste Joseph himself isn't at all up my street, and if a thing bores me I find it difficult to set it to music. This God-seeker Joseph – he's going to be a hell of an effort!" Strauss drew on earlier sketches for his abandoned ballet ''Die Insel Kythere'' and wrote for an outsized orchestra with exotic instrumental colouring including four harps, large ...
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Hiroshi Wakasugi
was a Japanese orchestra conductor. He premiered many of the major Western operas in Japan, and was honoured with many awards for cultural achievement. He was best known for conducting works by German composers such as Richard Wagner, Anton Bruckner, Gustav Mahler, and Richard Strauss. Biography Wakasugi was born in Tokyo. His father, Kaname, served as the Japanese Consul-General in New York City, assisting Ambassador Kichisaburo Nomura. In his teenage years Wakasugi worked as a répétiteur for the Tokyo Nikikai Opera. Nevertheless, he attended the Faculty of Economics at Keio University, but soon dropped out to study music with Hideo Saito and Nobori Kaneko at the Tokyo University of the Arts. After graduation he was appointed researching conductor of the NHK Symphony Orchestra. From 1965 he led and developed the Yomiuri Nippon Symphony Orchestra, now one of the leading orchestras in Japan. For leading the Japanese premiere of Penderecki's ''St. Luke Passion (Penderecki), ...
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Tokyo Metropolitan Symphony Orchestra
The , also known as Tokyō (都響), is one of the representative symphony orchestras of Japan. The Orchestra was founded in 1965 by the Tokyo Metropolitan Government, to commemorate the Tokyo Olympics (1964 Summer Olympics). Currently Kazushi Ono serves as Music Director, Alan Gilbert as Principal Guest Conductor, Kazuhiro Koizumi as Honorary Conductor for Life and Eliahu Inbal as Conductor Laureate. Their offices are based at the Tokyo Bunka Kaikan, a concert venue owned by the Tokyo Metropolitan Government. They perform regularly at Tokyo Bunka Kaikan, Suntory Hall and Tokyo Metropolitan Theatre. Traditionally, the Orchestra performs the works of Gustav Mahler as an important part of their repertoire. Hiroshi Wakasugi, Eliahu Inbal and Gary Bertini have performed all the symphonies of Mahler with the orchestra. The Orchestra has received much international acclaim through overseas performances in Europe, North America and Asia. In November 2015, They brought a tour in Europ ...
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Orpheus Chamber Orchestra
The Orpheus Chamber Orchestra (founded 1972) is a classical music chamber orchestra based in New York City. They have won several Grammy Awards. The orchestra is known for its collaborative leadership style in which the musicians, not a conductor, interpret the score. History The Orpheus Chamber Orchestra was founded in 1972 by Julian Fifer and a group of young musicians. With 71 albums, including the Grammy Award-winning ''Shadow Dances: Stravinsky Miniatures'', and 42 commissioned and premiered original works, Orpheus rotates musical leadership roles for each work. Performing without a conductor, Orpheus presents an annual series at Carnegie Hall and tours extensively to major national and international venues. Collaborators of Orpheus include Fazıl Say, Isaac Stern, Gidon Kremer, Itzhak Perlman, Gil Shaham, Yo-Yo Ma, Mischa Maisky, Emanuel Ax, Richard Goode, Alicia de Larrocha, Radu Lupu, Martha Argerich, Alfred Brendel, Horacio Gutierrez, Murray Perahia, Peter Serkin, ...
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