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Documenta – Center For Dealing With The Past
Documenta (often stylized documenta) is an exhibition of contemporary art which takes place every five years in Kassel, Germany. Documenta was founded by artist, teacher and curator Arnold Bode in 1955 as part of the Bundesgartenschau (Federal Horticultural Show) which took place in Kassel at that time. It was an attempt to bring Germany up to speed with modern art, both banishing and repressing the cultural darkness of Nazism. This first Documenta featured many artists who are generally considered to have had a significant influence on modern art (such as Picasso and Kandinsky). The more recent editions of the event feature artists based across the world, but much of the art is site-specific. Every Documenta is limited to 100 days of exhibition, which is why it is often referred to as the "museum of 100 days". Documenta is not a selling exhibition. Etymology ''Documenta'', an invented word, reflects the intention of the exhibition (in particular of the first Documenta in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Wolfli
Adolf (also spelt Adolph or Adolphe, Adolfo, and when Latinised Adolphus) is a given name with German origins. The name is a compound derived from the Old High German ''Athalwolf'' (or ''Hadulf''), a composition of ''athal'', or ''adal'', meaning "noble" (or '' had(u)''-, meaning "battle, combat"), and ''wolf''. The name is cognate to the Anglo-Saxon name '' Æthelwulf'' (also Eadulf or Eadwulf). The name can also be derived from the ancient Germanic elements "Wald" meaning "power", "brightness" and wolf (Waldwulf). Due to its extremely negative associations with the Nazi leader Adolf Hitler, the name has greatly declined in popularity since the end of World War II. Similar names include Lithuanian Adolfas and Latvian Ādolfs. The female forms Adolphine and Adolpha are far more rare than the male names. Adolphus can also appear as a surname, as in John Adolphus, the English historian. Popularity and usage During the 19th and early 20th centuries, Adolf was a popular name f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wall Street Journal
''The Wall Street Journal'' (''WSJ''), also referred to simply as the ''Journal,'' is an American newspaper based in New York City. The newspaper provides extensive coverage of news, especially business and finance. It operates on a subscription model, requiring readers to pay for access to most of its articles and content. The ''Journal'' is published six days a week by Dow Jones & Company, a division of News Corp. As of 2023, ''The'' ''Wall Street Journal'' is the List of newspapers in the United States, largest newspaper in the United States by print circulation, with 609,650 print subscribers. It has 3.17 million digital subscribers, the second-most in the nation after ''The New York Times''. The newspaper is one of the United States' Newspaper of record, newspapers of record. The first issue of the newspaper was published on July 8, 1889. The Editorial board at The Wall Street Journal, editorial page of the ''Journal'' is typically center-right in its positio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinetic Art
Kinetic art is art from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas paintings that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. More pertinently speaking, kinetic art is a term that today most often refers to three-dimensional sculptures and figures such as mobiles that move naturally or are machine operated (see e.g. videos on this page of works of George Rickey and Uli Aschenborn). The moving parts are generally powered by wind, a motor or the observer. Kinetic art encompasses a wide variety of overlapping techniques and styles. There is also a portion of kinetic art that includes virtual movement, or rather movement perceived from only certain angles or sections of the work. This term also clashes frequently with the term "apparent movement", which many people use when referring to an artwork whose movement is created b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal Art
Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic. History Minimalism in visual art, generally referred to as "minimal art", ''literalist art'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Paintings
Abstract art uses visual language of shape, form, color and line to create a Composition (visual arts), composition which may exist with a degree of independence from visual references in the world. ''Abstract art'', ''non-figurative art'', ''non-objective art'', and ''non-representational art'' are all closely related terms. They have similar, but perhaps not identical, meanings. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstraction indicates a departu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pittura Metafisica
Metaphysical painting () or metaphysical art was a style of painting developed by the Italian artists Giorgio de Chirico and Carlo Carrà. The movement began in 1910 with de Chirico, whose dreamlike works with sharp contrasts of light and shadow often had a vaguely threatening, mysterious quality, "painting that which cannot be seen". De Chirico, his younger brother Alberto Savinio, and Carrà formally established the school and its principles in 1917. Development Giorgio de Chirico, unlike many artists of his generation, found little to admire in the works of Cézanne and other French modernists, but was inspired by the paintings of the Swiss Symbolism (art), Symbolist Arnold Böcklin and the work of German artists such as Max Klinger. His painting ''The Enigma of an Autumn Afternoon'' (c. 1910) is considered his first Metaphysical work; it was inspired by what de Chirico called a "revelation" that he experienced in Piazza Santa Croce in Florence. In subsequent works he develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blauer Reiter
''Der Blaue Reiter'' (''The Blue Rider'') was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name (first published in mid-May 1912). The editorial team organized two exhibitions in Munich in 1911 and 1912 to demonstrate their art-theoretical ideas based on the works of art exhibited. Traveling exhibitions in German and other European cities followed. ''The Blue Rider'' disbanded at the start of World War I in 1914. The artists associated with ''Der Blaue Reiter'' were important pioneers of modern art of the 20th century; they formed a loose network of relationships, but not an art group in the narrower sense like Die Brücke (The Bridge) in Dresden. The work of the affiliated artists is assigned to German Expressionism. History The forerunner of ''The Blue Rider'' was the Neue Künstlervereinigung München (N.K.V.M: New Artists' Ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cubism
Cubism is an early-20th-century avant-garde art movement which began in Paris. It revolutionized painting and the visual arts, and sparked artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form. Instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term ''cubism'' is broadly associated with a variety of artworks produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered in partnership by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
