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Concerto For Solo Piano (Alkan)
Concerto for Solo Piano (french: Concerto pour piano seul) is a 3-movement solo piano piece written by Charles-Valentin Alkan. The pieces are part of a 12 piece cycle entitled ''Douze études dans tous les tons mineurs'' (12 Studies in the Minor Keys), published in 1857 (although it may have been written some years earlier). With sections marked "Tutti", "Solo" and "Piano", the piece requires the soloist to present the voices of both the orchestra and the soloist. The pianist Jack Gibbons comments: "The style and form of the music take on a monumental quality—rich, thickly set textures and harmonies ... conjure up the sound world of a whole orchestra and tax the performer, both physically and mentally, to the limit." The work features progressive tonality, beginning in G-sharp minor, G minor and ending in F-sharp major, F major; this is a consequence of the piece being three consecutive elements of the cycle of 12 études, each of which is in a key a perfect fourth higher than its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Valentin Alkan
Charles-Valentin Alkan (; 30 November 1813 – 29 March 1888) was a French Jewish composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life. Alkan earned many awards at the Conservatoire de Paris, which he entered before he was six. His career in the salons and concert halls of Paris was marked by his occasional long withdrawals from public performance, for personal reasons. Although he had a wide circle of friends and acquaintances in the Parisian artistic world, including Eugène Delacroix and George Sand, from 1848 he began to adopt a reclusive life style, while continuing with his compositions – virtually all of which are for the keyboard. During this period he published, among other works, his collections of large-scale studies in all the major keys (Op. 35) and all the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitry Feofanov
Dmitri (russian: Дми́трий); Church Slavic form: Dimitry or Dimitri (); ancient Russian forms: D'mitriy or Dmitr ( or ) is a male given name common in Orthodox Christian culture, the Russian version of Greek Demetrios (Δημήτριος ''Dēmētrios'' ). The meaning of the name is "devoted to, dedicated to, or follower of Demeter" (Δημήτηρ, ''Dēmētēr''), "mother-earth", the Greek goddess of agriculture. Short forms of the name from the 13th–14th centuries are Mit, Mitya, Mityay, Mit'ka or Miten'ka (, or ); from the 20th century (originated from the Church Slavic form) are Dima, Dimka, Dimochka, Dimulya, Dimusha etc. (, etc.) St. Dimitri's Day The feast of the martyr Saint Demetrius of Thessalonica is celebrated on Saturday before November 8 ld Style October 26 The name day (именины): October 26 (November 8 on the Julian Calendar) See also: Eastern Orthodox liturgical calendar. The Saturday before October 26/November 8 is called Demetrius Satu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Élie-Miriam Delaborde
Élie-Miriam Delaborde (born Eraïm-Miriam Delaborde; 7 February 18399 December 1913) was a French virtuoso pianist and composer. He was also renowned as a player of the pedal piano. Life His birth was registered under the name of his mother Lina Eraïm Miriam, aged 38, of Nantes, and an unnamed father. Delaborde was generally believed to be the illegitimate son of the composer and pianist Charles-Valentin Alkan and one of his high-class married pupils. Delaborde was the maiden name of Antoinette, mother of George Sand, the author and sometime lover of Alkan's friend Frédéric Chopin. Some writers have seen some significance in this. Alkan's withdrawal from public life had also coincided with the birth and upbringing of Delaborde. Alkan and Delaborde also shared several similarities such as their similar skill in playing the pedal piano and both of them being parrot enthusiasts. It was claimed that the pianist Isidor Philipp averred that Delaborde detested his father, but th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Vianna Da Motta
José Vianna da Motta (modern spelling as 'Viana da Mota') (22 April 18681 June 1948) was a Portuguese pianist, teacher, and composer. He was one of the last pupils of Franz Liszt. The José Vianna da Motta Music Competition was founded in 1957 in his honor. Life José Vianna da Motta was born on São Tomé Island, a Portuguese territory at the time where his father, also a great amateur musician, had opened a pharmacy. Moving with his family to Continental Portugal, he settled in Colares, near Sintra, where he soon showed his unusual skills in music, and in playing and composing works for the piano. In Berlin he had lessons from Xaver Scharwenka and Philipp Scharwenka before studying with Franz Liszt at Weimar in 1885 and with Hans von Bülow two years later. In the following years he undertook many concert tours all round the world. His professional career began in 1886 and continued uninterruptedly until 1945. He made his first European tour in 1888, accompanying violinist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Von Bülow
Freiherr Hans Guido von Bülow (8 January 1830 – 12 February 1894) was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, virtuoso pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States. Life and career Bülow was born in Dresden into an old and prominent House of Bülow. He was the son of novelist Karl Eduard von Bülow (18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal College Of Music
The Royal College of Music is a conservatoire established by royal charter in 1882, located in South Kensington, London, UK. It offers training from the undergraduate to the doctoral level in all aspects of Western Music including performance, composition, conducting, music theory and history. The RCM also undertakes research, with particular strengths in performance practice and performance science. The college is one of the four conservatories of the Associated Board of the Royal Schools of Music and a member of Conservatoires UK. Its buildings are directly opposite the Royal Albert Hall on Prince Consort Road, next to Imperial College and among the museums and cultural centres of Albertopolis. History Background The college was founded in 1883 to replace the short-lived and unsuccessful National Training School for Music (NTSM). The school was the result of an earlier proposal by the Prince Consort to provide free musical training to winners of scholarships under a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Klindworth
Karl Klindworth (25 September 183027 July 1916) was a German composer, virtuoso pianist, conductor, violinist and music publisher. He was one of Franz Liszt's pupils and later one of his closest disciples and friends, being also on friendly terms with composer Richard Wagner, of whom he was an admirer. He was highly praised by fellow musicians, including Wagner himself and Edward Dannreuther. Among his pupils were Hans von Bülow, Georgy Catoire, and Ethelbert Nevin. Biography Family Klindworth was born in Hanover in 1830 as the son of Carl August Klindworth and Dorothea Wilhelmine (1800–1853), née Lamminger, daughter of court printer Johann Thomas Lamminger (1757–1805). He was the nephew of politician and State Council Georg Klindworth and clockmaker Karl Friedrich Felix Klindworth (1788–1851). As a child, the young Klindworth received violin lessons and taught himself to play the piano. As he was not accepted as violin pupil of Louis Spohr, he then joined a traveling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the '' Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab ''rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythms
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera '' Don Giovanni'', two orchestras are heard playing to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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