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Don't Worry, Be Happy (other)
"Don't Worry, Be Happy" is a 1988 song by Bobby McFerrin, released as the first single from his album '' Simple Pleasures'' (1988). It was the first ''a cappella'' song to reach number-one on the ''Billboard'' Hot 100 chart, a position it held for two weeks. Originally released in conjunction with the film ''Cocktail'', the song peaked at number-one on September 24, 1988, displacing "Sweet Child o' Mine" by Guns N' Roses. The song also peaked at number 11 on the ''Billboard'' Hot Black Singles chart and number seven on the ''Billboard'' Hot Adult Contemporary Tracks chart. It hit number one in Australia and stayed there for 7 weeks. It was also a hit in the United Kingdom, reaching number two during its fifth week on the UK Singles Chart. In Canada, the song reached number one in its eighth week. One critic noted it as a "formula for facing life's trials". At the 1989 Grammy Awards, "Don't Worry, Be Happy" won the awards for Song of the Year, Record of the Year, and Best Mal ...
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Bobby McFerrin
Robert Keith McFerrin Jr. (born March 11, 1950) is an American folk and jazz singer. He is known for his vocal techniques, such as singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He is widely known for performing and recording regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes. McFerrin's song " Don't Worry, Be Happy" was a No. 1 U.S. pop hit in 1988 and won Song of the Year and Record of the Year honors at the 1989 Grammy Awards. McFerrin has also worked in collaboration with instrumentalists, including the pianists Chick Corea, Herbie Hancock, and Joe Zawinul, the drummer Tony Williams, and the cellist Yo-Yo Ma. Early life and education McFerrin was born in Manhattan, New York Ci ...
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Grammy Award For Best Male Pop Vocal Performance
The Grammy Award for Best Male Pop Vocal Performance was a Grammy Award recognizing superior vocal performance by a male in the pop category, the first of which was presented in 1959. It was discontinued after the 2011 Grammy season. The award went to the artist. Singles or tracks only are eligible. The awards have quite a convoluted history: *From 1959 to 1960 there was an award called Best Vocal Performance, Male, which was for work in the pop field *In 1961 the award was separated into Best Vocal Performance Single Record Or Track and Best Vocal Performance Album, Male *From 1962 to 1963 the awards from the previous year were combined into Best Solo Vocal Performance, Male *From 1964 to 1968 the award was called Best Vocal Performance, Male *In 1969, the awards were combined and streamlined as the award for Best Contemporary-Pop Vocal Performance, Male *From 1970 to 1971 the award was known as Best Contemporary Vocal Performance, Male *From 1972 to 1994 the award was known as Be ...
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Novelty Record
A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great popularity during the 1920s and 1930s. They had a resurgence of interest in the 1950s and 1960s. The term arose in Tin Pan Alley to describe one of the major divisions of popular music; the other two divisions were ballads and dance music. Humorous songs, or those containing humorous elements, are not necessarily novelty songs. Novelty songs are often a parody or humor song, and may apply to a current event such as a holiday or a fad such as a dance or TV programme. Many use unusual lyrics, subjects, sounds, or instrumentation, and may not even be musical. For example, the 1966 novelty song " They're Coming to Take Me Away, Ha-Ha ...
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Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Music of Jamaica, Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts * European Top 100 Albums (sales) * European Hot 100 Singles (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs breaking out of their country of signing) References External links ''Music & Media'' Archive on Americanradiohistory.com {{DEFAULTSORT:Music and Media Listings magazines Magazines about the media Magazines established in 1984 Magazines disestab ...
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Pop Culture
Pop or POP may refer to: Arts, entertainment, and media Music * Pop music, a musical genre Artists * POP, a Japanese idol group now known as Gang Parade * Pop!, a UK pop group * Pop! featuring Angie Hart, an Australian band Albums * ''Pop'' (Gas album) * ''Pop'' (Joachim Witt album) * ''Pop'' (Mao Abe album) * ''Pop'' (Same Difference album) * ''Pop'' (Tones on Tail album) * ''Pop'' (U2 album) * ''Pop'', an album by Topi Sorsakoski and Agents * ''P.O.P'', The Mad Capsule Markets album * '' Pop! The First 20 Hits'', an album by English duo Erasure Songs * "Pop" (song), by 'N Sync * "Pop", a song by A.R. Kane * "Pop", a song by Ari Lennox from ''Shea Butter Baby'' * "Pop", a song by La Oreja de Van Gogh from '' El viaje de Copperpot'' * " Pop!", a song by Nayeon from '' Im Nayeon'' Periodicals * ''Pop'' (fashion magazine), a British publication * ''Pop Magazine'', a sports magazine Television * Pop (American TV channel), formerly TVGN * Pop (British and Irish TV c ...
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Neumann U 87
The Neumann is a poly-directional large-diaphragm condenser microphone. Originally introduced in 1967, a version of the is still produced by Georg Neumann, Georg Neumann GmbH. The became an industry standard recording microphone, a reputation that continues to endure. The was inducted into the TEC Awards#TECnology Hall of Fame, TECnology Hall of Fame in 2006. Features The has a large 25.4 mm diaphragm, and can operate with any one of three selectable Microphone#Polar patterns, polar patterns: cardioid, omnidirectional, or figure-8. History Introduced in 1967 as the solid-state successor to the , Neumann introduced the alongside the , , and as part of the company's first 'FET 80' series of microphones that utilized use Solid-state electronics, solid-state Field-effect transistor, FET electronics that didn't require separate power supplies or multi-pin power cables and allowed the mics to be made smaller. The could be powered either by the newly introduced standard ...
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B Major
B major (or the key of B) is a major scale based on B. The pitches B, C, D, E, F, G, and A are all part of the B major scale. Its key signature has five sharps. Its relative minor is G-sharp minor, its parallel minor is B minor, and its enharmonic equivalent is C-flat major. The B major scale is: Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major until last because he considered it the hardest of all scales to play completely evenly (because of its complete lack of black notes). Few large-scale works in B major exist: these include Haydn's Symphony No. 46. The aria " La donna è mobile" from Verdi's opera ''Rigoletto'' is i ...
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Accent (sociolinguistics)
In sociolinguistics, an accent is a way of pronouncing a language that is distinctive to a country, area, social class, or individual. An accent may be identified with the locality in which its speakers reside (a regional or geographical accent), the socioeconomic status of its speakers, their ethnicity (an ethnolect), their caste or social class (a social accent), or influence from their first language (a foreign accent). Accents typically differ in quality of voice, pronunciation and distinction of vowels and consonants, stress, and prosody. Although grammar, semantics, vocabulary, and other language characteristics often vary concurrently with accent, the word "accent" may refer specifically to the differences in pronunciation, whereas the word "dialect" encompasses the broader set of linguistic differences. "Accent" is often a subset of "dialect". History As human beings spread out into isolated communities, stresses and peculiarities develop. Over time, they can develop ...
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Overdubbed
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ...
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Tuck & Patti
Tuck & Patti are an American jazz duo consisting of guitarist William Charles "Tuck" Andress (born Oct. 28, 1952 in Tulsa, Oklahoma) and singer Patricia "Patti" Cathcart Andress (born October 4, 1949, in San Francisco). Music career Guitarist Tuck Andress met singer Patti Cathcart at an audition in San Francisco in 1978. Before this, Andress studied classical music at Stanford and was a session musician with The Gap Band. Cathcart was also classically trained and was a member of The Brides of Funkenstein. Andress and Cathcart married in 1983. After moving to Cathcart's hometown of San Francisco, they worked in a rock and roll cover band. They declined offers of recording contracts so they could polish their sound. In 1987, they signed with Windham Hill Jazz, a subsidiary of Windham Hill for whom they recorded their breakout album, ''Tears of Joy'', which received airplay on jazz and pop radio stations around the U.S. They recorded several more albums for Windham Hill Jazz, then ...
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Meher Baba
Meher Baba (born Merwan Sheriar Irani; 25 February 1894  – 31 January 1969) was an Indian spiritual master who said he was the Avatar, or God in human form, of the age. A major spiritual figure of the 20th century, he had a following of hundreds of thousands of people, mostly in India, but with a significant number in the United States, Europe and Australia. Meher Baba's map of consciousness has been described as "a unique amalgam of Sufi, Vedic, and Yogic terminology". He taught that the goal of all beings was to gain consciousness of their own divinity, and to realise the absolute oneness of God. At the age of 19, Meher Baba began a seven-year period of spiritual transformation, during which he had encounters with Hazrat Babajan, Upasni Maharaj, Sai Baba of Shirdi, Tajuddin Baba, and Narayan Maharaj. In 1925, he began a 44-year period of observed silence, during which he communicated first using an alphabet board, and by 1954, entirely through hand gestures usi ...
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