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Dramatic Convention
Dramatic conventions are the specific actions and techniques the actor, writer or director has employed to create a desired dramatic effect or style. A ''dramatic convention'' is a set of rules which both the audience and actors are familiar with and which act as a useful way of quickly signifying the nature of the action or of a character. All forms of theatre have dramatic conventions, some of which may be unique to that particular form, such as the poses used by actors in Japanese kabuki theatre to establish a character, or the stock character of the black-cloaked, mustache-twirling villain in early cinema melodrama serials. It can also include an implausible facet of a performance required by the technical limitations or artistic nature of a production and which is accepted by the audience as part of suspension of disbelief. For example, a dramatic convention in Shakespeare is that a character can move downstage to deliver a soliloquy which be heard by the other characters on ...
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Drama
Drama is the specific Mode (literature), mode of fiction Mimesis, represented in performance: a Play (theatre), play, opera, mime, ballet, etc., performed in a theatre, or on Radio drama, radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' ()—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''Play (theatre), play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') wa ...
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Rule
Rule or ruling may refer to: Human activity * The exercise of political or personal control by someone with authority or power * Business rule, a rule pertaining to the structure or behavior internal to a business * School rule, a rule that is part of school discipline * Sport rule, a rule that defines how a sport is played * Game rule, a rule that defines how a game is played * Morality, a rule or element of a moral code for guiding choices in human behavior * Norm (philosophy), a kind of sentence or a reason to act, feel or believe * Social norm, explicit or implicit rules used within society or by a group * Rule of thumb, a principle with broad application that is not intended to be strictly accurate or reliable for every situation * Unspoken rule, an assumed rule of human behavior that is not voiced or written down Science * Ruler or "rule"; a distance measuring device * Slide rule, a mechanical analog computer * Rule of inference or transformation rule, a term in lo ...
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Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ...
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Stock Character
A stock character, also known as a character archetype, is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention. There is a wide range of stock characters, covering people of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with the stock characters of a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. ...
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Melodrama
A melodrama is a Drama, dramatic work in which plot, typically sensationalized for a strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". Melodramas typically concentrate on dialogue that is often bombastic or extremely sentimentality, sentimental, rather than on action. Characters are often Character (arts)#Round vs. flat, flat and written to fulfill established character archetypes. Melodramas are typically set in the private sphere of the home, focusing on morality, family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, film, or television is usually accompanied by dramatic and suggestive music that offers further cues to the audience of the dramatic beats being presented. In scholarly and historical musical contexts, melodramas are Victorian era, Victorian dramas in which orchestral music or son ...
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Suspension Of Disbelief
Suspension of disbelief is the avoidance—often described as willing—of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative. Historically, the concept originates in the Greco-Roman principles of theatre, wherein the audience ignores the unreality of fiction to experience catharsis from the actions and experiences of characters. The phrase was coined and elaborated upon by the English poet and philosopher Samuel Taylor Coleridge in his 1817 work '' Biographia Literaria'': "that willing suspension of disbelief for the moment, which constitutes poetic faith". Origin The phrase first appeared in English poet and aesthetic philosopher Samuel Taylor Coleridge's '' Biographia Literaria'', where he suggested that if an author could infuse a "human interest and a semblance of truth" into a story with implausible elements, ...
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Shakespeare
William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the " Bard of Avon" or simply "the Bard". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Sometime between 1585 and 1592 he began a successful career in Lon ...
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Soliloquy
A soliloquy (, from Latin 'alone' and 'to speak', ) is a speech in drama in which a character speaks their thoughts aloud, typically while alone on stage. It serves to reveal the character's inner feelings, motivations, or plans directly to the audience, providing information that would not otherwise be accessible through dialogue with other characters. They are used as a Plot device, narrative device to deepen character development, advance the plot, and offer the audience a clearer understanding of the psychological or emotional state of the speaker. Soliloquies are distinguished from monologues by their introspective nature and by the absence or disregard of other characters on the stage. The soliloquy became especially prominent during the English Renaissance theatre, Elizabethan and Jacobean periods, when playwrights used it as a means to explore complex human emotions and ethical dilemmas. William Shakespeare employed soliloquies extensively in his plays, using them to ...
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Musical Theatre
Musical theatre is a form of theatre, theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Edward Harrigan, Harrigan and Tony Hart (theater), Hart in America. ...
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Flashback (narrative)
A flashback, more formally known as analepsis, is an interjected scene (fiction), scene that takes the narrative back in time from the current point in the Plot (narrative), story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in film noir and melodrama films. In films and television, several camera techniques, editing approaches and special e ...
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Flashforward
A flashforward (also spelled flash-forward, and more formally known as prolepsis) is a scene that temporarily takes the narrative forward in time from the current point of the story in literature, film, television and other media. Flashforwards are often used to represent events expected, projected, or imagined to occur in the future. They may also reveal significant parts of the story that have not yet occurred, but soon will in greater detail. It is similar to foreshadowing, in which future events are not shown but rather implicitly hinted at. It is also similar to an ellipsis, which takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a postmodern narrative device, named by analogy to the more traditional flashback, which reveals events that occurred in the past. Literature An early example of prolepsis which predates the postmodern period is Charles Dickens' 1843 novella '' A Chr ...
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Humanities
Humanities are academic disciplines that study aspects of human society and culture, including Philosophy, certain fundamental questions asked by humans. During the Renaissance, the term "humanities" referred to the study of classical literature and language, as opposed to the study of religion, or "divinity". The study of the humanities was a key part of the secular curriculum in universities at the time. Today, the humanities are more frequently defined as any fields of study outside of natural sciences, social sciences, formal sciences (like mathematics), and applied sciences (or Professional development, professional training). They use methods that are primarily Critical theory, critical, speculative, or interpretative and have a significant historical element—as distinguished from the mainly Empirical method, empirical approaches of science."Humanity" 2.b, ''Oxford English Dictionary'', 3rd ed. (2003). The humanities include the academic study of philosophy, religion, histo ...
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