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Damenakademien München Und Berlin Und Malerinnenschule Karlsruhe
Damenakademies or Ladies Academies were art schools for women in Germany. Prior to the 20th century, careers in art were inaccessible to women, who were denied access to the mainstream academies. While Russian Empire, Russia opened its art schools to women as early as 1871, those in Germany remained male-only until the beginning of the Weimar Republic. Apart from the private studios of individual artists, only three large academies, the ''Ladies Academies'' (Damenakademies), accepted female students. These institutions were founded through self-help groups in Munich and Berlin and the in Karlsruhe, and offered a limited range of courses. History In Germany, art schools, or "academies" (mostly later renamed as "Academies of Fine Arts") filled an important gap in the artistic education system for men and were considered on par with university, universities. However, women were denied admission until well into the 20th century and lacked an institution equivalent to the academy. ...
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Art School
An art school is an educational institution with a primary focus on practice and related theory in the visual arts and design. This includes fine art – especially illustration, painting, contemporary art, sculpture, and graphic design. They may be independent or operate within a larger institution, such as a university. Some may be associated with an art museum. Art schools can offer elementary, secondary, post-secondary, undergraduate or graduate programs, and can also offer a broad-based range of programs (such as the liberal arts and sciences). In the West there have been six major periods of art school curricula,Houghton, Nicholas (Feb. 2016)"Six into One: The Contradictory Art School Curriculum and How It Came About" ''International Journal of Art & Design Education''. vol. 35, no. 1. pp. 107–120. and each one has had its own hand in developing modern institutions worldwide throughout all levels of education. Art schools also teach a variety of non-academic skills ...
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Women's Rights
Women's rights are the rights and Entitlement (fair division), entitlements claimed for women and girls worldwide. They formed the basis for the women's rights movement in the 19th century and the feminist movements during the 20th and 21st centuries. In some countries, these rights are institutionalized or supported by law, local custom, and behavior, whereas in others, they are ignored and suppressed. They differ from broader notions of human rights through claims of an inherent historical and traditional bias against the exercise of rights by women and girls, in favor of men and boys.Hosken, Fran P., 'Towards a Definition of Women's Rights' in ''Human Rights Quarterly'', Vol. 3, No. 2. (May 1981), pp. 1–10. Issues commonly associated with notions of women's rights include the right to bodily integrity and autonomy, to be free from sexual violence, to Women's suffrage, vote, to hold public office, to enter into legal contracts, to have equal rights in family law, Right to ...
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Feminist Movement
The feminist movement, also known as the women's movement, refers to a series of social movements and political campaigns for Radical politics, radical and Liberalism, liberal reforms on women's issues created by inequality between men and women. Such issues are Women's liberation movement, women's liberation, reproductive rights, domestic violence, Parental leave, maternity leave, Equal pay for women, equal pay, women's suffrage, sexual harassment, and sexual violence. The movement's priorities have expanded since its beginning in the 19th century, and vary among nations and communities. Priorities range from opposition to female genital mutilation in one country, to opposition to the glass ceiling in another. Feminism in parts of the Western world has been an ongoing movement since the turn of the century. During its inception, feminism has gone through a series of four high moments termed Waves of feminism, Waves. First-wave feminism was oriented around the station of middle ...
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Akademie Der Bildenden Künste München
The Academy of Fine Arts, Munich (, also known as Munich Academy) is one of the oldest and most significant art academies in Germany. It is located in the Maxvorstadt district of Munich, in Bavaria, Germany. In the second half of the 19th century, the academy became one of the most important institutions in Europe for training artists and attracted students from across Europe and the United States. History The history of the academy goes back to 1770 with the founding by Elector Maximilian III. Joseph, of a "drawing school", the "Zeichnungs Schule respective Maler und Bildhauer Academie". In 1808, under King Maximilian I Joseph of Bavaria, it became the Royal Academy of Fine Arts. The curriculum focused was on painting, graphics, sculpture and architecture. The Munich School refers to a group of painters who worked in Munich or were trained at the Academy between 1850 and 1918. The paintings are characterized by a naturalistic style and dark chiaroscuro. Typical painting subj ...
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Prussian House Of Representatives
The Prussian House of Representatives () was the lower chamber of the Landtag of Prussia (), the parliament of Kingdom of Prussia, Prussia from 1850 to 1918. Together with the upper house, the Prussian House of Lords, House of Lords (), it formed the Prussian Bicameralism, bicameral legislature. The Prussian House of Representatives was established by the Prussian constitution of 5 December 1848, with members elected according to the Prussian three-class franchise, three-class franchise. At first it was called simply the "Second Chamber," with the name "House of Representatives" (') introduced in 1855. Franchise From 1849, the election of representatives within the Kingdom of Prussia was performed according to the Prussian three-class franchise, three-class franchise system. The election was indirect election, indirect. In the primary election, those with the right to vote went to the ballot and, in three separate classes, chose electors, who, in turn, chose the representatives f ...
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Julie Wolfthorn
Julie Wolfthorn (8 January 1864 – 26 December 1944) was a German painter. Born as Julie Wolf(f) to a middle-class Jewish family, she later styled herself as Julie Wolfthorn after Thorn (Toruń), her city of birth. Life Wolfthorn was born in Thorn (Toruń) in the Prussian Province of Prussia. In 1883, she moved to Berlin to live with her relatives after her parents died. In 1890, she studied in Curt Herrmann's Drawing and Painting School for ladies. Since German art academies would not permit women, she traveled to Paris to study at the Académie Colarossi and Académie Julian, where she gained much of the skills needed to become successful. After she finished her studies in Paris, Wolfthorn returned to Berlin. In 1898, she became the co-founder of the Berlin Secession and the "Verein der Künstlerinnen und Kunstfreunde Berlin" (Association of Artists and Art Lovers Berlin). In 1905, Julie Wolfthorn and over 200 female artists signed a petition to be allowed to join the ...
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Sabine Lepsius
Sabine Lepsius (15 January 1864 – 22 November 1942) was a German portrait painter. Life She was born in Berlin as the daughter of portrait painter Gustav Graef and Franziska Liebreich (1824–1893), a lithographer. She studied with her father and, in 1892, married the painter Reinhold Lepsius. She and her husband were held in equal regard and were very popular with the business community and the wealthy. Her brother was the art historian Botho Graef. She was also a close friend and follower of Stefan George. Her son Stefan (1897–1917), who was killed in World War I, was named after him. In 1935 she published a book about their friendship in which she attributed her brother Botho's fatal heart attack to the news of her son's death. Lepsius exhibited her work at the Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois. Her salon in Berlin-Westend was considered a major social gathering point. Georg Simmel, Wilhelm Dilthey, August Endell and Ra ...
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Anton Von Werner
Anton Alexander von Werner (9 May 18434 January 1915) was a German painter and illustrator, best known for his depictions of the Franco-Prussian War and the Unification of Germany, typical of the Naturalist style. Member of the Akademie der Künste from 1874, Werner was a favourite of all the three German Emperors, William I, Frederick III, and Wilhelm II. Biography Werner was born in Frankfurt (Oder) in the Prussian Province of Brandenburg, the son of a carpenter. His family originally came from East Prussia and was ennobled (''von'') in 1701. He began an apprenticeship as a decorative painter in 1857 and from 1860 onwards studied painting at the Prussian Academy of Arts in Berlin. One year later, he pursued his studies at the Academy of Fine Arts in Karlsruhe, where he studied with Johann Wilhelm Schirmer, Ludwig des Coudres, Adolf Schroedter, and Karl Friedrich Lessing. In Karlsruhe, Werner met with artists like Eduard Devrient, Johannes Brahms and Clara Schuman ...
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Jeanna Bauck
Jeanna Bauck (19 August 1840 – 27 May 1926) was a Swedish-German painter known for her landscape and portrait paintings, and her career as an educator, as well as her friendships with Bertha Wegmann and Paula Modersohn-Becker. Early life Jeanna Bauck was born in 1840. She was the daughter of a German-born composer and music critic Carl Wilhelm Bauck (1808–1877) and a Swedish mother, Dorothea Fredrique (1806–1834). She had a sister, Hanna Lucia Bauck, and two older brothers, Emanuel Bauck, and Johannes Bauck. Jeanna was raised in Stockholm. She remained in Sweden until 1863, at which time she moved to Germany to study painting, first in Dresden and then in Munich where she met the Danish portrait painter Bertha Wegmann. The two became life-long friends, living together, sharing a studio, and travelling to Italy and Paris, where they lived a number of years before returning to Munich. Early career Her art education began under Adolf Ehrhardt in Dresden, then under Albert ...
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Paula Modersohn-Becker
Paula Modersohn-Becker (8 February 1876 – 20 November 1907) was a German Expressionist painter of the late 19th and early 20th centuries. She is noted for the many self-portraits the artist produced, including nude self-portraits. She is considered one of the most important representatives of early expressionism, producing more than 700 paintings and over 1000 drawings during her active painting life. She is recognized both as the first known woman painter to paint nude self-portraits, and the first woman to have a museum devoted exclusively to her art (the Paula Modersohn-Becker Museum, founded 1927). Additionally, she is considered to be the first woman artist to depict herself both ''pregnant'' and ''nude and pregnant''. Her career was cut short when she died from postpartum pulmonary embolism at the age of 31. Biography ] Early life Becker was born and grew up in Friedrichstadt (Dresden), Dresden-Friedrichstadt. She was the third of seven children in her family. Her fa ...
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Käthe Kollwitz
Käthe Kollwitz ( born Schmidt; 8 July 186722 April 1945) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including ''The Weavers'' and ''The Peasant War'', depict the effects of poverty, hunger and war on the working class. Despite the Naturalism (art), realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Akademie der Künste, Academy of Arts but also to receive honorary professor status. Life and work Youth Kollwitz was born in Königsberg, Prussia, as the fifth child in her family. Her father, Karl Schmidt, was a Social Democratic Party of Germany, Social Democrat who became a mason and house builder. Her mother, Katherina Schmidt, was the daughter of Julius Rupp, a Lutheran pastor who was expelled from the official Prussian Union of Churches, Evangelical State Church and founded ...
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Verein Der Berliner Künstlerinnen
The Verein der Berliner Künstlerinnen (English: Association of Berlin Women Artists) is the oldest existing association of women artists in Germany. It maintains the ''archive Verein der Berliner Künstlerinnen 1867 e. V.,'' publishes club announcements and catalogues, and every two years awards the Marianne Werefkin Prize to contemporary female artists. It thus cultivates cultural memory and promotes the current developments of contemporary artists. The 2007 award winner was the sculptor Paloma Varga Weisz. The archive of the association is used, among other things, as a source of dissertations, master's theses and diploma theses on individual artists and the position of artists in training and society. Data from the archive was used for works on Charlotte Berend-Corinth, Käthe Kollwitz, Jeanne Mammen, Paula Modersohn-Becker, Marg Moll, Elisabet Ney, Harriet von Rathlef-Keilmann, and Gertraud Rostosky. Since November 1, 2012, the club archive has been contracted to the A ...
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