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Castor Et Pollux
''Castor et Pollux'' (''Castor and Pollux'') is an opera by Jean-Philippe Rameau, first performed on 24 October 1737 by the Académie royale de musique at its theatre in the Palais-Royal in Paris. The librettist was Pierre-Joseph-Justin Bernard, whose reputation as a salon poet it made. This was the third opera by Rameau and his second in the form of the ''tragédie en musique'' (if the lost ''Samson'' is discounted). Rameau made substantial cuts, alterations and added new material to the opera for its revival in 1754. Experts still dispute which of the two versions is superior. Whatever the case, ''Castor et Pollux'' has always been regarded as one of Rameau's finest works. Composition history Charles Dill proposes that Rameau had composed the 1737 opera just after working with Voltaire on the opera "Samson" that was never completed, after which he composed "Castor et Pollux" implementing Voltaire's aesthetics. For example, Voltaire sought the presentation of static tableaus th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Aved
Jacques-André-Joseph Aved (12 January 1702 – 4 March 1766), also called le Camelot (''The Hawker'') and Avet le Batave (''The Dutch Avet''), was a French painter of the 18th century and one of the main French Rococo portraitists. He painted among others the Ottoman Empire ambassador to France in 1742, Yirmisekizzade Mehmed Said Efendi. His father was a physician and he was orphaned when he was a little boy. He was raised in Amsterdam by one of his uncles, who was a captain in the Dutch Army. After his training in Amsterdam with François Boitard and Bernard Picart, Jacques Aved started working in Paris for Belle in 1721. He later entered at the Royal Academy of Painting and Sculpture ( Académie royale de peinture et de sculpture) in 1731 and he was appointed councillor after graduating in 1734 and in 1759, he took part in his last ''salon''. In 1753 he became a member of the Confrerie Pictura. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Crichton
Ronald Crichton (28 December 1913 – 16 November 2005) was a music critic for the ''Financial Times'' in the 1960s and 1970s. He was a scion of the Earls of Erne. In his ''Times'' obituary he was described as "one of the last of the school of those cultured mandarins who were able to write and talk about all matters concerning the arts."''The Times'' obituary, November 18, 2005, p 69 Education and early career He was born in Scarborough, North Yorkshire, the son of Colonel Charles William Harry Crichton, DSO (1872-1958), by his wife Dorothy Maud (who died in 1959), daughter of the Hon. Eustace Henry Dawnay, scion of the Viscounts Downe. He was educated at Radley College and Christ Church, Oxford, where he read French, but also discovered opera through the University Opera Club, then in its earliest days. Forbes, Elizabeth'Ronald Crichton' obituary, ''The Independent'', 28 November, 2005/ref> He persuaded the club to mount the first British performance of '' Castor et Pollux' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lynceus
In Greek mythology, Lynceus (; grc, Λυγκεύς, Lynkeús, lynx-eyed) was a king of Argos, succeeding Danaus on the throne. Family Lynceus was named as a descendant of Belus through his father Aegyptus, who was the twin brother of Danaus, father of fifty daughters called Danaïdes. He had forty-nine siblings and out of them had five full brothers namely Proteus, Busiris, Enceladus Lycus and Daiphron through their mother Argyphia, a woman of royal blood. By Hypermnestra, Lynceus became the father of Abas, who succeeded him as king. Mythology Lynceus's father Aegyptus commanded that his sons should marry the Danaïdes but Danaus together with his daughters fled to Argos where King Pelasgus ruled. Then Lynceus together with his brothers and father arrived to take the Danaïdes. Danaus gave them to spare the Argives the pain of a battle. However, he instructed his daughters to kill their husbands on their wedding night. Forty-nine followed through, but one, Hypermne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pollux (mythology)
Castor; grc, Κάστωρ, Kástōr, beaver. and Pollux. (or Polydeukes). are twin half-brothers in Greek and Roman mythology, known together as the Dioscuri.; grc, Διόσκουροι, Dióskouroi, sons of Zeus, links=no, from ''Dîos'' ('Zeus') and '' koûroi'' ('boys'). Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who raped Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra. In Latin the twins are also known as the Gemini (literally "twins") or Castores, as well as the Tyndaridae or Tyndarids.. Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini. The pair were regard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castor (mythology)
Castor; grc, Κάστωρ, Kástōr, beaver. and Pollux. (or Polydeukes). are twin half-brothers in Greek and Roman mythology, known together as the Dioscuri.; grc, Διόσκουροι, Dióskouroi, sons of Zeus, links=no, from ''Dîos'' ('Zeus') and '' koûroi'' ('boys'). Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who raped Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra. In Latin the twins are also known as the Gemini (literally "twins") or Castores, as well as the Tyndaridae or Tyndarids.. Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini. The pair were regard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minerva
Minerva (; ett, Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic war. From the second century BC onward, the Romans equated her with the Greek goddess Athena.''Larousse Desk Reference Encyclopedia'', Book People, Haydock, 1995, p. 215. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno. She was the virgin goddess of music, poetry, medicine, wisdom, commerce, weaving, and the crafts. She is often depicted with her sacred creature, an owl usually named as the "owl of Minerva", which symbolised her association with wisdom and knowledge as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build, as well as wearing armour and carrying a spear. As the most important Roman goddess, she is highly revered, honored, and respected. Marcus Ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus (mythology)
Venus (), , is a Roman goddess, whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor. Venus was central to many religious festivals, and was revered in Roman religion under numerous cult titles. The Romans adapted the myths and iconography of her Greek counterpart Aphrodite for Roman art and Latin literature. In the later classical tradition of the West, Venus became one of the most widely referenced deities of Greco-Roman mythology as the embodiment of love and sexuality. She is usually depicted nude in paintings. Etymology The Latin theonym ''Venus'' and the common noun ''venus'' ('love, charm') stem from a Proto-Italic form reconstructed as ''*wenos-'' ('desire'), itself from Proto-Indo-European (PIE) ' ('desire'; cf. Messapic ''Venas'', Old Indic ''vána ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War Of The Polish Succession
The War of the Polish Succession ( pl, Wojna o sukcesję polską; 1733–35) was a major European conflict sparked by a Polish civil war over the succession to Augustus II of Poland, which the other European powers widened in pursuit of their own national interests. France and Spain, the two Bourbon powers, attempted to test the power of the Austrian Habsburgs in Western Europe, as did the Kingdom of Prussia, whilst Saxony and Russia mobilized to support the eventual Polish victor. The fighting in Poland resulted in the accession of Augustus III, who in addition to Russia and Saxony, was politically supported by the Habsburgs. The war's major military campaigns and battles occurred outside of Poland. The Bourbons, supported by Charles Emmanuel III of Sardinia, moved against isolated Habsburg territories. In the Rhineland, France successfully took the Duchy of Lorraine, and in Italy, Spain regained control over the kingdoms of Naples and Sicily lost in the War of the Spani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegory
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a hidden meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-)hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", which in turn comes from both ἄλλος (''allos''), "another, different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Pélissier
Marie Pélissier or sometimes Pelissier (1706/1707 – March 21, 1749) was a French operatic soprano. At the Paris Opera in 1722, she began her career, which was noted for her artistic skill and a scandal, until her retirement in 1741. Career and scandal Pélissier debuted at the Paris Opera in 1722, soon thereafter marrying Victor Pélissier and appearing at his theater in Rouen. She returned to Paris after his bankruptcy, singing at the Paris Opera again on May 16, 1726 in a performance of Pascal Collasse's ''Thétis et Pélée'', in which she won great plaudits. Later in the year she created the role of Thisbé in '' Pirame et Thisbé'' by François Francoeur and François Rebel. Her performance attracted the notice of Catherine-Nicole Le Maure, who returned from a retirement and incited a rivalry which grew to include their respective supporters, the ''mauriens'' and the ''pélissiens'' as well. This conflict included "disputes" during the first run of Pirame et Thisbé. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
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