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Don't Change Your Husband
''Don't Change Your Husband'' is a 1919 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the third of six "marriage films" directed by DeMille and the first DeMille film starring Gloria Swanson. A Chinese silent film, ''Don't Change Your Husband'' (1929), used the same English title, and a similar plot arc. Plot Based upon a description in a film magazine, Leila Porter (Swanson) has grown tired of her husband James Denby Porter (Dexter), the glue king, as she is romantic but he is prosaic. Moreover, he is careless of his personal appearance, gets cigar ash in the carpet, and eats green onions before he tries to kiss her. She obtains a divorce and then marries James' friend Schuyler Van Sutphen (Cody), but discovers that Van Sutphen is a real beast. When she later discovers that her ex-husband has changed as a result of the divorce, still loves her, and would be happy to have her back, Leila divorces once again in order to rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Daily
''The Film Daily'' was a daily publication that existed from 1918 to 1970 in the United States. It was the first daily newspaper published solely for the film industry. It covered the latest trade news, film reviews, financial updates, information on court cases and union difficulties, and equipment breakthroughs. Publication history The publication was originated by Wid Gunning in 1913 (though not as a daily) and was known as ''Wid's Film and Film Folk'' (1915–1916) and ''Wid's Independent Review of Feature Films'' (1916–1918). Gunning was previously film editor at the '' New York Evening Mail''. He also published ''Wid's Weekly'', and ''Wid's Year Book''. In 1918, Joseph ("Danny") Dannenberg and Jack Alicoate purchased an interest in ''Wid's Weekly''. On March 8, 1918, they released a daily publication, '' Wid's Daily''. In 1921, Dannenberg and Alicoate took control of Wid's Films & Film Folk Inc., with Dannenberg as president and editor, and the publication changed name, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvia Ashton
Sylvia Ashton (January 26, 1880 – November 18, 1940) was an American film actress of the silent film era. Ashton was born in Denver, Colorado. She bore a heavyset resemblance to Jane Darwell and like Darwell was playing mother and grandmother roles, though more famously than Darwell in the silents, while still in her 30s and 40s. In 1912, Ashton was an actress in D.W. Griffith's stock company. After that, she acted for Famous Players–Lasky. For years she was a regular member of Cecil B. DeMille's troupe of character actors. She appeared in more than 130 films between 1912 and 1929. She retired from movies almost immediately at the dawn of sound film, sound, one of her later films being the part-sound film ''The Barker'' (1928). Ashton died on November 18, 1940, aged 60. Partial filmography * ''The Nick of Time Baby'' (1916) * ''Matching Dreams'' (1916) * ''Viviana (film), Viviana'' (1916) * ''A Sanitarium Scramble'' (1916) * ''Haystacks and Steeples'' (1916) * ''W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CINEMATEK
The Royal Belgian Film Archive (; ) is a cinematheque located in the Centre for Fine Arts, in Brussels, Belgium. It is often referred to as CINEMATEK (a homophone of ). History The cinematheque was established in 1938 as a film archive by Henri Storck, André Thirifays, and Piet Vermeylen. In 2002 the Film Museum founded by Jacques Ledoux, Constantin Brodzki and Corneille Hannoset was integrated into the archive to become a cinematheque. In 2009 it became known as "CINEMATEK". Collection Its collection include works on film by Man Ray, Duchamp and Léger. As of 2018, the archive held 47,726 films and over a hundred-thousand film materials, with over eight thousand of the items originating from Belgium. The challenges associated with managing the collection were discussed in a 2001 article by Gabrielle Claes who served as director of the archive from 1988 until 2011. CINEMATEK led the organization of the EXPRMNTL film festival which was run four times: 1949, 1958, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinémathèque Québécoise
The Cinémathèque québécoise () is a film conservatory in Montreal, Quebec, Canada. Its purpose is to preserve, document, film, and television footage and related documents and artifacts for future use by the public. The Cinémathèque's collections include over 35,000 films from all eras and countries, 25,000 television programmes, 28,000 posters, 600,000 photos, 2,000 pieces of historical equipment, 15,000 scripts and production documents, 45,000 books, 3,000 magazine titles, thousands of files, as well as objects, props, and costumes. The conservatory also includes a film theatre, which screens rarely seen films and videos. It is located at 355, boulevard De Maisonneuve (355, De Maisonneuve Boulevard East), in the city's Quartier Latin. The Institut national de l'image et du son is located next door. History The Connaissance du cinéma, soon after renamed the Cinémathèque canadienne, was founded in 1963. In 1971 the institution was renamed Cinémathèque québécoise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35 Mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard negative pulldown, image exposure length on 35 mm for movies ("single-frame" format) is four film perforations, perforations per Film frame, frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th and early 20th centuries, along with various film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Eastman Museum
The George Eastman Museum, also referred to as George Eastman House and the International Museum of Photography and Film, is a photography museum in Rochester, New York. Opened to the public in 1949, is the oldest museum dedicated to photography and one of the world's oldest film archives. Known for its collections in the fields of photography and cinema, the museum is also a leader in film preservation and photograph conservation, educating archivists and conservators from around the world. Home to the 500-seat Dryden Theatre, the museum is located on the estate of entrepreneur and philanthropist George Eastman, the founder of Eastman Kodak Company. The estate was designated a National Historic Landmark in 1966. History The Rochester estate of George Eastman (1854–1932) was bequeathed upon his death to the University of Rochester. University presidents (first Benjamin Rush Rhees, then Alan Valentine) occupied Eastman's mansion as a residence for ten years. In 1948, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Oliver
George Guy Oliver (September 25, 1878 – September 1, 1932) was an American actor. He appeared in at least 189 silent film era motion pictures and 32 talkies in character roles between 1911 and 1931. His obituary gives him credit for at least 600. He directed three films in 1915. Early years Oliver was born in Chicago, Illinois, the son of J. O. and Beno Oliver, on September 25, 1878. His father bought a music store in Lamar, Missouri in 1891, and a few years later he formed the Lamar Ladies' Silver Cornet Band. Oliver was playing cornet in the group when he was 6 years old, and his mother was the conductor. Later the family formed The Musical Olivers, a troupe that "played Carthage, Springfield, Joplin, Rolla, and nearly every other town and city in Missouri". Later the group affiliated with the Southern Carnival Company and traveled across the United States. His mother's death ended the family performances. Career After Oliver's mother died, he began acting with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Mulhall
John Joseph Francis Mulhall (October 7, 1887 – June 1, 1979) was an American film actor beginning in the silent film era who successfully transitioned to sound films, appearing in over 430 films in a career spanning 50 years. Early years Mulhall was born in Wappingers Falls, New York. He was one of six children born to an Irish father and a Scottish mother. He began helping with carnival acts when he was 14 years old. Career Before acting in films, Mulhall worked in legitimate theater, musical comedy, and vaudeville. He also worked as a model for magazine illustrators. His first film appearance (other than as an extra) was in ''The Fugitive (1910 film), The Fugitive'' (1910). During the silent era, Mulhall was a popular screen player, particularly in the 1920s, and he starred in such films as ''The Social Buccaneer (1923 film), The Social Buccaneer'', ''The Mad Whirl'' and ''We Moderns''. Some of his more prominent mid-career roles were in ''The Three Musketeers (1933 seria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Hatton
Raymond William Hatton (July 7, 1887 – October 21, 1971) was an American film actor who appeared in almost 500 motion pictures. Biography Hatton was born in Red Oak, Iowa. His physician father steered him toward a career in medicine. However, Hatton had become enamored of being on stage after he acted in a school play, and he left home to go into acting as a career. Hatton was part of a vaudeville act that went to Hollywood in 1911. There, he established a successful silent film career, including a stint being paired in 1920s comedies with Wallace Beery. During the sound era, though, his career soon skidded and he usually played smaller supporting roles, including the tobacco-chewing, rowdy character Rusty Joslin in '' The Three Mesquiteers'' Western B picture series. By the 1950s, Hatton's acting roles expanded into television, where he appeared in various series, including the '' Adventures of Superman''. He has a star in the Motion Picture section of the Hollywood Wal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Geldart
Clarence Geldart (June 9, 1867 – May 13, 1935) was an American film actor. He appeared in 127 films between 1915 and 1936. He was sometimes credited as C.H. Geldart or Charles H. Geldart. He was born in New Brunswick, Canada, and died in Calabasas, California. Geldart's Broadway credits include ''King Henry V'' (1900) and ''Beaucaire'' (1901). Partial filmography * ''The Hidden Pearls'' (1918) * '' Believe Me, Xantippe'' - William (1918) * '' Till I Come Back to You'' (1918) * '' The Goat'' (1918) * '' The Squaw Man'' (1918) * '' The Way of a Man with a Maid'' (1918) * '' The Dub'' (1919) * '' The Poor Boob'' (1919) * '' Captain Kidd, Jr.'' (1919) * '' Putting It Over'' (1919) (as C.H. Geldert) * '' Love Insurance'' (1919) * '' Too Much Johnson'' (1919) (as Charles H. Geldart) * '' Everywoman'' (1919) * '' Don't Change Your Husband'' (1919) * '' The Tree of Knowledge'' (1920) * '' Why Change Your Wife?'' (1920) * '' Thou Art the Man'' (1920) (as Charles H. Geldart) * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Cummings
Irving Cummings (October 9, 1888 – April 18, 1959) was an American movie actor and director. Career Born in New York City, Cummings started his acting career at age 16 in ''Diplomacy (play), Diplomacy''. His Broadway theatre, Broadway, performances included ''In the Long Run'' (1909) and ''Object -- Matrimony'' (1916). Acting in the Proctor Stock Company, Cummings appeared with Lillian Russell and other actresses. Cummings entered into movies in 1909, acting with the P. A. Powers company in Mount Vernon, New York, and quickly became a popular leading man. Few of the films he made as an actor are easily available. Exceptions include Buster Keaton's first feature film, ''The Saphead'' (1920), in which Cummings plays a crooked stockbroker; Fred Niblo's film ''Sex (1920 film), Sex'' (1920), one of the first films to depict a new phenomenon in 1920s America, the Flapper; and ''The Round-Up (1920 film), The Round-Up'' (1920), a Western drama starring Roscoe Arbuckle (with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Shawn
Ted Shawn (born Edwin Myers Shawn; October 21, 1891 – January 9, 1972) was an American dancer and choreographer. Considered a pioneer of American modern dance, he created the Denishawn School together with his wife Ruth St. Denis. After their separation he created the all-male company Ted Shawn and His Men Dancers. With his innovative ideas of masculine movement, he was one of the most influential choreographers and dancers of his day. He was also the founder and creator of Jacob's Pillow Dance Festival in Massachusetts. Ted Shawn and the creation of Denishawn Ted Shawn was born in Kansas City, Missouri on October 21, 1891. Originally intending to become a minister of religion, he attended the University of Denver where he caught diphtheria at the age of 19, causing him temporary paralysis from the waist down. It was during his physical therapy for the disease that Shawn was introduced to dance in 1910, studying with Hazel Wallack, a former dancer with the Metropolitan Ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
