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Chinese Scripts
The Chinese family of scripts are writing systems descended from the Chinese oracle bone script and used for a variety of languages in East Asia. They include logosyllabic systems such as the Chinese script itself (or ''hanzi'', now in two forms, traditional and simplified), and adaptations to other languages, such as kanji (Japanese), Hanja (Korean), chữ Hán and chữ Nôm (Vietnamese) and Sawndip ( Zhuang). More divergent are Tangut, Khitan large script, and its offspring Jurchen, as well as the Yi script, which were inspired by Chinese although not directly descended from it. The partially deciphered Khitan small script may be another. In addition, various phonetic scripts descend from Chinese characters, of which the best known are the various kana syllabaries, the zhuyin semi-syllabary, nüshu, and some influence on hangul. The Chinese scripts are written in various calligraphic hands, principally seal script, clerical script, regular script, semi-cursive script, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanzi
Chinese characters () are logograms developed for the writing of Chinese. In addition, they have been adapted to write other East Asian languages, and remain a key component of the Japanese writing system where they are known as ''kanji''. Chinese characters in South Korea, which are known as ''hanja'', retain significant use in Korean academia to study its documents, history, literature and records. Vietnam once used the '' chữ Hán'' and developed chữ Nôm to write Vietnamese before turning to a romanized alphabet. Chinese characters are the oldest continuously used system of writing in the world. By virtue of their widespread current use throughout East Asia and Southeast Asia, as well as their profound historic use throughout the Sinosphere, Chinese characters are among the most widely adopted writing systems in the world by number of users. The total number of Chinese characters ever to appear in a dictionary is in the tens of thousands, though most are graphic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jurchen Script
The Jurchen script (Jurchen: ) was the writing system used to write the Jurchen language, the language of the Jurchen people who created the Jin Empire in northeastern China in the 12th–13th centuries. It was derived from the Khitan script, which in turn was derived from Chinese (Han characters). The script has only been decoded to a small extent. The Jurchen script is part of the Chinese family of scripts. History After the Jurchen rebelled against the Khitan Liao dynasty and established the new Jin dynasty in 1115, they were using the Khitan script.Kane (1989), p. 3. In 1119 or 1120, Wanyan Xiyin, the "chancellor" of the early Jin Empire, acting on the orders of the first emperor, Wanyan Aguda, invented the first Jurchen script, known as "the large script".Franke (1994), pp. 31–34. The second version, the so-called "small script", was promulgated in 1138 by the Xizong Emperor, and said to have been created by the emperor himself. According to the ''Jin Shi'', in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Calligraphy
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. Calligraphy is considered one of the four most-sought skills and hobbies of ancient Chinese literati, along with playing stringed musical instruments, the board game "Go", and painting. There are some general standardizations of the various styles of calligraphy in this tradition. Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life. According to Stanley-Baker, "Calligraphy is sheer life experienced through energy in motion that is registered as traces on silk or paper, with time and rhyt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cursive Script (East Asia)
Cursive script (; , ''sōshotai''; , ''choseo''; ), often mistranslated as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. The cursive script functions primarily as a kind of shorthand script or calligraphic style; it is faster to write than other styles, but can be difficult to read for those unfamiliar with it due to its abstraction and alteration of character structures. People who can only read standard or printed forms of Chinese or related scripts may have difficulty reading the cursive script. Names The character primarily means "grass", which has led to the semantically inappropriate calque of , "grass script". However, can be extended to mean ''hurried'' or ''rough'', from which the name came. Thus, the name of this script is literally "draft script", "quick script" or "rough script" (the character means script in this context). The ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semi-cursive Script
Semi-cursive script (), also known as running hand script, is a style of calligraphy which emerged in China during the Han dynasty (3rd century BC – 3rd century AD). The style is used to write Chinese characters and is abbreviated slightly where a character’s strokes are permitted to be visibly connected as the writer writes, but not to the extent of the cursive style. This makes the style easily readable by readers who can read regular script and quickly writable by calligraphers who require ideas to be written down quickly. In order to produce legible work using the semi-cursive style, a series of writing conventions is followed, including the linking of the strokes, simplification and merging strokes, adjustments to stroke order and the distribution of text of the work. One of the most notable calligraphers who used this style was Wang Xizhi, known for his work '' Preface to the Orchid Pavilion Collection'' (''Lantingji Xu''), produced in AD 353. This work remains high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regular Script
Regular script (; Hepburn: ''kaisho''), also called (), (''zhēnshū''), (''kǎitǐ'') and (''zhèngshū''), is the newest of the Chinese script styles (popularized from the Cao Wei dynasty c. 200 AD and maturing stylistically around the 7th century). It is the most common style in modern writings and third most common in publications (after the Ming and gothic styles, which are used exclusively in print). History The ''Calligraphy Manual of Xuanhe Era'' (; Xuānhé Shūpǔ) credit Wáng Cìzhòng () with creating Regular script based on Clerical script in the early Western Hàn. This script came into popular usage between the Eastern Hàn and Cáo Wèi dynasties,Qiú 2000 p. 143 and its first known master was Zhōng Yáo (; sometimes also read Zhōng Yóu), who lived in the Eastern Hàn to Cáo Wèi period, c. 151–230 CE. He is also known as the "father of regular script", and his famous works include the ''Xuānshì Biǎo'' (), ''Jiànjìzhí Biǎo'' (), and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clerical Script
The clerical script (; Japanese: 隷書体, ''reishotai''; Korean: 예서 (old spelling 례서); Vietnamese: lệ thư), sometimes also chancery script, is a style of Chinese writing which evolved from the late Warring States period to the Qin dynasty, matured and became dominant in the Han dynasty, and remained in largely active use through the Wei-Jin periods. In its development, it departed significantly from the earlier scripts in terms of graphic structures (a process named '' libian'', or "clerical change"), and was characterized by its rectilinearity, a trait shared with the later regular script. Although it was succeeded by the later scripts, including the regular script, the clerical script is preserved as a calligraphic practice. In Chinese calligraphy, the term ''clerical'' often refers to a specific calligraphic style that is typical of a specific subtype of the clerical script, the ''Han'' ''clerical'' () or ''bafen'' () ''script''. This style of calligraphy is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seal Script
Seal script, also sigillary script () is an ancient style of writing Chinese characters that was common throughout the latter half of the 1st millennium BC. It evolved organically out of the Zhou dynasty bronze script. The Qin variant of seal script eventually became the standard, and was adopted as the formal script for all of China during the Qin dynasty. It was still widely used for decorative engraving and seals (name chops, or signets) in the Han dynasty. The literal translation of the Chinese name for seal script, (), is 'decorative engraving script', a name coined during the Han dynasty, which reflects the then-reduced role of the script for the writing of ceremonial inscriptions. Types The general term seal script can be used to refer to several types of seal script, including the large or great seal script ( ; Japanese ; Korean ; Vietnamese ) and the lesser or small seal script ( ; Japanese ; Korean ; Vietnamese ). Most commonly, without any other clarifying ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphic Hand
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nüshu
Nüshu () is a syllabic script derived from Chinese characters that was used exclusively among women in Jiangyong County in Hunan province of southern China.Proposatext , 2007-9-17 Features Unlike standard , which is (each represents a word or part of a word), Nüshu is , with each of its a ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semi-syllabary
A semi-syllabary is a writing system that behaves partly as an alphabet and partly as a syllabary. The main group of semi-syllabic writing are the Paleohispanic scripts of ancient Spain, a group of semi-syllabaries that transform redundant plosive consonants of the Phoenician alphabet into syllabograms. Out of confusion, the term is sometimes applied to a different alphabetic typology known as abugida, alphasyllabary or neosyllabary, but for the purposes of this article it will be restricted to scripts where some characters are alphabetic and others are syllabic. Iberian semi-syllabaries The Paleohispanic semi-syllabaries are a family of scripts developed in the Iberian Peninsula at least from the 5th century BCE – possibly from the 7th century. Some researchers conclude that their origin lies solely with the Phoenician alphabet, while others believe the Greek alphabet also had a role. Paleohispanic semi-syllabaries are typologically unusual because their syllabic and alphab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhuyin
Bopomofo (), or Mandarin Phonetic Symbols, also named Zhuyin (), is a Chinese transliteration system for Mandarin Chinese and other related languages and dialects. More commonly used in Taiwanese Mandarin, it may also be used to transcribe other varieties of Chinese, particularly other varieties of Mandarin Chinese dialects, as well as Taiwanese Hokkien. Consisting of 37 characters and five tone marks, it transcribes all possible sounds in Mandarin. Bopomofo was first introduced in China by the Republican government in the 1910s and was used alongside the Wade–Giles system for romanization purposes, which used a modified Latin alphabet. Today, Bopomofo is now more common in Taiwan than on the Chinese mainland, and is after Hanyu Pinyin used as a secondary electronic input method for writing Mandarin Chinese in Taiwan as well as in dictionaries or other non-official documents. Etymology Bopomofo is the name used by the ISO and Unicode. ''Zhuyin'' () literally means p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
