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Diegesis
Diegesis (; , ) is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases, thoughts, of one or more characters. Diegetic events are those experienced by both the characters within a piece and the audience, while non-diegetic elements of a story make up the "fourth wall" separating the characters from the audience. Diegesis in music describes a character's ability to hear the music presented for the audience, in the context of musical theatre or film scoring. Origin ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Aristotle. For Aristotle, ''mimesis'' ''shows'' rather than ''tells'', by means of action that is enacted. ''Diegesis'' is the ''telling'' of a story by a narrator. The narrator may speak as a particular character, or may be the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimesis
Mimesis (; , ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including '' imitatio'', imitation, similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' () derives from ''mīmeisthai'' (, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation, with '' diegesis'', or narrative. After Plato, the meaning of ''mimesis'' eventually shifted toward a specifically literary function in ancient Greek society. One of the best-known modern studies of mimesis—understood in literature as a form of realism—is Erich Auerbach's '' Mimesis: The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic Music
Diegetic music, also called source music, is music that is part of the fictional world portrayed in a piece of narrative media (such as a film, show, play, or video game) and is thus knowingly performed and/or heard by the characters. This is in contrast to non-diegetic music, which refers to incidental music or a score that is heard by the viewer but not the characters, or in musical theater, when characters are singing in a manner that they would not do in a realistic setting. Etymology The term refers to diegesis, a style of storytelling. In her 1987 work '' Unheard Melodies'', Claudia Gorbman was influential in establishing the terms "diegetic" and "non-diegetic" (derived from narrative theory) for use in academic film music studies. From there, its usage spread to other disciplines. Film Source music was sometimes used as scores from the earliest days of Hollywood talkies, in some cases—such as '' The Public Enemy'' (1931)—using it to the exclusion of any underscor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-diegetic Insert
In film, diegesis refers to the story world, and the events that occur within it. Thus, non-diegesis are things which occur outside the story-world. A Non-diegetic insert is a film technique that combines a shot or a series of shots cut into a sequence, showing objects represented as being outside the space of the narrative. Put more simply, a non-diegetic insert is a scene that is outside the story world which is "inserted" into the story world. Diegetic could also refer to sound in media or film studies. Examples * Three images shown during the disastrous opening night of the play in ''The Band Wagon'', as a metaphor to highlight how much of a flop the show is. * Sky sequences shown in Gus Van Sant Gus Green Van Sant Jr. (born July 24, 1952) is an American filmmaker, photographer, painter, and musician. He has earned acclaim as an independent film, independent auteur. His films typically deal with themes of marginalized subcultures. His ...'s ''Elephant''. *Most famously ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Scoring
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for media such as live theatre, television and radio programs, and video games, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles of mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetics (Aristotle)
Aristotle's ''Poetics'' ( ''Peri poietikês''; ; ) is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to solely focus on literary theory. In this text, Aristotle offers an account of , which refers to poetry, and more literally, "the poetic art", deriving from the term for "poet; author; maker", . Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: # There are differences in music rhythm, harmony, meter, and melody. # There is a difference of goodness in the characters. # A difference exists in how the narrative is presented: telling a story or acting it out. The surviving book of ''Poetics'' is primarily concerned with drama; the analysis of tragedy constitutes the core of the discussion. Although the text is universally acknowledged in the West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baby Driver
''Baby Driver'' is a 2017 action crime film written and directed by Edgar Wright. It stars Ansel Elgort as a getaway driver seeking freedom from a life of crime with his girlfriend Debora (Lily James). Kevin Spacey, Eiza González, Jon Bernthal, Jon Hamm, and Jamie Foxx appear in supporting roles. Eric Fellner and his Working Title Films partner Tim Bevan produced ''Baby Driver'' in association with Big Talk Productions' Nira Park. Sony and TriStar Pictures handled commercial distribution of the film. ''Baby Driver'' was financed through tax subsidies from the Georgia state government and a co-production pact between TriStar and MRC. Wright developed ''Baby Driver'' for over two decades. He devised the idea in his youth, and his early directing experience further shaped his ambitions for ''Baby Driver''. Originally based in Los Angeles, Wright chose Atlanta as the film's setting after the studio secured tax credits to subsidize production costs, integrating the city's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Insert Shot
In film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. Inserts cover action already covered in the master shot, but emphasize a different aspect of that action due to the different framing. An insert differs from a cutaway as cutaways cover action ''not'' covered in the master shot. There are more exact terms to use when the new, inserted shot is another view of actors: close-up, head shot, knee shot, two shot. So the term "insert" is often confined to views of objects—and body parts, other than the head. Often inserts of this sort are done separately from the main action, by a second-unit director using stand-ins. Inserts and cutaways can both be vexatious for directors, as care must be taken to preserve continuity by keeping the objects in the same relative position as in the main take, and having the lighting be the same. In popular culture The 1975 movie '' Inserts'' directed by John Byrum about a po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction
Fiction is any creative work, chiefly any narrative work, portraying character (arts), individuals, events, or setting (narrative), places that are imagination, imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to literature, written narratives in prose often specifically novels, novellas, and short story, short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any Media (communication), medium, including not just writings but also drama, live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or character (arts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice-over
Voice-over (also known as off-camera or off-stage commentary) is a production technique used in radio, television, filmmaking, theatre, and other media in which a descriptive or expository voice that is not part of the narrative (i.e., non-diegetic) accompanies the pictured or on-site presentation of events. The voice-over is read from a script and may be spoken by someone who appears elsewhere in the production or by a specialist voice actor. Synchronous dialogue, where the voice-over is narrating the action that is taking place at the same time, remains the most common technique in voice-overs. Asynchronous, however, is also used in cinema. It is usually prerecorded and placed over the top of a film or video and commonly used in documentaries or news reports to explain information. Voice-overs are used in video games and on-hold messages, as well as for announcements and information at events and tourist destinations. It may also be read live for events such as award pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
