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Digibeta
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, ''Betacam'' singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All Betacam variants from analog Betacam, Betacam SP and Digital Betacam, HDCAM and HDCAM SR use the same shape videocassettes, meaning vaults and other storage facilities do not have to be changed when upgrading to a new format. The cassette shell and case for each Betacam cassette is colored differently depending on the format, allowing for easy visual identification. There is also a mechanical key that allows a video tape recorder to identify which format has been inserted. The cassettes are available in two sizes: S (short or small) and L (long or large). The Betacam camcorder can only load S magnetic tapes, while television studio sized video tape recorders (VTR) designed for video editing can play both S and L tapes. The format suppl ...
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Betamax
Betamax (also known as Beta, and stylized as the Greek letter Beta, β in its logo) is a discontinued consumer analog Videotape, video cassette recording format developed by Sony. It was one of the main competitors in the videotape format war against its primary rival, VHS. Betamax was introduced in Japan on May 10, 1975, and launched in the United States later that year. Betamax was widely regarded, in part due to Sony's marketing, as offering superior picture quality compared to VHS. Its initial β1 speed provided 250 horizontal lines of resolution, compared to VHS's 240 lines, but early Beta tapes were limited to 60 minutes of recording time, making them impractical for recording movies or sporting events. To address this, Sony introduced the β2 speed, which doubled recording time to two hours but reduced resolution, negating its technical advantage. VHS's commercial success over Betamax was also driven by JVC's strategy of licensing the format broadly, spurring competition ...
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Video Editing
Video editing is the post-production and arrangement of video shots. To showcase excellent video editing to the public, video editors must be reasonable and ensure they have a thorough understanding of film, television, and other sorts of videography. Video editing structures and presents all video information, including films and television shows, video advertisements and video essays. Video editing has been dramatically democratized in recent years by editing software available for personal computers. Editing video can be difficult and tedious, so several technologies have been produced to aid people in this task. Overall, video editing has a wide variety of styles and applications. Types of editing Though once the province of expensive machines called video editors, video editing software is now available for personal computers and workstations. Video editing includes cutting segments (trimming), re-sequencing clips, and adding transitions and other special effects. * Linear ...
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Forward Compatible
Forward compatibility or upward compatibility is a design characteristic that allows a system to accept input intended for a later version of itself. The concept can be applied to entire systems, electrical interfaces, telecommunication signals, data communication protocols, file formats, and programming languages. A standard supports forward compatibility if a product that complies with earlier versions can " gracefully" process input designed for later versions of the standard, ignoring new parts which it does not understand. The objective for forward compatible technology is for old devices to recognise when data has been generated for new devices. Forward compatibility for the older system usually means backward compatibility for the new system, i.e. the ability to process data from the old system; the new system usually has ''full'' compatibility with the older one, by being able to both process and generate data in the format of the older system. Forward compatibilit ...
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TV Station
A television station is a set of equipment managed by a business, organisation or other entity such as an amateur television (ATV) operator, that transmits video content and audio content via radio waves directly from a transmitter on the earth's surface to any number of tuned receivers simultaneously. Overview The '' Fernsehsender Paul Nipkow'' (''TV Station Paul Nipkow'') in Berlin, Germany, was the first regular television service in the world. It was on the air from 22 March 1935, until it was shut down in 1944. The station was named after Paul Gottlieb Nipkow, the inventor of the Nipkow disk. Most often the term "television station" refers to a station which broadcasts structured content to an audience or it refers to the organization that operates the station. A terrestrial television transmission can occur via analog television signals or, more recently, via digital television signals. Television stations are differentiated from cable television or other video providers a ...
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Composite Video
Composite video, also known as CVBS (composite video baseband signal or color, video, blanking and sync), is an analog video format that combines image information—such as brightness (luminance), color (chrominance), and synchronization, into a single signal transmitted over one channel. It is most commonly used for standard-definition television, and is sometimes referred to as ''SD video''. The signal is typically carried on a yellow RCA connector, with separate connectors used for left and right audio channels. In professional equipment, a BNC connector is often used instead. Other connector types may appear in compact consumer devices like digital cameras. Composite video supports several line resolutions, including 405-line, 525-line, and 625-line interlaced formats. It exists in three major regional variants based on analog color encoding standards: NTSC, PAL, and SECAM. The same format can also be used to transmit monochrome (black-and-white) video. Signal comp ...
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Video Camera Tube
Video camera tubes are devices based on the cathode-ray tube that were used in television cameras to capture television images, prior to the introduction of charge-coupled device (CCD) image sensors in the 1980s. Several different types of tubes were in use from the early 1930s, and as late as the 1990s. In these tubes, an cathode ray, electron beam is scanned across an image of the scene to be broadcast focused on a target. This generated a current that is dependent on the brightness of the image on the target at the scan point. The size of the striking ray is tiny compared to the size of the target, allowing 480–486 horizontal scan lines per image in the NTSC format, 576 lines in PAL, and as many as 1035 lines in Multiple sub-Nyquist sampling encoding, Hi-Vision. Cathode-ray tube Any vacuum tube which operates using a focused beam of electrons, originally called cathode rays, is known as a cathode-ray tube (CRT). These are usually seen as display devices as used in older (i. ...
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MII (videocassette Format)
MII is a professional analog recording videocassette format developed by Panasonic in 1986 in competition with Sony's Betacam SP format. It was technically similar to Betacam SP, using metal-formulated tape loaded in the cassette, and utilizing component video recording. MII is sometimes incorrectly referred to as M2; the official name uses Roman numerals, and is pronounced "em two". Just as Betacam SP was an improved version of its predecessor Betacam (originally derived from Betamax) with higher video and audio quality, MII was an enhanced development of its predecessor, the failed M format (originally derived from VHS). There were two sizes of MII tape, the larger of which is close to VHS size and has a running time of up to around 90 minutes, the smaller tape was about half the size and runs up to around 20 minutes, and was also the size in which head cleaner tapes were supplied. Panasonic manufactured mains-powered MII editing and playback decks which accepted both ...
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M (videocassette Format)
M is the name of a professional analog videocassette format created around 1982 by Matsushita and RCA. Developed as a competitor to Sony's Betacam format, M used the same videocassette (and the same oxide-formulated magnetic tape stock) as VHS, much the same way that Betacam was designed to take advantage of cheap and readily available Betamax videocassettes, Overview The format was called "M" due to the shape of the threading path of the tape around the helical scan video head drum, which resembles a letter M. (This is also how the U-matic format got its name, for its U-shaped tape path in the VCR.) The M-shaped tape path was retained from VHS. An example M VCR is the Panasonic AU-300B, also sold as the Ampex ARC-40, and the M format was also sold by Ampex as the ARC format. Like Betacam, M recorded component video and used a much faster linear tape speed. A cassette that would yield 120 minutes on a VHS VCR at SP speed would only yield 20 minutes on an M VCR. M had ...
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Chrominance
Chrominance (''chroma'' or ''C'' for short) is the signal used in video systems to convey the color information of the picture (see YUV color model), separately from the accompanying Luma (video), luma signal (or Y' for short). Chrominance is usually represented as two color-difference components: U = B-Y, B′ − Y′ (blue − luma) and V = R-Y, R′ − Y′ (red − luma). Each of these different components may have scale factors and offsets applied to it, as specified by the applicable video standard. In composite video signals, the U and V signals modulate a color subcarrier signal, and the result is referred to as the chrominance signal; the Phase (waves), phase and amplitude of this modulated chrominance signal correspond approximately to the hue and Saturation (color theory), saturation of the color. In digital-video and still-image color spaces such as Y′CbCr, the luma and chrominance components are digita ...
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Component Video
Component video is an analog video signal that has been split into two or more component channels. In popular use, it refers to a type of component analog video (CAV) information that is transmitted or stored as three separate signals. Component video can be contrasted with '' composite video'' in which all the video information is combined into a single signal that is used in analog television. Like composite, component cables do not carry audio and are often paired with audio cables. When used without any other qualifications, the term ''component video'' usually refers to analog component video with sync on luma (Y) found on analog high-definition televisions and associated equipment from the 1990s through the 2000s when they were largely replaced with HDMI and other all-digital standards. Component video cables and their RCA jack connectors on equipment are normally color-coded red, green and blue, although the signal is not in RGB. YPbPr component video can be los ...
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Analog Video
Video is an Electronics, electronic medium for the recording, copying, playback, broadcasting, and display of moving picture, moving image, visual Media (communication), media. Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems, which, in turn, were replaced by flat-panel displays of several types. Video systems vary in display resolution, Display aspect ratio, aspect ratio, refresh rate, color capabilities, and other qualities. Analog and digital variants exist and can be carried on a variety of media, including radio broadcasts, magnetic tape, optical discs, Video file format, computer files, and Streaming media, network streaming. Etymology The word ''video'' comes from the Latin verb ''video,'' meaning to see or ''videre''. And as a noun, "that which is displayed on a (television) screen," History Analog video Video developed from facsimile systems developed in the mid-19th century. Early mecha ...
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