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Directors Guild Of Japan
The is a trade union created to represent the interests of film directors in the film industry in Japan. It was founded in 1936, with Minoru Murata serving as the first president, and has continued to this day apart from a period between 1943 and 1949 when it was disbanded at first on orders from the government. It is particularly concerned with protecting the copyright and other rights the director has over the work, defending freedom of expression, and promoting the economic interests of its members. For instance, it has issued protests against efforts to prevent screenings of such films as ''Yasukuni (2007 film), Yasukuni'' and ''The Cove (film), The Cove''. The Guild also produced the film ''Eiga kantoku tte nan da'' ("What Is a Film Director?") on the occasion of its 70th anniversary to promote its view that the director possesses the copyright of a film. It also gives out an annual Directors Guild of Japan New Directors Award, New Directors Award. The current president is Y� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trade Union
A trade union (labor union in American English), often simply referred to as a union, is an organization of workers intent on "maintaining or improving the conditions of their employment", ch. I such as attaining better wages and benefits (such as holiday, health care, and retirement), improving working conditions, improving safety standards, establishing complaint procedures, developing rules governing status of employees (rules governing promotions, just-cause conditions for termination) and protecting the integrity of their trade through the increased bargaining power wielded by solidarity among workers. Trade unions typically fund their head office and legal team functions through regularly imposed fees called ''union dues''. The delegate staff of the trade union representation in the workforce are usually made up of workplace volunteers who are often appointed by members in democratic elections. The trade union, through an elected leadership and bargaining committee, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenji Mizoguchi
was a Japanese film director and screenwriter, who directed about one hundred films during his career between 1923 and 1956. His most acclaimed works include ''The Story of the Last Chrysanthemums'' (1939), ''The Life of Oharu'' (1952), ''Ugetsu'' (1953), and '' Sansho the Bailiff'' (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema. Biography Early years Mizoguchi was born in Hongō, Tokyo, as the second of three children, to Zentaro Miguchi, a roofing carpenter, and his wife Masa. The family's background was relatively humble until the father's failed business venture of selling raincoats to the Japanese troops during the Russo-Japanese War. The family was forced to move to the downtown district of Asakusa and gave Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trade Unions In Japan
Labour unions emerged in Japan in the second half of the Meiji period, after 1890, as the country underwent a period of rapid industrialization.Nimura, K''The Formation of Japanese Labor Movement: 1868-1914''(Translated by Terry Boardman). Retrieved 11 June 2011 Until 1945, however, the labour movement remained weak, impeded by a lack of legal rights,Cross CurrentsLabor unions in Japan.CULCON. Retrieved 11 June 2011 anti-union legislation, management-organized factory councils, and political divisions between “cooperative” and radical unionists.Weathers, C. (2009). Business and Labor. In William M. Tsutsui, ed., ''A Companion to Japanese History'' (2009) pp. 493-510. In the immediate aftermath of the Second World War, the U.S. Occupation authorities initially encouraged the formation of independent unions, but reversed course as part of broader anti-Communist measures. The legislation was passed that enshrined the right to organize, and membership rapidly rose to 5 million by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Organizations In Japan
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōji Yamada
is a Japanese film director best known for his ''Otoko wa Tsurai yo'' series of films and his Samurai Trilogy (''The Twilight Samurai'', ''The Hidden Blade'' and '' Love and Honor''). Biography He was born in Osaka, but due to his father's job as an engineer for the South Manchuria Railway, he was brought up in Dalian, China. from the age of two. Following the end of World War II, he returned to Japan and subsequently lived in Yamagata Prefecture. After receiving his degree from Tokyo University in 1954, he entered Shochiku and worked under Yoshitaro Nomura as a scriptwriter or as an assistant director. He won many awards throughout his lengthy career and is well respected in Japan and by critics throughout the world. He wrote his first screenplay in 1958, and directed his first movie in 1961. Yamada continues to make movies to this day. He once served as president of the Directors Guild of Japan, and is currently a guest professor of Ritsumeikan University. Tora-san series ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinji Fukasaku
was a Japanese film director and screenwriter. Known for his "broad range and innovative filmmaking," Fukasaku worked in many different genres and styles, but was best known for his gritty yakuza films, typified by the ''Battles Without Honor and Humanity'' series (1973–1976). According to the Berkeley Art Museum and Pacific Film Archive, "his turbulent energy and at times extreme violence express a cynical critique of social conditions and genuine sympathy for those left out of Japan's postwar prosperity." He used a '' cinema verite''-inspired shaky camera technique in many of his films from the early 1970s. Fukasaku wrote and directed over 60 films between 1961 and 2003. Some Western sources have associated him with the Japanese New Wave movement of the '60s and '70s, but this belies his commercial success. His works include the Japanese portion of the Hollywood war film ''Tora! Tora! Tora!'' (1970), ''jidaigeki'' such as ''Shogun's Samurai'' (1978), the space opera ''Mes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagisa Ōshima
was a Japanese film director and screenwriter. One of the foremost directors within the Japanese New Wave, his films include ''In the Realm of the Senses'' (1976), a sexually explicit film set in 1930s Japan, and ''Merry Christmas, Mr. Lawrence'' (1983), about World War II prisoners of war held by the Japanese. Early life After graduating from Kyoto University in 1954, where he studied political history, Ōshima was hired by film production company Shochiku Ltd. and quickly progressed to directing his own movies, making his debut feature ''A Town of Love and Hope'' in 1959. 1960s Ōshima's cinematic career and influence developed very swiftly, and such films as ''Cruel Story of Youth'', ''The Sun's Burial'' and ''Night and Fog in Japan'' followed in 1960. The last of these 1960 films explored Ōshima's disillusionment with the traditional political left, and his frustrations with the right, and Shochiku withdrew the film from circulation after less than a week, claiming that, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinosuke Gosho
was a Japanese film director and screenwriter who directed Japan's first sound film, '' The Neighbor's Wife and Mine'', in 1931. His films are mostly associated with the shomin-geki (lit. "common people drama") genre. Among his most noted works are ''Where Chimneys Are Seen'', '' An Inn at Osaka'', ''Takekurabe'' and ''Yellow Crow''. Life Gosho was born on January 24, 1902, in Kanda, Tokyo, to merchant Heisuke Gosho and his father's geisha mistress. At the age of five, after Heisuke's eldest son died, Gosho left his mother to be the successor to his father's wholesale business. He studied business at Keio University, graduating in 1923. Through his father's close relation to film director Yasujirō Shimazu, Gosho was able to join the Shochiku film studios and worked as assistant director to Shimazu. In 1925, Gosho debuted as a director with the film ''Nantō no haru''. His films of the 1920s are nowadays regarded as lost. Gosho's first notable success, and Japan's first feat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Ozu
was a Japanese film director and screenwriter. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are marriage and family, especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953), and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, the second son of merchant Toranosuke Ozu and his wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yōichi Sai
was a Japanese film director. He was the president of the Directors Guild of Japan. Life and career Sai was born on 6 July 1949 in Nagano Prefecture, Japan. His mother was Japanese and his father was Zainichi Korean. Sai won the Best Screenplay award at the 11th Yokohama Film Festival for '' A Sign Days''. In 1999, he shot ''The Pig's Retribution'', a film set in the lavish natural scenery of Okinawa, inspired by the 1996 Akutagawa Prize-winning eponymous novel by Eiki Matayoshi. The film won the Don Quixote prize at the Locarno International Film Festival in 1999. Sai directed '' Blood and Bones'', a film starring Takeshi Kitano. He has also directed films such as ''Marks'', '' Doing Time'', ''Quill'', '' Soo'' and '' Kamui Gaiden''. As an actor, Sai appeared in Nagisa Oshima's 1999 film ''Taboo'' and Masahiko Nagasawa's 2003 film ''The Thirteen Steps''. Sai's 2004 film ''Blood and Bones'' won four Japanese Academy Awards, including two for Sai himself, for Best Directo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Directors
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Directors Guild Of Japan New Directors Award
The is given annually by the Directors Guild of Japan to a new director of a film released that year who is considered the most "suitable" for the award. The winner is selected by a committee formed of DGJ members. All formats—feature film, documentary, television, video, etc.—are eligible for consideration. In some years when there was no apparent winner, the Guild only issued a "citation" () or did not give out the award. Multiple awards have been given in other years. With a long history, many of Japan's major postwar directors have received the award, including Nagisa Ōshima, Susumu Hani, Yoshimitsu Morita, Masayuki Suo, Takeshi Kitano, and Shunji Iwai is a Japanese film director, video artist, writer and documentary maker. Life and career Iwai was born in Sendai, Miyagi, Japan. He attended Yokohama National University, graduating in 1987. In 1988 he started out in the Japanese entertainment .... Recipients Recipients of the Directors Guild of Japan New Directors Awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
