Conservation Scientist (museums)
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Conservation Scientist (museums)
A conservation scientist is a museum professional who works in the field of conservation science and whose focus is on the research of cultural heritage (e.g. art, artifacts, buildings, and monuments) through scientific inquiry. Conservation scientists conduct applied scientific research and techniques to determine the material, chemical, and technical aspects of cultural heritage. The technical information conservation scientists gather is then used by conservator and curators to decide the most suitable conservation treatments for the examined object and/or adds to our knowledge about the object by providing answers about the material composition, fabrication, authenticity, and previous restoration treatments. Responsibilities and duties The main responsibility of a conservation scientist is to provide analytical and technical support for the preservation and restoration of cultural objects using scientific analysis and techniques.Whitmore, P. (Eds.). (2005)Conservation Science ...
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British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ...
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Oddy Test
The Oddy test is a procedure created at the British Museum by conservation scientist William Andrew Oddy in 1973, in order to test materials for safety in and around art objects. Often, materials for construction and museum contexts (including artefact conservation) are evaluated for safety. However, though materials may be safe for building purposes, they may emit trace amounts of chemicals that can harm art objects over time. Acids, formaldehyde, and other pollutants can damage and even destroy delicate artifacts if placed too close. Procedure This test calls for a sample of the material in question to be placed in an airtight container with three coupons of different metals—silver, lead, and copper—that are not touching each other or the sample of the material. The container is sealed with a small amount of de-ionized water to maintain a high humidity, then heated at 60 degrees Celsius for 28 days. An identical container with three metal coupons acts as a control. If the met ...
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William Andrew Oddy
William Andrew Oddy, (born 6 January 1942) is a former Keeper of Conservation at the British Museum, notable for his publications on artefact conservation and numismatics, and for the development of the Oddy test. In 1996 he was awarded the Forbes Prize "for outstanding work in the field of conservation" by the International Institute for Conservation, and gave the attendant Forbes Lecture that year in Copenhagen. He retired in 2002 and was appointed as an Officer of the Order of the British Empire the same year. Early life William Andrew Oddy was born on 6 January 1942 in Bradford and spent his childhood in the nearby township of Baildon. He was the first son of William Tingle Oddy, then serving in the Auxiliary Fire Service for the duration of World War II, and Hilda Florence Oddy (née Dalby). He attended Sandal Primary School in Baildon and Bradford Grammar School. It was during these years that he developed an interest in archaeology after having visited the excavation ...
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Fogg Art Museum
The Harvard Art Museums are part of Harvard University and comprise three museums: the Fogg Museum (established in 1895), the Busch-Reisinger Museum (established in 1903), and the Arthur M. Sackler Museum (established in 1985), and four research centers: the Archaeological Exploration of Sardis (founded in 1958), the Center for the Technical Study of Modern Art (founded in 2002), the Harvard Art Museums Archives, and the Straus Center for Conservation and Technical Studies (founded in 1928). The three museums that constitute the Harvard Art Museums were initially integrated into a single institution under the name Harvard University Art Museums in 1983. The word "University" was dropped from the institutional name in 2008. The collections include approximately 250,000 objects in all media, ranging in date from antiquity to the present and originating in Europe, North America, North Africa, the Middle East, South Asia, East Asia, and Southeast Asia. The main building contains of ...
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Rutherford John Gettens
Rutherford John Gettens (January 17, 1900 – June 17, 1974) was a chemist and pioneering conservation scientist. Born to Daniel and Clara (Rutherford) Gettens, Rutherford John Gettens grew up in Mooers, New York, where he became valedictorian of his high school class in 1918. He received his B.S. from Middlebury College in 1923. On graduating, he taught chemistry at Colby College, Maine, before receiving his M.A. from Harvard University in 1929. In 1928, Gettens began working at the Fogg Art Museum at Harvard, and by 1949, he was chief of Museum Technical Research, and an active member in the development of the field of conservation as we know it today. In 1951, Gettens began the establishment of a 'Technical Laboratory' at the Freer Gallery of Art in Washington, DC. The laboratory was designed to conduct technical research as well as undertake conservation treatments of museum objects. By 1961, he had been appointed head curator of the laboratory and after his retirement in 1968, ...
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American Ceramic Society
The American Ceramic Society (ACerS) is a non-profit professional organization for the ceramics community, with a focus on scientific research, emerging technologies, and applications in which ceramic materials are an element. It is located in Westerville, Ohio. It comprises more than 11,000 members from 70 countries, with membership including engineers, scientists, researchers, manufacturers, plant personnel, educators, students, and marketing and sales representatives. History ACerS was founded in 1899 by nine members of the National Brick Manufacturer's Association. The previous year at the association's annual convention in Pittsburgh, Elmer E. Gorton of American Terra Cotta & Ceramic Co. presented a paper entitled “Experimental Work, Wise and Otherwise." This paper was significant for being the first presented at the convention with a scientific focus, and motivated the formation of a non-commercial society dedicated to the exchange of ideas and research on the science o ...
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Andrew W
Andrew is the English form of a given name common in many countries. In the 1990s, it was among the top ten most popular names given to boys in English-speaking countries. "Andrew" is frequently shortened to "Andy" or "Drew". The word is derived from the el, Ἀνδρέας, ''Andreas'', itself related to grc, ἀνήρ/ἀνδρός ''aner/andros'', "man" (as opposed to "woman"), thus meaning "manly" and, as consequence, "brave", "strong", "courageous", and "warrior". In the King James Bible, the Greek "Ἀνδρέας" is translated as Andrew. Popularity Australia In 2000, the name Andrew was the second most popular name in Australia. In 1999, it was the 19th most common name, while in 1940, it was the 31st most common name. Andrew was the first most popular name given to boys in the Northern Territory in 2003 to 2015 and continuing. In Victoria, Andrew was the first most popular name for a boy in the 1970s. Canada Andrew was the 20th most popular name chosen for mal ...
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Getty Conservation Institute
The Getty Conservation Institute (GCI), located in Los Angeles, California, is a program of the J. Paul Getty Trust. It is headquartered at the Getty Center but also has facilities at the Getty Villa, and commenced operation in 1985.J. Paul Getty TrustAbout the Conservation Institute.Retrieved May 2, 2011. The GCI is a private international research institution dedicated to advancing conservation practice through the creation and delivery of knowledge. It "serves the conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field" and "adheres to the principles that guide the work of the Getty Trust: service, philanthropy, teaching, and access." GCI has activities in both art conservation and architectural conservation.Adams, Eric. The Getty's conservation mission. ''Architecture'', December 1997, vol. 86, issue 12. GCI conducts scientific research related ...
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National Gallery Of Art
The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Samuel Henry Kress#Biography, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexande ...
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ICCROM
The International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM) is an intergovernmental organization dedicated to the preservation of cultural heritage worldwide through training, information, research, cooperation and advocacy programmes. It aims to enhance the field of conservation-restoration and raise awareness to the importance and fragility of cultural heritage. The creation of the Centre took place as a result of a proposal at the UNESCO General Conference held in New Delhi, in 1956. Three years later, the Centre was established in Rome, Italy, where its headquarters remain to this day. ICCROM Member States currently number 137. Mission ICCROM's mission is defined by a set of statutes that were drafted shortly before its establishment (and revised on 25 November 2009). Activities ICCROM's mission is fulfilled through five areas of activity: training, information, research, cooperation and advocacy. Training ICCROM contributes t ...
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