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Dorian ♭2 Scale
The Dorian 2 scale, also known as the Phrygian 6 scale, is the second mode of the jazz minor scale (or the ascending melodic minor scale). It is on the second degree of the jazz minor scale. Without the minor second above the root, the scale would just be the Dorian mode. The reason it is also known as Phrygian 6 is because if the scale did not have the major 6th then it would be enharmonic with the Phrygian mode. This scale is commonly used in Assyrian music, most especially in the folk dance genre. Thought to add color and to retain the Phrygian tradition of Assyrian music, the major sixth may at times be simultaneously altered to the minor sixth during the course of the composition. Rimmer, Joan, ''Ancient Musical Instruments of Western Asia in the British Museum'', London 1969, p. 39.f.pl.21, 17, 18, 199 See also * Jazz scale A jazz scale is any musical scale used in jazz. Many "jazz scales" are common scales drawn from European classical music, Western European clas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unison
Unison (stylised as UNISON) is a Great Britain, British trade union. Along with Unite the Union, Unite, Unison is one of the two largest trade unions in the United Kingdom, with over 1.2 million members who work predominantly in public services, including local government, education, health and outsourcing, outsourced services. The union was formed in 1993 when three public sector trade unions, the National Association of Local Government Officers, National and Local Government Officers Association (NALGO), the National Union of Public Employees (NUPE) and the Confederation of Health Service Employees (COHSE) merged. UNISON's current general secretary is Christina McAnea, who replaced Dave Prentis in 2021. Members and organisation Members of UNISON are typically from industries within the public sector and generally cover both full-time and part-time support and administrative staff. The majority of people joining UNISON are workers within sectors such as local government, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Minor Scale
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements and styles of melody "many extant explanations f melod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Rimmer
Joan Rimmer (11 December 1918 – 29 December 2014) was an English musicologist who specialised in the history of musical instruments (especially the Irish harp) and in historical dance forms. She was also a pioneer in ethnomusicology who presented, in the course of 30 years, numerous programmes on traditional music from around to the world on BBC radio. Life and career Rimmer was born in the Battersea district of London, to Marion (nee Layzell), a bookkeeper, and Edmund Rimmer, a musician, and grew up in Kensington. At age 12, she gained a scholarship to the Royal College of Music where she later studied piano with Cyril Smith and won the Hopkinson Gold Medal, graduating in 1939. She became a music teacher at Putney High School and Roehampton Training College while also giving public piano recitals. In 1948, Rimmer began a long association with the BBC, which lasted about 30 years. Initially she was a station pianist, presented educational programmes for children, and produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Academic Society
The Assyrian Studies Association (ASA), formerly the Assyrian Academic Society, is an academic, educational and minority organization of Assyrians in the United States. The modern organization of ASA was founded in 2019 to continue the AAS' original roles. From its original foundation, AAS was based in Chicago, a city with one of the largest communities of Assyrian Americans, and was established as a non-governmental organization dedicated to promotion and preservation of Assyrian cultural and historical heritage. Its activities included organization of lectures and seminars, promotion of Assyrian literature and native language, and cooperation with other Assyrian organizations, both in the United States and worldwide. The organization was a registered 501(C)(3) non-profit organization, without political affiliations. ASA's mission is to promote the academic study of the Assyrian heritage through supporting research, teaching, and intellectual collaboration among scholars in fiel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Sixth
In music theory, a minor sixth is a musical interval encompassing six staff positions (see Interval number for more details), and is one of two commonly occurring sixths (the other one being the major sixth). It is qualified as ''minor'' because it is the smaller of the two: the minor sixth spans eight semitones, the major sixth nine. For example, the interval from A to F is a minor sixth, as the note F lies eight semitones above A, and there are six staff positions from A to F. Diminished and augmented sixths span the same number of staff positions, but consist of a different number of semitones (seven and ten respectively). Equal temperament In 12-tone equal temperament (12-ET), the minor sixth is enharmonically equivalent to the augmented fifth. It occurs in first inversion major and dominant seventh chords and second inversion minor chords. It is equal to eight semitones, i.e. a ratio of 28/12:1 or simplified to 22/3:1 (about 1.587), or 800 cents. Just temperament ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altered Chord
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord." For example, altered notes may be used as leading tones to emphasize their diatonic neighbors. Contrast this with chord extensions: In jazz harmony, chromatic alteration is either the addition of notes not in the scale or expansion of a hordprogression by adding extra non-diatonic chords.Arkin, Eddie (2004). ''Creative Chord Substitution for Jazz Guitar'', p. 42. . For example, "A C major scale with an added D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borrowed Chord
A borrowed chord (also called mode mixture,Romeo, Sheila (1999). ''Complete Rock Keyboard Method: Mastering Rock Keyboard'', p. 42. . Bouchard, Joe and Romeo, Sheila (2007). ''The Total Rock Keyboardist'', p. 120. Alfred Music. . modal mixture, substituted chord,White, William Alfred (1911). Harmonic Part-writing', p. 42. Silver, Burdett, & Co. . modal interchange, or mutation) is a chord borrowed from the parallel key ( minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety through contrasting scale forms, which are major scales and the three forms of minor scales.Benward & Saker (2009), p. 71. Chords may also be borrowed from other parallel modes besides the major and minor mode, for example D Dorian with D major. The mixing of the major and minor modes developed in the Baroque period. Borrowed chords are distinguished from modulation by being brief enough that the tonic is not lost or displaced, and may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keilschrifttexte Aus Assur Religiösen Inhalts
Keilschrifttexte aus Assur religiösen Inhalts, often abbreviated as KAR, is a two-volume German publication by the Assyriologist from 1919 to 1923. The work offers a critical edition of several hundred cuneiform tablets discovered during 1903–1914 German excavations directed by Walter Andrae and Julius Jordan in the former Assyrian capital city Assur, dating to the reign of Ashurbanipal (7th century BC). The compiled inscriptions also form one of the main primary sources for the tablets used in reconstructing the famous creation epic, the Enuma Elish. Inscriptions in KAR are itemized according to the order of their appearance in the work. Therefore, the 34th tablet is numbered as KAR 34. Volume 1 contains inscriptions KAR 1–175, and Volume 2 contains inscriptions KAR 176–472. A number of inscriptions from KAR have been digitized and more information about them can now be found on databases including the Cuneiform Digital Library Initiative and Oracc (Open Richly Annotate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian Folk Dance
Assyrian folk dances are sets of dances that are performed throughout the world by Assyrians, mostly on occasions such as weddings, community parties and other jubilant events. Assyrian folk dances are mainly made up of circle dances like ballet that are performed in a line, which may be straight, curved, or both. Most of the dances allow unlimited number of participants, with the exception of the ''Sabre Dance'', which require three at most. Assyrian dances would vary from weak to strong, depending on the mood and tempo of a song. Assyrian folk dances belong to five metric groups: (10 dances), (6 dances), (13 dances), (1 dance), (1 dance). The tempo would usually range from slow (70 beats per minute) to very fast (140 beats). Technique All Assyrian dances, with the exception of the ''Sabre Dance'', are done in a connected circle. Most Assyrian circle dances are lateral, vining and open-ended, where more and more participants can join the dance. In an open floor space, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assyrian/Syriac Folk Music
Assyrian folk/pop music, also known as Assyrian folk-pop, is the musical style of the Assyrian people derived from traditional music that includes a broad range of stylistic varieties, which would also encompass fusions of Western genres such as pop, electronic, Latin, jazz and/or classical music, with a melodic basis of Assyrian folk. Background Assyrian folk music claims to be the descendant of the music of their ancient Upper Mesopotamian ancestors that has survived in the liturgical music of the Syriac Churches. Assyrian songs are generally sung in Iraqi Koine, a standard variety of Assyrian Neo-Aramaic. However, older songs mostly had an Urmian dialect and tribal-folk music tend to contain Tyari dialects. Themes tend to focus on longing, melancholy, strife and love issues. Assyrian songs are usually lengthy, tending to be around 5 minutes long on average. Composition Assyrian folk can also be found in traditional Middle Eastern makams, and it has similarities to othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrygian Mode
: The Phrygian mode (pronounced ) can refer to three different musical modes: the ancient Greek ''tonos'' or ''harmonia,'' sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. Ancient Greek Phrygian The octave species (scale) underlying the ancient-Greek Phrygian ''tonos'' (in its diatonic genus) corresponds to the medieval and modern Dorian mode. The terminology is based on the '' Elements'' by Aristoxenos (fl. ), a disciple of Aristotle. The Phrygian ''tonos'' or ''harmonia'' is named after the ancient kingdom of Phrygia in Anatolia. In Greek music theory, the ''harmonia'' given this name was based on a ''tonos'', in turn based on a scale or octave species built from a tetrachord which, in its diatonic genus, consisted of a series of rising intervals of a whole tone, followed by a semitone, followed by a whole tone. : In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorian Mode
The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek music, Ancient Greek ''harmoniai'' (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval Mode (music), musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself. : Greek Dorian mode The Dorian mode (properly ''harmonia'' or ''tonos'') is named after the Dorians, Dorian Greeks. Applied to a whole octave, the Dorian octave species was built upon two tetrachords (four-note segments) separated by a whole tone, running from the ''hypate meson'' to the ''nete diezeugmenon''. In the enharmonic genus, the intervals in each tetrachord are quarter tone–quarter tone–major third. : In the chromatic genus, they are semitone–semitone–minor third. : In the diatonic genus, they are semitone–tone–tone. : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
