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Collection (The Stranglers Album)
The following is a comprehensive discography of the Stranglers, an English rock band. Albums Studio albums Live albums The Stranglers have always toured regularly. The ''official'' albums listed below chronicle the changing face of these performances over the years. *'' Live (X Cert)'' (1979, United Artists) – UK No. 7 (BPI: Silver) (London 1977-1978) *''All Live and All of the Night'' (1988, Epic) – UK No. 12 (BPI: Gold) (London, Reading and Paris 1985-1987) *''Live at the Hope and Anchor'' (1992, EMI) (London 1977) *'' Saturday Night, Sunday Morning'' (1993, Castle Communications) (London 1990) *''Death and Night and Blood'' (1994, Receiver Records Limited) ( Zurich 1985) *'' The Stranglers and Friends - Live in Concert'' (1995, Receiver Records Limited) (London 1980) *''Live in London'' (1997, Rialto) (London c. 1985) *''Access All Areas'' (1997, SIS) ( UK 1995) *'' Friday the Thirteenth'' (1997, Eagle) – UK #198 (London 1997) *''Live at the Hammersmith Odeon '81' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stranglers
The Stranglers are an English rock band who emerged via the punk rock scene. Scoring 23 UK top 40 singles and 19 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene. Formed as the Guildford Stranglers in Guildford, Surrey, in early 1974, they originally built a following within the mid-1970s pub rock scene. While their aggressive, no-compromise attitude had them identified by the media with the emerging UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre, and the group went on to explore a variety of musical styles, from new wave, art rock and gothic rock through the sophisti-pop of some of their 1980s output. They had major mainstream success with their 1982 single " Golden Brown". Their other hits include " No More Heroes", " Peaches", " Always the Sun", " Skin Deep" and " Big Thing Coming". The Stranglers' early s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Artists
United Artists Corporation (UA), currently doing business as United Artists Digital Studios, is an American digital production company. Founded in 1919 by D. W. Griffith, Charlie Chaplin, Mary Pickford, and Douglas Fairbanks, the studio was premised on allowing actors to control their own interests, rather than being dependent upon commercial studios. UA was repeatedly bought, sold, and restructured over the ensuing century. Metro-Goldwyn-Mayer acquired the studio in 1981 for a reported $350 million ($ billion today). On September 22, 2014, MGM acquired a controlling interest in entertainment companies One Three Media and Lightworkers Media, then merged them to revive United Artists' television production unit as United Artists Media Group (UAMG). However, on December 14 of the following year, MGM wholly acquired UAMG and folded it into MGM Television. United Artists was again revived in 2018 as United Artists Digital Studios. Mirror, the joint distribution ven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stranglers In The Night
''Stranglers in the Night'' is the eleventh studio album by the Stranglers and the first release on the band's own record label, Psycho, in 1992. It opened the recording career of the Stranglers MK II, with Paul Roberts on vocals and John Ellis on guitar. The band returned to a purer, less "produced" sound; the horns have departed and the songs have a less-constrained, harder edge. Styles vary from ballads such as "Southern Mountains" and "Grand Canyon" to the fast-paced "Sugar Bullets" and "Brainbox". The album marks the second Stranglers album to be produced by Mike Kemp, the first being 1986's ''Dreamtime''. The North American version of this album (with a white, rather than dark grey, cover) contained three extra tracks ("Coffee Shop", "Vicious Circles" and "So Uncool"), which were originally B-sides in the UK. The album peaked at No. 33 in the UK Albums Chart in September 1992. The single "Heaven or Hell" was released from the album, and peaked at No. 46 in the UK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
10 (The Stranglers Album)
''10'' is the tenth studio album by English rock band the Stranglers, released in March 1990 by Epic Records. It was the last to feature guitarist/lead singer Hugh Cornwell. ''10'' peaked at No. 15 and spent four weeks in the UK Albums Chart. There was a big band sound to this album, possibly due to the production work of Roy Thomas Baker and the continued use of a horn section. One of the highlights was the cover version of Question Mark & the Mysterians' hit "96 Tears" (which reached No. 17 in the UK Singles Chart). Cornwell has expressed satisfaction with the way this album turned out, whereas the rest of the band, including live guitarist John Ellis, who joined the band on the next album, have all expressed negative feelings about ''10''. Singles released in the UK for this album were "96 Tears" and "Sweet Smell of Success" (UK No. 65). "Man of the Earth" was due to be the third single from the album, however, Epic decided against it. Background Since the Stranglers la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dreamtime (The Stranglers Album)
''Dreamtime'' is the ninth studio album by the Stranglers, released in 1986 by Epic Records. The title track was inspired by a belief of the aboriginal peoples of Australia called Dreamtime. The single " Always the Sun" peaked at No. 30 in the UK Singles Chart. ''Dreamtime'' itself reached No. 16 in the UK Albums Chart, the lowest charting studio album during Hugh Cornwell's recording tenure with the band (1977–90). Singles released in the UK for this album included "Nice in Nice" (peaked at No. 30), "Always the Sun", "Big in America" (peaked at No. 48) and "Shakin' Like a Leaf" (peaked at No. 58). A fifth single was proposed by the record company, and a remix of the song "Was It You?" was prepared, but it was never released. Background The initial recording sessions for ''Dreamtime'' began in late 1985 with producer Laurie Latham, who had worked on the band's previous album '' Aural Sculpture''. A few months were spent working on a handful of tracks before the Strangler ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aural Sculpture
''Aural Sculpture'' is the eighth studio album by the Stranglers, released in November 1984 by Epic Records. It was also the name given to a one-sided 7-inch single given free with a limited number of copies of their '' Feline'' album in 1983. The "Aural Sculpture Manifesto" on the 7" single was played before the Stranglers appeared on stage during concerts during both the 1983 "Feline" tour and the 1985 "Aural Sculpture" tour. The album featured acoustic guitar as well as a three-piece horn section (trumpet, trombone and saxophone). The horns were the suggestion of producer Laurie Latham, who was brought in after Epic Records rejected the initial demos of the album tracks. ''Aural Sculpture'' reached number 14 in the UK Albums Chart in November 1984. There were three singles released from the album: " Skin Deep" (No. 15 in the UK Singles Chart), " No Mercy" (No. 37 in the UK Singles Chart) and "Let Me Down Easy" (No. 48 in the UK Chart). All were accompanied by 12" single ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Records
Epic Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop, R&B, rock, and hip hop. History Beginnings Epic Records was launched in 1953 by the Columbia Records unit of CBS, for the purpose of marketing jazz, pop, and classical music that did not fit the theme of its more mainstream Columbia Records label. Initial classical music releases were from Philips Records which distributed Columbia product in Europe. Pop talent on co-owned Okeh Records were transferred to Epic which made Okeh a rhythm and blues label. Epic's bright-yellow, black, and blue logo became a familiar trademark for many jazz and classical releases. This has included such notables as the Berlin Philharmonic, Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feline (The Stranglers Album)
''Feline'' is the seventh studio album by the Stranglers and was released on 22 January 1983 on the Epic record label, their first for the label. The first edition came with a free one-sided 7" single "Aural Sculpture Manifesto". ''Feline'' drew heavily on two of the dominant musical influences in Europe of the time, by using primarily acoustic guitars and electronic drums as well as Dave Greenfield's synthesizers. The American edition of the album included the British hit single " Golden Brown" as the closing track on side one of the original vinyl (and the fifth song in on the CD version). ''Feline'' peaked higher than their earlier studio album release, ''La Folie'', reaching No. 4 in the UK Albums Chart. There were three singles released from ''Feline'': the first was " European Female" which reached No. 9 in the UK Singles Chart in January 1983, and was followed by a remixed 7" version of "Midnight Summer Dream" in February (which peaked at No. 35 in the UK). The third ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Folie (album)
''La folie'' is the sixth studio album by English new wave band the Stranglers. It was released on 9 November 1981, through the EMI record label Liberty. Background The Stranglers had initially been the most commercially successful band of the punk/ new wave period in Britain, but by 1981, their success had waned noticeably. ''La folie'' was a conscious attempt to deliver a more commercial product. It is co-produced by the band with engineer Steve Churchyard and mixed by Tony Visconti. The band's record company, EMI, gave Visconti a brief to mix each song as a potential single. The album's French language title literally translates to "madness". In various interviews, the band related that this referred to "The Madness of Love" and that conceptually, each of the songs on the album was intended to explore a different kind or aspect of "love". The title track is based upon the story of Issei Sagawa. Guitarist Hugh Cornwell related in his 2001 book ''The Stranglers – Song by Son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liberty Records
Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Al Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals. History 1950s Liberty's early releases focused on film and orchestral music. Its first single was Lionel Newman's "The Girl Upstairs". Its first big hit, in 1955, was by Julie London singing her version of the torch song, " Cry Me a River", which climbed to No. 9 in the ''Billboard'' Hot 100. It helped Liberty sell her first album, '' Julie Is Her Name''. In 1956, Liberty signed Henry Mancini and released two singles and several albums by him. He left in 1958, signing with RCA Victor, where his record sales increased. Billy Rose and Lee David's song " Tonight You Belong to Me" reached number 4 (US) and number 28 (UK) when it was performed by teen sisters Patience and Prudence (McIntyre), selling over a million copies. Liberty also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gospel According To The Meninblack
''The Gospel According to the Meninblack'' (or sometimes referred to as just ''The Meninblack'') is the fifth album by English rock band the Stranglers, an esoteric concept album released in 1981 on the Liberty label. The album deals with conspiratorial ideas surrounding alien visitations to Earth, the sinister governmental men in black, and the involvement of these elements in well-known biblical narratives. This was not the first time the Stranglers had used this concept; "Meninblack" on the earlier ''The Raven'' album and subsequent 1980 single-release " Who Wants the World?" had also explored it. History The album is an elaboration of concepts first introduced by the band on the aforementioned track from their preceding album, ''The Raven''. Hugh Cornwell, former singer-songwriter and guitarist with the group, has stated his belief that the album is the pinnacle of the Stranglers' artistic and creative output, and he cites it as his favourite album by the band. In a 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Raven (The Stranglers Album)
''The Raven'' is the fourth studio album by English new wave band the Stranglers, released on 15 September 1979, through record label United Artists. Background The first two songs, much of the artwork (the band is shown standing on the prow of a Viking longship on the back cover) and the album title refer to Norse mythology. The album deals with a variety of issues, including Japanese ritual suicide ("Ice"), heroin use ("Don't Bring Harry"), the Iranian Revolution ("Shah Shah a Go Go") and genetic engineering ("Genetix"). "Dead Loss Angeles" features guitarist Hugh Cornwell playing bass guitar in conjunction with bassist Jean-Jacques Burnel, who wrote the song's heavy bass line. No lead or rhythm guitars feature on the track, whose lyrics were written by Cornwell about his experiences in the United States. ''The Raven'' is the first Stranglers album not produced by Martin Rushent, instead being produced by the band with engineer Alan Winstanley. Release ''The Raven' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
