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Don't Pull Your Love
"Don't Pull Your Love" is the debut single by Hamilton, Joe Frank & Reynolds which became a top ten hit single in 1971. The song was written by Brian Potter and Dennis Lambert. Background Rumored to have been written with Elvis Presley Elvis Aaron Presley (January 8, 1935 – August 16, 1977) was an American singer and actor. Referred to as the "King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the ... in mind, and first recorded (as "Don't Pull Your Love Out") in 1970 by Country Store—an obscure group produced by the song's writers Lambert and Potter—"Don't Pull Your Love" had been optioned by ABC-Dunhill Records artists & repertoire, A&R vice-president Steve Barri to be recorded by the Grass Roots, who Barri had been producing for five years. However, the Grass Roots passed on the song, which Barri recalls the group considered "a bit light[weight]". Joe Frank Carollo would recall how he ...
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Hamilton, Joe Frank And Reynolds
Hamilton, Joe Frank & Reynolds were a 1970s soft rock Trio (music), trio from Los Angeles. The original members were Dan Hamilton (musician), Dan Hamilton (guitar/lead vocal), Joe Frank Carollo (bass/vocal), and Tommy Reynolds (multi-instrumentalist/vocal), all of whom had previously played in The T-Bones, a 1960s band noted for the instrumental hit record, hit "No Matter What Shape (Your Stomach's In)". The group first hit the charts in 1971 with "Don't Pull Your Love". Reynolds left the group in late 1972 and was replaced by keyboardist Alan Dennison, but the band kept the name Hamilton, Joe Frank & Reynolds until 1976. This revised line-up performed the group's biggest hit, 1975's "Fallin' in Love (Hamilton, Joe Frank & Reynolds song), Fallin' in Love". New line-up The touring T-Bones formed by Dan Hamilton's brother Judd Hamilton hit the road in January 1966 to promote their first single "No Matter What Shape (Your Stomach's In)", an instrumental piece based upon a then-popu ...
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Jimmie Haskell
Jimmie Haskell (born Sheridan Pearlman; November 7, 1926 – February 4, 2016) was an American composer and arranger for motion pictures and a wide variety of popular artists, including Elvis Presley, Neil Diamond, Crosby, Stills & Nash, Steely Dan, Billy Joel, Simon & Garfunkel and the Everly Brothers. His career spanned over six decades. Biography Haskell was born in Brooklyn, New York. He entered the music business in the 1950s doing arrangements for Imperial Records. His first professional arrangement was a chart of " Nature Boy", sold to Lionel Hampton. He became the arranger of choice for Ricky Nelson, arranging and producing around 75 records for the artist, including such hits as " There's Nothing I Can Say" and " Hello Mary Lou". In 1960, he accompanied Elvis Presley on accordion on the "G.I. Blues" soundtrack. Almost four decades later, he provided arrangements on Sheryl Crow's album '' The Globe Sessions''. In 1960, Haskell entered the motion picture soundtrack indu ...
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New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it w ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music historian David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top 40 Singles from 1966, and albums chart from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first releas ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ...
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Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', is an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1942–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ...
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Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has undergone a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary (1984–1996) and Adult Contemporary (1979–1984, 1996–present). The current number-one song on the chart, as of the issue of ''Billboard'' dated June 14, 2025, is " Beautiful Things" by Benson Boone. Chart history The ''Billboard'' Easy listening chart, as it was first known, was ...
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Billboard (magazine)
''Billboard'' (stylized in letter case, lowercase since 2013) is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry. Its Billboard charts, music charts include the Billboard Hot 100, Hot 100, the Billboard 200, 200, and the Billboard Global 200, Global 200, tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox ...
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RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) operates an awards program based on the certified number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria
Retrieved on September 11, 2006
Other countries have similar awards (see ). Certification is not automatic; for an award to be made, the must first request certification. The audit is conducted against net shi ...
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Billboard Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before Ju ...
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A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ...
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The Wrecking Crew (music)
The Wrecking Crew, also known as the Clique and the First Call Gang, was a loose collective of American session musicians based in Los Angeles who played on many studio recordings in the 1960s and 1970s, including hundreds of top 40 hits. The musicians were not publicly recognized at the time, but were viewed with reverence by industry insiders. They are now considered one of the most successful and prolific session recording units in history. Most of the players had formal backgrounds in jazz or classical music. The group had no official name in its early years, and when the name the Wrecking Crew was first used is a subject of contention. The name was in common use by April 1981 when Hal Blaine used it in an interview with '' Modern Drummer''. The name became more widely known when Blaine used it in his 1990 memoir, attributing it to older musicians who felt that the group's embrace of rock and roll was going to "wreck" the music industry. The unit coalesced in the early 1 ...
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