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Diegetic
Diegesis (; , ) is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases, thoughts, of one or more characters. Diegetic events are those experienced by both the characters within a piece and the audience, while non-diegetic elements of a story make up the "fourth wall" separating the characters from the audience. Diegesis in music describes a character's ability to hear the music presented for the audience, in the context of musical theatre or film scoring. Origin ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Aristotle. For Aristotle, ''mimesis'' ''shows'' rather than ''tells'', by means of action that is enacted. ''Diegesis'' is the ''telling'' of a story by a narrator. The narrator may speak as a particular character, or may be the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic Music
Diegetic music, also called source music, is music that is part of the fictional world portrayed in a piece of narrative media (such as a film, show, play, or video game) and is thus knowingly performed and/or heard by the characters. This is in contrast to non-diegetic music, which refers to incidental music or a score that is heard by the viewer but not the characters, or in musical theater, when characters are singing in a manner that they would not do in a realistic setting. Etymology The term refers to diegesis, a style of storytelling. In her 1987 work '' Unheard Melodies'', Claudia Gorbman was influential in establishing the terms "diegetic" and "non-diegetic" (derived from narrative theory) for use in academic film music studies. From there, its usage spread to other disciplines. Film Source music was sometimes used as scores from the earliest days of Hollywood talkies, in some cases—such as '' The Public Enemy'' (1931)—using it to the exclusion of any underscor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Scoring
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for media such as live theatre, television and radio programs, and video games, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles of mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether non-fictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' ("to tell"), which is derived from the adjective ''gnarus'' ("knowing or skilled"). Historically preceding the noun, the adjective "narrative" means "characterized by or relating to a story or storytelling". Narrative is expressed in all mediums of human creativity, art, and entertainment, including public speaking, speech, literature, theatre, dance, music and song, comics, journalism, animation, video (including film and television), video games, radio program, radio, game, structured and play (activity), unstructu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Genette
Gérard Genette (; 7 June 1930 – 11 May 2018) was a French literary theorist, associated in particular with the structuralist movement and with figures such as Roland Barthes and Claude Lévi-Strauss, from whom he adapted the concept of ''bricolage''. Life Genette was born in Paris, where he studied at the Lycée Lakanal and the École Normale Supérieure, University of Paris. After leaving the French Communist Party, Genette was a member of Socialisme ou Barbarie during 1957–8. He received his professorship in French literature at the Sorbonne in 1967. In 1970 with Hélène Cixous and Tzvetan Todorov he founded the journal ''Poétique'' and he edited a series of the same name for Éditions du Seuil. Among other positions, Genette was research director at the École des hautes études en sciences sociales and a visiting professor at Yale University. Work Genette is largely responsible for the reintroduction of a rhetorical vocabulary into literary criticism, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice-over
Voice-over (also known as off-camera or off-stage commentary) is a production technique used in radio, television, filmmaking, theatre, and other media in which a descriptive or expository voice that is not part of the narrative (i.e., non-diegetic) accompanies the pictured or on-site presentation of events. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in documentaries or news reports to explain information. Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It may also be read live for events such as award pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narration
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode, which is sometimes also used as synonym for narrative technique, encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dead Space (series)
''Dead Space'' is a science fiction horror franchise created and directed by Glen Schofield. ''Dead Space'' was developed by Visceral Games and published and owned by Electronic Arts. The franchise's chronology is not presented in a linear format; each installment in the ''Dead Space'' franchise is a continuation or addition to a continuing storyline, with sections of the storyline presented in prequels or sequels, sometimes presented in other media from the originating video game series, which includes two films and several comic books and novels. Primarily set in a 26th century science fiction universe featuring environments, weapons, and characters typical of the genre, the ''Dead Space'' franchise centers on a series of video games beginning with the release of the first ''Dead Space'', which centers on starship engineer Isaac Clarke and mutated undead horrors that surround him. A central theme in the games is the fictional cult religion "Unitology" and its fanatical adhe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-diegetic Insert
In film, diegesis refers to the story world, and the events that occur within it. Thus, non-diegesis are things which occur outside the story-world. A Non-diegetic insert is a film technique that combines a shot or a series of shots cut into a sequence, showing objects represented as being outside the space of the narrative. Put more simply, a non-diegetic insert is a scene that is outside the story world which is "inserted" into the story world. Diegetic could also refer to sound in media or film studies. Examples * Three images shown during the disastrous opening night of the play in ''The Band Wagon'', as a metaphor to highlight how much of a flop the show is. * Sky sequences shown in Gus Van Sant Gus Green Van Sant Jr. (born July 24, 1952) is an American filmmaker, photographer, painter, and musician. He has earned acclaim as an independent film, independent auteur. His films typically deal with themes of marginalized subcultures. His ...'s ''Elephant''. *Most famously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Story Within A Story
A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as in Shakespeare's play '' Hamlet''; a film may show the characters watching a short film; or a novel may contain a short story within the novel. A story within a story can be used in all types of narration including poems, and songs. Stories within stories can be used simply to enhance entertainment for the reader or viewer, or can act as examples to teach lessons to other characters. The inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth in the outer story. Often the stories within a story are used to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Poetry
In poetry, an epic is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. With regard to oral tradition, epic poems consist of formal speech and are usually learnt word for word, and are contrasted with narratives that consist of everyday speech where the performer has the license to recontextualize the story to a particular audience, often to a younger generation. Influential epics that have shaped Western literature and culture include Homer's ''Iliad'' and '' Odyssey''; Virgil's '' Aeneid''; and the anonymous '' Beowulf'' and '' Epic of Gilgamesh''. The genre has inspired the adjective '' epic'' as well as derivative works in other mediums (such as epic films) that evoke or emulate the characteristics of epics. Etymology The English word ''epic'' comes from Latin , which itself comes from the Ancient Greek adject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dead Space Gameplay
Death is the end of life; the Irreversible process, irreversible cessation of all biological process, biological functions that sustain a living organism. Death eventually and inevitably occurs in all organisms. The remains of a former organism normally begin to Decomposition, decompose shortly after death. Some organisms, such as ''Turritopsis dohrnii'', are Biological immortality, biologically immortal; however, they can still die from means other than Senescence, aging. Death is generally applied to whole organisms; the equivalent for individual components of an organism, such as Cell (biology), cells or Tissue (biology), tissues, is necrosis. Something that is not considered an organism, such as a virus, can be physically destroyed but is not said ''to die'', as a virus is not considered alive in the first place. As of the early 21st century, 56 million people die per year. The most common reason is aging, followed by cardiovascular disease, which is a disease that af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
