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Chanson Perpétuelle
The "Chanson perpétuelle", opus number, Op. 37 is a mélodie by Ernest Chausson, written in December 1898 in music, 1898. It is one of the major voice, vocal-orchestral works of Chausson, along with the ''Poème de l'amour et de la mer''. Besides the better-known version for soprano and orchestra, Chausson also wrote a version for soprano, piano and string quartet. The text comes from a poem by Charles Cros, describing the suffering of an abandoned woman. It is the last completed work by Chausson, as he left his String Quartet (Chausson), String Quartet, Op. 35, unfinished. The work was dedicated to the singer Jeanne Raunay, who gave the premiere on January 28 or 29, 1899. Half a year later, Chausson himself died in an accident. The score was not published until 1911. A performance of the ''Chanson'' lasts about six or seven minutes. External linksText of the poem, with translations {{DEFAULTSORT:Chanson perpetuelle Compositions by Ernest Chausson 1898 compositions M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélodie
A ''mélodie'' () is a form of French art song, arising in the mid-19th century. It is comparable to the German ''Lied''. A ''chanson'', by contrast, is a folk or popular French song. The literal meaning of the word in the French language is "melody". Nature The ''mélodie'' is often defined by comparison with the ''lied''. Pierre Bernac provides this comparison in ''The Interpretation of French Song'': Debussy goes on to write that 'clarity of expression, precision and concentration of form are qualities peculiar to the French genius.' These qualities are indeed most noticeable when again compared with the German genius, excelling as it does in long, uninhibited outpourings, directly opposed to the French taste, which abhors overstatement and venerates concision and diversity. Bernac writes that "the art of the greatest French composers is an art of suggestion", rather than explicit statement of feelings. The ''mélodie'' is noted for its deliberate and close relationship betwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Chausson
Amédée-Ernest Chausson (; 20 January 1855 – 10 June 1899) was a French Romantic composer who died just as his career was beginning to flourish. Life Born in Paris into an affluent bourgeois family, Chausson was the sole surviving child of a building contractor who made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s. To please his father, Chausson studied law and was appointed a barrister for the Court of Appeals, but had little or no interest in the profession. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. Before deciding on a musical career, he dabbled in writing and drawing. In 1879, at the age of 24, he began attending the composition classes of Jules Massenet at the Paris Conservatoire; Massenet came to regard him as "an exceptional person and a true artist". He had already composed some piano pieces and songs. Nevertheless, the earliest manuscripts that have be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1898 In Music
Events in the year 1898 in music. Specific locations *1898 in Norwegian music Events *Otilie Dvořáková, daughter of Antonín Dvořák, marries her father's pupil, composer Josef Suk. *Dame Marie Tempest marries the actor-playwright Cosmo Stuart, grandson of the Duke of Richmond. Published popular music * "Because" w. Charles Horwitz m. Frederick V. Bowers * "The Boy Guessed Right" w.m. Lionel Monckton * "Ciribiribin" w. Carlo Tiochet m. Alberto Pestalozza * "Gold Will Buy Most Anything But A True Girl's Heart" w. Charles E. Foreman m. Monroe H. Rosenfeld * "Good-bye Dolly Gray" w. Will D. Cobb m. Paul Barnes * "Goodnight, Little Girl, Goodnight" w. Julai M. Hays m. J. C. Macy * "Gypsy Love Song" w. Harry B. Smith m. Victor Herbert from the musical '' The Fortune Teller'' * "Honey on my Lips" Charles E. Trevathan * "I Guess I'll Have To Telegraph My Baby" w.m. George M. Cohan * "Just As The Sun Went Down" w. Karl Kennett m. Lyn Udall * "Just One Girl" w. Karl Kennett m. L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musicians employ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poème De L'amour Et De La Mer
The ''Poème de l'amour et de la mer'' (literally, ''Poem of Love and the Sea''), Op. 19, is a song cycle for voice and orchestra by Ernest Chausson. It was composed over an extended period between 1882 and 1892 and dedicated to Henri Duparc. Chausson would write another major work in the same genre, the ''Chanson perpétuelle'', in 1898. The Poème consists of two parts separated by an orchestral interlude, based on the poems ''La Fleur des eaux'' (''The Flower of the Waters'') and ''La Mort de l'amour'' (''The Death of Love'') by Chausson's friend Maurice Bouchor (1855–1929). Bouchor also provided the lyrics for another fifteen mélodies by Chausson. One such song was ''Le Temps des lilas'' (''The Time of Lilacs''), the last four verses of which Chausson transcribed and incorporated into the ending of the second part of the ''Poème''. At the premiere on February 21, 1893, in Brussels, Chausson himself played the piano to accompany the tenor Désiré Demest. The orche ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Jan� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Cros
Charles Cros or Émile-Hortensius-Charles Cros (October 1, 1842 – August 9, 1888) was a French poet and inventor. He was born in Fabrezan, Aude. Cros was a well-regarded poet and humorous writer. As an inventor, he was interested in the fields of transmitting graphics by telegraph and making photographs in color, but he is perhaps best known for being the first person to conceive a method for reproducing recorded sound, an invention he named the Paleophone. Charles Cros died in Paris at the age of 45. Early life and education Cros was born to the philosopher Simon Charles Henry Cros (1803–1876) and Josephine Thor. He was the grandson of grammarian Antoine Cros (1769–1844). Cros was the brother of and the painter and sculptor Henry Cros ( :fr: Henry Cros) (1840–1907) and of Antoine-Hippolyte Cros (1833-1903), a surgeon who was also pretender to the throne of the defunct Kingdom of Araucanía and Patagonia from March 6, 1902 until November 1, 1903, and the uncle of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet (Chausson)
The String Quartet in C minor, Op. 35, was begun by Ernest Chausson in 1898 and the composer had fully scored all but part of the third and last movement before he died in a bicycle accident on 10 June 1899. He was engaged on writing the last movement on the very day of his fatal accident.Grove's Dictionary of Music and Musicians, 5th ed, 1954, Vol. II, p. 191, Chausson, Ernest (Amédée) Relying on the drafts left behind by Chausson, Vincent d'Indy completed the final movement at the request of the composer's family. The string quartet was premiered on 27 January 1900, at the Société Nationale de Musique (SNM). The performers were Armand Parent, Lammers, Denoyers and Baretti. The work is believed to be influenced by the impressionism of Debussy and the first movement quotes his string quartet op. 10, while the second adopts the Tarnhelm theme from Wagner's opera ''Das Rheingold ''Das Rheingold'' (; ''The Rhinegold''), WWV 86A, is the first of the four music dramas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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