Don't Throw It All Away
"Don't Throw It All Away" is a song written by British musician Gary Benson and first released by the Shadows on their 1975 album '' Specs Appeal''. Benson released his version as a single later the same year, which reached number 20 on the UK Singles Chart in the fall of 1975. Charts Lori Balmer version Australian pop singer Lori Balmer covered the song in 1976, reaching No. 66 in Australia. Charts Dave & Sugar version A country version by Dave & Sugar on their ''That's the Way Love Should Be'' LP, released in 1977, was the first of two American charting versions. Co-produced by Charley Pride, the song became the group's third U.S. top 10 hit, reaching number five on both the American and Canadian Country charts.Whitburn, p. 115 It was also a top 40 hit on the Easy Listening charts of both nations. Charts Stacy Lattisaw version Stacy Lattisaw covered "Don't Throw It All Away" in 1982. It was the first of three charting singles from her '' Sneakin' Out'' LP. The so ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gary Benson (musician)
Gary Benson (born Harry Hyams) is an English singer and songwriter. Career Benson spent eight weeks on the UK Singles Chart in 1975 with his own composition, " Don't Throw It All Away". The single, released on the State Records label (State Records STAT10), reached No. 20 on the chart, leading to an appearance on BBC Television's ''Top of the Pops''. The song had originally been recorded by the Shadows, and they had performed it in the 1975 ''A Song for Europe'' contest, where it finished fourth of six entries. The song was covered in the United States by the Delfonics in 1978. There are also a number of reggae versions that include a dancehall style cut by Barrington Levy. Olivia Newton-John recorded a version of the track, including it on her 1976 album ''Come On Over''. Benson had previously written a finalist for the 1974 UK competition, finishing last with the song "Someday", one of the six shortlisted entries performed by Olivia Newton-John. Benson had further attempt ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Helen Reddy
Helen Maxine Reddy (25 October 194129 September 2020) was an Australian-American singer, actress, television host, and activist. Born in Melbourne to a show business family, Reddy started her career as an entertainer at age four. She sang on radio and television and won a talent contest on the television program ''Bandstand (TV program), Bandstand'' in 1966; her prize was a ticket to New York City and a record audition, which was unsuccessful. After a short and unsuccessful singing career in New York, she eventually moved to Chicago, and subsequently, Los Angeles, where she made her debut singles "One Way Ticket (Stephen Lawrence song), One Way Ticket" and "I Believe in Music (song), I Believe in Music" in 1968 and 1970, respectively. The B-side of the latter single, "I Don't Know How to Love Him (song), I Don't Know How to Love Him", reached number eight on the pop chart of the Canadian magazine ''RPM (magazine), RPM''. She was signed to Capitol Records a year later. During the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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This One's For You (Barry Manilow Album)
''This One's For You'' is the fourth studio album by American singer-songwriter Barry Manilow released in 1976. The album went 2× platinum and yielded the hits " This One's for You", " Weekend in New England", " Looks Like We Made It", and the original version of " Daybreak". The album debuted on the ''Billboard'' Top LPs chart on August 21, 1976, peaking at number six in 1977. The album peaked at number 24 for two weeks on Canada's ''RPM'' albums chart. Track listing All music by Barry Manilow; all lyrics by Adrienne Anderson; except where indicated Side one #" This One's for You" (lyrics: Marty Panzer) - 3:25 #" Daybreak" - 3:10 #"You Oughta Be Home with Me" - 3:13 #"Jump Shout Boogie" (lyrics: Bruce Sussman) - 3:03 #" Weekend in New England" (Randy Edelman) - 3:43 Side two #"Riders to the Stars" - 3:47 #"Let Me Go" (lyrics: Marty Panzer) - 3:58 #" Looks Like We Made It" (music: Richard Kerr; lyrics: Will Jennings) - 3:33 #"Say the Words" (lyrics: Barry Manilow) - 2:53 # ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barry Manilow
Barry Manilow ( ; born Barry Alan Pincus on June 17, 1943) is an American singer, songwriter and record producer with a career that spans over sixty years. His hit recordings include "Could It Be Magic", "Looks Like We Made It", "Brandy (Scott English song)#Barry Manilow version, Mandy", "I Write the Songs", "Can't Smile Without You", "Weekend in New England", and "Copacabana (At the Copa)". Manilow has recorded and released 51 Top 40 singles on the Adult Contemporary Chart, including 13 that hit number one, 28 that appeared within the top ten, and 36 that reached the top twenty. He has released 13 platinum and six RIAA certification, multi-platinum albums. Although not a favorite artist of music critics, Manilow has been praised by his peers in the recording industry. In the 1970s, Frank Sinatra predicted: "He's next." As well as producing and arranging albums for himself and other artists, Manilow has written and performed songs for musicals, films, and commercials for corpo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Come On Over (Olivia Newton-John Album)
''Come On Over'' is the seventh studio album by British-Australian singer Olivia Newton-John, released in March 1976. The album peaked at number two on the US Top Country Albums chart and number 13 on the US ''Billboard'' 200. The lead single released from the album was the title song, written by Barry Gibb and Robin Gibb and originally featured on the Bee Gees' 1975 album ''Main Course''. It was a moderate pop hit, peaking at number 23 on the US ''Billboard'' Hot 100, but did much better on the country (number 5) and adult contemporary (seventh of ten number 1 singles) charts. In New Zealand, the title track reached number 3. The album's first track, a cover of Dolly Parton's " Jolene", was only released as a single in Japan, and it became a hit there, peaking at number 11 on the Oricon Singles Chart. The album itself was also a success in the Japanese market, reaching the number 2 position on the Oricon Albums Chart. It was released in Australia in 1978 where it peaked at ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Olivia Newton-John
Dame Olivia Newton-John (26 September 1948 – 8 August 2022) was a British and Australian singer and actress. With over 100 million records sold, Newton-John was one of the List of best-selling music artists#100 million to 119 million records, best-selling music artists of all time, as well as the highest-selling female Australian recording artist of all time. In 1978, Newton-John starred in the musical film ''Grease (film), Grease'', which was the highest-grossing musical film at the time and whose Grease: The Original Soundtrack from the Motion Picture, soundtrack remains one of the List of best-selling albums, world's best-selling albums. It features two major hit duets with co-star John Travolta: "You're the One That I Want"—which is one of the List of best-selling singles#15 million physical copies or more, best-selling singles of all time—and "Summer Nights (Grease song), Summer Nights". Her signature solo recordings include the Grammy Award for Record of the Year, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bubbling Under The Hot 100
Bubbling Under Hot 100 Singles (also known as Bubbling Under the Hot 100) is a chart published weekly by ''Billboard'' magazine in the United States. The chart lists the top songs that have not yet charted on the main ''Billboard'' Hot 100. Chart rankings are based on radio airplay, sales, and streams. In its initial years, the chart listed 15 positions, but expanded to as many as 36 during the 1960s, particularly during years when over 700 singles made the ''Billboard'' Hot 100 chart. From 1974 to 1985, the chart consisted of 10 positions; since 1992, the Bubbling Under Hot 100 Singles chart has listed 25 positions. Chart history The Bubbling Under Hot 100 Singles chart was first introduced in the June 1, 1959 issue of ''Billboard'', under the name "Bubbling Under the Hot 100". Containing a listing of 15 singles, the chart was described as "the new listing that predicts which new records will become chart climbers." Its first number-one single was "A Prayer and a Juke Box" by Lit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Name Game
"The Name Game" is a song co-written and performed by Shirley Ellis as a rhyming game that creates variations on a person's name. She explains through speaking and singing how to play the game. The first verse is done using Ellis's first name; the other names used in the original version of the song are Lincoln, Arnold, Tony, Billy, Marsha, and Nick. History Written by American singer Shirley Ellis (who based the song on a game she played as a child) and Lincoln Chase. Ellis's recording, produced by Charles Calello, was released in late 1964 as "The Name Game". The record scored third on the ''Billboard'' Hot 100, and fourth on the magazine's R&B charts during 1965. The record was re-released in 1966 and again in 1973. An R&B singer for 10 years before that success, Ellis was also successful with " The Clapping Song (Clap Pat Clap Slap)" (No.8 pop and No.16 R&B), and "The Nitty Gritty" (No.8 on the Hot 100 and No.4 on the ''Cash Box'' R&B chart). Ellis performed on then-major t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Narada Michael Walden
Narada Michael Walden ( ; Michael Walden; born April 23, 1952) is an American musician, singer, songwriter and record producer. He acquired the nickname Narada from Sri Chinmoy. He began his career as a drummer, working primarily in the jazz fusion realm, appearing with John McLaughlin and the Mahavishnu Orchestra, Chick Corea, Jaco Pastorius, Jeff Beck, Wayne Shorter and Weather Report, and Allan Holdsworth. After being mentored by Quincy Jones, he transitioned into a role as a songwriter and producer, working in the 1980s and 1990s with numerous R&B acts such as Whitney Houston, Aretha Franklin, Stacy Lattisaw, Angela Bofill, Jermaine Stewart and Mariah Carey, as well as other singers across a number of genres. In 2020, he became the drummer of Journey replacing Steve Smith. In 2021, he became one of two drummers in the band alongside the returning Deen Castronovo prior to leaving in 2022. He appears on the band's album ''Freedom'' (2022), having co-produced and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Atlantic Records
Atlantic Recording Corporation (simply known as Atlantic Records) is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over the course of its first two decades, starting from the release of its first recordings in January 1948, Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Its position was greatly improved by its distribution deal with Stax. In 1967, Atlantic became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by Crosby, Stills, Nash & Young, Led Zeppelin, and Yes. In 2004, Atlantic and its sister label Elektra were merged into the Atlantic Records Group. Craig Kallman is the chairman of Atlantic. Ahmet Ertegun served as founding chairman until his death on December 14, 2006, at age ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cotillion Records
Cotillion Records was a subsidiary of Atlantic Records (from 1971 part of WEA) and was active from 1968 through 1985. The label was formed as an outlet for soul, R&B, funk, pop, and jazz. Its first single, Otis Clay's version of "She's About a Mover", reached the R&B charts. Cotillion's catalog quickly expanded to include progressive rock, folk-rock, gospel, jazz and comedy. In 1976, the label started focusing on disco and R&B. At that point, Cotillion's catalog albums outside those genres were reissued on Atlantic. Among its acts were the post-Curtis Mayfield Impressions; Slave; Brook Benton; Sister Sledge; Stacy Lattisaw; The Fatback Band; Young-Holt Unlimited; Freddie King; Jean Knight; Mass Production; Garland Green; The Dynamics; The Fabulous Counts; ; Lou Donaldson; The Velvet Underground; Danny O'Keefe; Mylon LeFevre; Stevie Woods; Johnny Gill; Emerson, Lake & Palmer; Slade; and Screaming Lord Sutch [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |