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Dadra
Dadra is associated with the Hindustani classical music of the Indian subcontinent. Dadra tala This is a Hindustani classical '' tala'' (rhythmic cycle), consisting of six beats in two equal divisions of three. The most commonly accepted theka or basic pattern for this tala is ''dha tin tin, ta dhin dhin''. There is a higher emphasis laid on the first swar in comparison the following two, that is, ''dha'' - higher emphasis following ''tin'' ''tin'' and again a higher emphasis on ''ta'' following ''dhin'' ''dhin''. Theka of Dadra Tala मात्रा भाग : 3-3. धा धिं ना - धा तीं ना It has a characteristic pattern of bols (theka). This can also be shown using the following figure Dadra (genre) In this context ''dadra'' is a light classical vocal form in Hindustani classical music, mostly performed in Agra and in Bundelkhand region. It was originally accompanied by dadra tala (from where the term for the genre was borrowed), but lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Subcontinent
The Indian subcontinent is a physiographic region of Asia below the Himalayas which projects into the Indian Ocean between the Bay of Bengal to the east and the Arabian Sea to the west. It is now divided between Bangladesh, India, and Pakistan. (subscription required) Although the terms "Indian subcontinent" and "South Asia" are often also used interchangeably to denote a wider region which includes, in addition, Bhutan, the Maldives, Nepal and Sri Lanka, the "Indian subcontinent" is more of a geophysical term, whereas "South Asia" is more geopolitical. "South Asia" frequently also includes Afghanistan, which is not considered part of the subcontinent even in extended usage.Jim Norwine & Alfonso González, ''The Third World: states of mind and being'', pages 209, Taylor & Francis, 1988, Quote: ""The term "South Asia" also signifies the Indian Subcontinent""Raj S. Bhopal, ''Ethnicity, race, and health in multicultural societies'', pages 33, Oxford University Press, 2007, ; Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bol (music)
A bol is a standardized mnemonic A mnemonic device ( ), memory trick or memory device is any learning technique that aids information retention or retrieval in the human memory, often by associating the information with something that is easier to remember. It makes use of e ... syllable used in North Indian classical music to define the tala, or rhythmic pattern. Bol is derived from the Hindi word ''bolna'' (बोलना), which means "to speak." One who learns to play the tabla or pakhavaj (or pakhawaj) drum is taught to recite the rhythms as bols, which can be quite complex. Bol is analogous to konnakol, which is used to recite rhythms for the mridangam drum in Carnatic music, which is South Indian classical music. See also * * * * References External linksKKSongs Talamala - Tabla Bol Referencehas recordings of tabla bols.Instruments in Depth: Tabla: Drums of North India an online feature froBloomingdale School of Music(March, 2008) contains detail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agra
Agra ( ) is a city on the banks of the Yamuna river in the Indian state of Uttar Pradesh, about south-east of the national capital Delhi and 330 km west of the state capital Lucknow. With a population of roughly 1.6 million, Agra is the fourth-most populous city in Uttar Pradesh and List of cities in India by population, twenty-third most populous city in India. Agra's notable historical period began during Sikandar Khan Lodi's reign, but the golden age of the city began with the Mughals in the early 16th century. Agra was the foremost city of the Indian subcontinent and the capital of the Mughal Empire under Mughal emperors Babur, Humayun, Akbar, Jahangir and Shah Jahan. Under Mughal rule, Agra became a centre for learning, arts, commerce, and religion, and saw the construction of the Agra Fort, Sikandra, Agra, Sikandra and Agra's most prized monument, the Taj Mahal, constructed between 1632 and 1648 by Shah Jahan in remembrance of his wife Mumtaz Mahal. With the decline ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundelkhand
Bundelkhand (, ) is a geographical and cultural region and a proposed state and also a mountain range in central and North India. It corresponds to the Post-Vedic Chedi kingdom. The hilly region is now divided between the states of Uttar Pradesh and Madhya Pradesh, with the larger portion lying in the latter state. Jhansi is the largest city in Bundelkhand. Another major city of Bundelkhand is Sagar being second largest city of Bundelkhand. The proposed state consists of Jhansi and Chitrakoot division of Uttar Pradesh and Sagar Division of Madhya Pradesh. Etymology Bundelkhand means " Bundela domain". The region was earlier known as Jejabhukti or Jejakabhukti ("Jeja's province"). According to the inscriptions of the Chandela dynasty, this name derived from Jeja, the nickname of their ruler Jayashakti. However, it is possible that the name derives from an even earlier name of the region: "Jajhauti" or "Jijhoti". After the Bundelas replaced the Chandelas around 14th c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keherwa
Keharwa or Kaharva is an 8 beat tala of Hindustani music. Keherwa has many variations including dhumaali, "bhajani", and qawwali. Arrangement Keharwa is an 8-beat pattern used in ragas. It has eight beats in two equal divisions (vibhag). The period between every two beats is equal. The first beat out of 8 beats is called "sam" and it denotes the start of the first division. The fifth beat out of 8 beats is called "khali" and denotes the start of the second division. To exhibit the Keherwa, the performer claps on the first beat and fifth beat is waved. Theka It has a characteristic pattern of bols (theka). In popular culture The popular Hindi film song, '' Rang Barse Bhige Chunar Wali'' from ''Silsila'' (1981), is also set in Keherwa by film's music composers duo, Shiv-Hari, who are noted classical musicians. The contemporary traditional Eid al-Fitr song for Bengali Muslims Bengali Muslims (; ) 'Mussalman'' also used in this work.are adherents of Islam who ethnica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sthayi
Sthayi or Asthaayi is an initial phrase or line of a fixed, melodic composition in Hindustani music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' .... It is a way of having the parts of a composition. The Sthayi part of a Dhrupad is the first of four stanzas and uses the middle octave's first tetrachord and the lower octave notes. ''Sthayi'' means an octave. See also * * * Antara (music) References Hindustani music terminology Musical form {{music-genre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Braj Bhasha
Braj is a language within the Indo-Aryan language family spoken in the Braj region in Western Uttar Pradesh centered on Mathura. Along with Awadhi, it was one of the two predominant literary languages of North-Central India before gradually merging and contributing to the development of standardized Hindi in the 19th century. It is spoken today in its unique form in many districts of Western Uttar Pradesh, often referred to as 'Central Braj Bhasha'. The language was historically used for Vaishnavite poetry dedicated to Krishna, whose life was associated with sites in the Braj region. There were also early prose works in terms of the hagiographical ''vārtā'' literature of the Vallabha sect. Braj is considered by scholars to be a more conservative example of the Central Indo-Aryan languages compared to the Hindustani language, which has been influenced by Panjabi and intermediate dialects. Geographical distribution Braj Bhasha is spoken in the nebulous Braj region c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antara (music)
Antarā is the equivalent of a verse in Hindustani classical music. In Hindustani classical music, the fixed ( dhrupad/bandish) section is in four parts of which only the first two are performed regularly: Sthāyī (pallavi in Carnatic music) - the first line of the Sthāyī serves as a cadence (music), while the section itself serves as a base for the singer returns to the Sthāyī time and again after each part; Antarā (Anupallavi in Carnatic music) - the intermediate part sung in a high register focusing on the tar shadja, with a good deal of text manipulation and repeated forays into sthāyī; the third section Sanchari (charanam in Carnatic music) - created by the division of the Abhoga and it remains a free-moving section; the fourth and concluding section Abhoga (Pallavi in Carnatic music because this section is often replaced by the Sthāyī) includes notes from all three registers, and in present-day performances, may well be sung with the Sanchari, if these two sections ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urdu
Urdu (; , , ) is an Indo-Aryan languages, Indo-Aryan language spoken chiefly in South Asia. It is the Languages of Pakistan, national language and ''lingua franca'' of Pakistan. In India, it is an Eighth Schedule to the Constitution of India, Eighth Schedule language, the status and cultural heritage of which are recognised by the Constitution of India. Quote: "The Eighth Schedule recognizes India's national languages as including the major regional languages as well as others, such as Sanskrit and Urdu, which contribute to India's cultural heritage. ... The original list of fourteen languages in the Eighth Schedule at the time of the adoption of the Constitution in 1949 has now grown to twenty-two." Quote: "As Mahapatra says: "It is generally believed that the significance for the Eighth Schedule lies in providing a list of languages from which Hindi is directed to draw the appropriate forms, style and expressions for its enrichment" ... Being recognized in the Constitution, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madan Mohan (music Director)
Madan Mohan Kohli (25 June 1924 – 14 July 1975), better known as Madan Mohan, was an Indian music director of the 1950s, 1960s and the 1970s. He is considered one of the most melodious and skilled music directors of the Hindi film industry. He is particularly remembered for the immortal ghazals he composed for Hindi films. Some of his best works are with singers Lata Mangeshkar, Mohammed Rafi and Talat Mahmood.Arunachalam, Param (21 June 2015)Bollywood Retrospect: The musical legacy of composer Madan Mohan in 5 songs ''DNA India''. Retrieved 9 November 2018. Early years Born on 25 June 1924, at Baghdad where his father Rai Bahadur Chunilal Kohli was working as an Accountant General with the Iraqi Police forces, Madan Mohan spent the early years of his life in the Middle East. After 1932, his family returned to their home town of Chakwal, then in Jhelum district of Punjab, British India. He was left in the care of a grandparent while his father went to Bombay to seek b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
