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Dramatic Theory
Dramatic theory attempts to form theories about theatre and drama. Drama is defined as a form of art in which a written play is used as basis for a performance. Dramatic theory is studied as part of theatre studies. Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry and epics, which evoke imagination in the reader. Dramatic theory was already discussed in the Antiquities p.e. by Aristotle (Poetics (Aristotle), ''Poetics'') in Ancient Greek and Bharata Muni (''Natyasastra'') in Ancient India. Some tried to systematize existent plays based on common traits or to justify them compared to other types of plays. Others created schemes for future plays for them to accomplish political or ethical aims or simply as a guide to create good plays. Modern dramatic theory is based on the idea that drama is a plurimedial form of art. Therefore, a drama cannot be completely comprehended from the text alone. Understanding requir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Drama Theory
In operations research, drama theory is one of several problem structuring methods. It is based on game theory and adapts the use of games to complex organisational situations, accounting for emotional responses that can provoke irrational reactions and lead the players to redefine the game. In a drama, emotions trigger rationalizations that create changes in the game, and so change follows change until either all conflicts are resolved or action becomes necessary. The game as redefined is then played. Drama theory was devised by professor Nigel Howard in the early 1990s and, since then, has been turned to defense, political, health, industrial relations and commercial applications. Drama theory is an extension of Howard's metagame analysis work developed at the University of Pennsylvania in the late 1960s, and presented formally in his book ''Paradoxes of Rationality'', published by MIT Press. Metagame analysis was originally used to advise on the Strategic Arms Limitation Talk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Postdramatic Theatre
The notion of postdramatic theatre was established by German theatre researcher Hans-Thies Lehmann in his book ''Postdramatic Theatre'', summarising a number of tendencies and stylistic traits occurring in avant-garde theatre since the end of the 1960s. The theatre which Lehmann calls postdramatic is not primarily focused on the drama in itself, but evolves a performative aesthetic in which the text of the performance is put in a special relation to the material situation of the performance and the stage. The postdramatic theatre attempts to mimic the unassembled and unorganized literature that a playwright sketches in the novel. Postdramatic theatre, thus, strives to produce an effect amongst the spectators rather than to remain true to the text. Lehmann locates what he calls 'the new theatre' as part of 'a simultaneous and multi-perspectival form of perceiving'; this, he argues is brought about, in large part, by a reaction to the dominance of the written text. The new theatre, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Liutprand Of Cremona
Liutprand, also Liudprand, Liuprand, Lioutio, Liucius, Liuzo, and Lioutsios ( – 972),"LIUTPRAND OF CREMONA" in ''The Oxford Dictionary of Byzantium'', Oxford University Press, New York & Oxford, 1991, p. 1241. was a historian, diplomat, and the bishop of Cremona born in northern Italy, whose works are an important source for the politics of the 10th-century Byzantine court. Early life and career Liutprand was born into a prominent family from Pavia, of Lombard origins, around 920. In 931 he entered service as page to Hugh of Arles, who kept court at Pavia as King of Italy and who married the notorious and powerful Marozia of Rome. Liutprand was educated at the court and became a Deacon at the Cathedral of Pavia. After Hugh died in 947, leaving his son and co-ruler Lothair on the throne as King of Italy, Liutprand became confidential secretary to the actual ruler of Italy, Berengar II, marchese d'Ivrea, for whom he became chancellor. Mission to Constantinople In 949, Bere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Loss Of Books In Late Antiquity
Much of the cultural heritage of classical antiquity was lost as a consequence of the loss of books in late antiquity, which in the west was the period from the late third to late sixth century CE. A major part of antique Greek and Latin literature was lost during this period, and only a small number of works remained extant to the Early Modern Age. Most of these works are available in Medieval copies, while very few original documents of antiquity were known preserved, until recent discoveries of papyri and parchments. Discoveries of palimpsest copies of significant classical texts have also been particularly studied since the 19th century. Among the causes of the loss of books in late antiquity, there is evidence for systematic annihilation of Christian scriptures in the persecution of Christians, as well as pagan scriptures in the course of the Christianization Christianization (or Christianisation) is a term for the specific type of change that occurs when someone or som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tertullian
Tertullian (; ; 155 – 220 AD) was a prolific Early Christianity, early Christian author from Roman Carthage, Carthage in the Africa (Roman province), Roman province of Africa. He was the first Christian author to produce an extensive corpus of Latin literature, Latin Christian literature and was an early Christian apologetics, Christian apologist and a polemicist against Heresy in Christianity, heresy, including contemporary Christian Gnosticism. Tertullian was the first theologian to write in Latin, and so has been called "the father of Latin Christianity", as well as "History of Christian theology, the founder of Western theology". He is perhaps most famous for being the first writer in Latin known to use the term ''trinity'' (Latin: ''trinitas''). Tertullian originated new theological concepts and advanced the development of early Church doctrine. However, some of his teachings, such as the Subordinationism, subordination of God the Son, the Son and Holy Spirit in C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Horace
Quintus Horatius Flaccus (; 8 December 65 BC – 27 November 8 BC), Suetonius, Life of Horace commonly known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his '' Odes'' as the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words."Quintilian 10.1.96. The only other lyrical poet Quintilian thought comparable with Horace was the now obscure poet/metrical theorist, Caesius Bassus (R. Tarrant, ''Ancient Receptions of Horace'', 280) Horace also crafted elegant hexameter verses ('' Satires'' and '' Epistles'') and caustic iambic poetry ('' Epodes''). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Peripety
Peripeteia (, peripety, alternative Latin form: Peripetīa, ultimately from ) is a reversal of circumstances, or turning point, within a work of literature. Aristotle's view Aristotle, in his ''Poetics'', defines peripeteia as "a change by which the action veers round to its opposite, subject always to our rule of probability or necessity." According to Aristotle, peripeteia, along with discovery, is the most effective when it comes to drama, particularly in a tragedy. He wrote that "The finest form of Discovery is one attended by Peripeteia, like that which goes with the Discovery in Oedipus...". Aristotle says that peripeteia is the most powerful part of a plot in a tragedy along with discovery (anagnorisis). A peripety is the change of the kind described from one state of things within the play to its opposite, and that too in the way we are saying, in the probable or necessary sequence of events. There is often no element like Peripeteia; it can bring forth or result in terr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Anagnorisis
Anagnorisis (; ) is a moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for. Anagnorisis was the hero's sudden awareness of a real situation, the realization of things as they stood, and finally, the hero's insight into a relationship with an often antagonistic character in Aristotelian tragedy. Tragedy In his '' Poetics,'' Aristotle discussed peripeteia. In this work, he defined anagnorisis as "a change from ignorance to knowledge, producing love or hate between the persons destined by the poet for good or bad fortune" (1452a). Anagnorisis is often discussed along with Aristotle's concept of catharsis. In the Aristotelian definition of tragedy, it was the discovery of one's own identity or true character (e.g. Cordelia, Edgar, Edmund, etc. in Shakespeare's ''King Lear'') or of someone else's identity or true nature (e.g. Lear's chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Classical Unities
The classical unities, Aristotelian unities, or three unities represent a prescriptive theory of dramatic tragedy that was introduced in Italy in the 16th century and was influential for three centuries. The three unities are: #''unity of action'': a tragedy should have one principal action. #''unity of time'': the action in a tragedy should occur over a period of no more than 24 hours. #''unity of place'': a tragedy should exist in a single physical location. History Italy In 1514, author and critic Gian Giorgio Trissino (1478 – 1550) introduced the concept of the unities in his blank-verse tragedy, ''Sofonisba''. Trissino claimed he was following Aristotle. However, Trissino had no access to Aristotle's most significant work on the tragic form, ''Poetics''. Trissino expanded with his own ideas on what he was able to glean from Aristotle's book, ''Rhetoric''. In ''Rhetoric'' Aristotle considers the dramatic elements of action and time, while focusing on audience reception. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Catharsis
Catharsis is from the Ancient Greek word , , meaning "purification" or "cleansing", commonly used to refer to the purification and purgation of thoughts and emotions by way of expressing them. The desired result is an emotional state of renewal and restoration. In dramaturgy, the term usually refers to arousing negative emotion in an audience, who subsequently expels it, making them feel happier. In Greek the term originally had only a physical meaning, describing purification practices. In medicine, it can still refer to the evacuation of the '' catamenia'' ("monthlies", menstrual fluid). Similarly, a cathartic is a substance that accelerates the defecation of faeces. The first recorded uses of the term in a mental sense were by Aristotle in the ''Politics'' and '' Poetics'', comparing the effects of music and tragedy on the mind of a spectator to the effect of catharsis on the body.Aristotle, ''Poetics''1449b/ref> The term is also used in Greek to refer to the spiritual p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Mimesis
Mimesis (; , ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including '' imitatio'', imitation, similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' () derives from ''mīmeisthai'' (, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation, with '' diegesis'', or narrative. After Plato, the meaning of ''mimesis'' eventually shifted toward a specifically literary function in ancient Greek society. One of the best-known modern studies of mimesis—understood in literature as a form of realism—is Erich Auerbach's '' Mimesis: The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Aristotle
Aristotle (; 384–322 BC) was an Ancient Greek philosophy, Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts. As the founder of the Peripatetic school of philosophy in the Lyceum (classical), Lyceum in Athens, he began the wider Aristotelianism, Aristotelian tradition that followed, which set the groundwork for the development of modern science. Little is known about Aristotle's life. He was born in the city of Stagira (ancient city), Stagira in northern Greece during the Classical Greece, Classical period. His father, Nicomachus (father of Aristotle), Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At around eighteen years old, he joined Plato's Platonic Academy, Academy in Athens and remained there until the age of thirty seven (). Shortly after Plato died, Aristotle left Athens and, at the request ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
