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Darum Will Ich Auch Erwählen, JLB 3
Johann Ludwig Bach ( – 1 May 1731) was a German composer and violinist. He was born in Thal (Ruhla) near Eisenach. At the age of 22 he moved to Meiningen eventually being appointed cantor there, and later Kapellmeister. He wrote a large amount of music and regularly oversaw performances, both at Meiningen and neighbouring courts. He was a third cousin of Johann Sebastian Bach, who made copies of several of his cantatas and performed them at Leipzig. The cantata '' Denn du wirst meine Seele nicht in der Hölle lassen'', BWV 15, once thought to be by Johann Sebastian, and listed as BWV 15 in Wolfgang Schmieder's catalogue of his works, is now thought to be by Johann Ludwig. Bach died in Meiningen. Works, editions and recordings The earliest lists of compositions by Johann Ludwig Bach appeared in the 19th century: Johann Theodor Mosewius listed 16 of his cantatas in 1852, and Alfred Dörffel listed 17 cantatas and the Mass in E minor, with their incipits, in Vol. 41 of the Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 occasions (e.g. '' Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sundays of Lent (apart when Annunciation fell on a Sund ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagged behind technically and came to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IMSLP
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based digital library of public domain, public-domain sheet music, music scores. The project uses MediaWiki software, and has uploaded more than 736,000 scores and 80,700 recordings by 1,900 performers of more than 226,000 works by 27,400 composers. IMSLP has both an App Store (Apple), iOS app and an Android (operating system)#Applications, Android app. History Overview The site was launched on February 16, 2006. The library consists mainly of image scanner, scans of old musical editions out of copyright. In addition, it admits scores by contemporary composers who wish to share their music with the world by releasing it under a Creative Commons license. One of the main projects of the IMSLP was the sorting and uploading of the complete works of Johann Sebastian Bach in the Bach Gesellschaft, Bach-Gesellschaft Ausgabe (1851–99), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gott Ist Unser Zuversicht, JLB 1 (Bach, Johann Ludwig)
Johann Ludwig Bach ( – 1 May 1731) was a German composer and violinist. He was born in Thal ( Ruhla) near Eisenach. At the age of 22 he moved to Meiningen eventually being appointed cantor there, and later Kapellmeister. He wrote a large amount of music and regularly oversaw performances, both at Meiningen and neighbouring courts. He was a third cousin of Johann Sebastian Bach, who made copies of several of his cantatas and performed them at Leipzig. The cantata '' Denn du wirst meine Seele nicht in der Hölle lassen'', BWV 15, once thought to be by Johann Sebastian, and listed as BWV 15 in Wolfgang Schmieder's catalogue of his works, is now thought to be by Johann Ludwig. Bach died in Meiningen. Works, editions and recordings The earliest lists of compositions by Johann Ludwig Bach appeared in the 19th century: Johann Theodor Mosewius listed 16 of his cantatas in 1852, and Alfred Dörffel listed 17 cantatas and the Mass in E minor, with their incipits, in Vol. 41 of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed Bach cantata, cantatas for both List of secular cantatas by Johann Sebastian Bach, secular and sacred use. He composed his church cantatas for use in the Lutheranism, Lutheran church, mainly intended for the occasions of the liturgical year. Bach's Nekrolog, Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: ''scores:Bach-Gesellschaft Ausgabe/Thematic Catalogue, Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned i ..., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Section
The string section of an orchestra is composed of bowed instruments belonging to the violin family. It normally consists of first and second violins, violas, cellos, and double basses. It is the most numerous group in the standard orchestra. In discussions of the Orchestration, instrumentation of a musical work, the phrase "the strings" or "and strings" is used to indicate a string section as just defined. An orchestra consisting solely of a string section is called a string orchestra. Smaller string sections are sometimes used in jazz, pop, and rock music and in the pit orchestras of musical theatre. Seating arrangement The most common seating arrangement in the 2000s is with first violins, second violins, violas, and cello sections arrayed clockwise around the Conductor (music), conductor, with basses behind the cellos on the right. The first violins are led by the concertmaster (leader in the UK); each of the other string sections also has a principal player (principal secon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word ''viola'' originates from the Italian language. The Italians often used the term '' viola da braccio'', meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino piccolo and the pochette (musical instrument), pochette, but these are virtually unused. Most violins have a hollow wooden body, and commonly have four strings (music), strings (sometimes five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and are most commonly played by drawing a bow (music), bow across the strings. The violin can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
In music, SATB is a scoring of compositions for choirs or consorts of instruments consisting of four voice types: soprano, alto, tenor and bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir" of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's '' Polish Requiem''. or SSATB, with divided sopranos, is a typical scoring in English church music. A listing for Bach's '' Mass in B minor'' includes the maximum of SSATB soloists and SSAATTBB eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
