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Castor And Pollux (Prado)
The Castor and Pollux group (also known as the San Ildefonso Group, after San Ildefonso in Segovia, Spain, the location of the palace of La Granja at which it was kept until 1839) is an ancient Roman sculptural group of the 1st century AD, now in the Museo del Prado, Madrid. Drawing on 5th- and 4th-century BC Greek sculptures in the Praxitelean tradition, such as the '' Apollo Sauroctonos'' and the "Westmacott Ephebe", and without copying any single known Greek sculpture, it shows two idealised nude youths, both wearing laurel wreaths. The young men lean against each other, and to their left on an altar is a small female figure, usually interpreted as a statue of a female divinity. She holds a sphere, variously interpreted as an egg or pomegranate. The group is 161 cm high and is now accepted as portraying Castor and Pollux. Identification The lefthand figure was originally headless but was restored in the 17th century, the heyday of interpretive restorations, by Ippoli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ludovisi
Ludovico Ludovisi (22 or 27 October 1595 – 18 November 1632) was an Italian Cardinal (Catholic Church), cardinal and statesman of the Roman Catholic Church. He was an art connoisseur who formed a famous collection of antiquities, housed at the Villa Ludovisi in Rome. Biography Ludovico Ludovisi was born in Bologna, then part of the Papal States, the son of Orazio Ludovisi and Lavinia Albergati. Following in the footsteps of his uncle Alessandro Ludovisi, he was trained at the Jesuit Collegio Germanico of Rome, and went on to the University of Bologna, where he received his doctorate in canon law on 25 February 1615. When Alessandro Ludovisi was acclaimed pope, taking the name Pope Gregory XV, Gregory XV, Ludovico was made cardinal the day after his coronation, though he was only 25. The following month he was made archbishop of Bologna though he remained in Rome. His uncle had great faith in his judgement and energy and was in need of a strong and able assistant to help gov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pylades
In Greek mythology, Pylades (; Ancient Greek: Πυλάδης) was a Phocian prince as the son of King Strophius and Anaxibia who is the daughter of Atreus and sister of Agamemnon and Menelaus. He is mostly known for his relationship with his cousin Orestes, son of Agamemnon. Mythology Orestes and Pylades Orestes had been sent to Phocis during his mother Clytemnestra's affair with Aegisthus. There he was raised with Pylades, and so considered him to be his closest friend. While Orestes was away, Clytemnestra killed her husband, Orestes' father Agamemnon. Death of Aegisthus and Clytemnestra As an adult, Orestes returns to Mycenae/Argos to avenge the murder of Agamemnon. With the assistance of his friend Pylades, Orestes kills his mother Clytemnestra and her lover Aegisthus. While Pylades seems to be a very minor character, he is arguably the most vital piece of Orestes' plan to avenge his father. In '' The Libation Bearers,'' the second play of Aeschylus' trilogy ''The Ores ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orestes (mythology)
In Greek mythology, Orestes or Orestis (; grc-gre, Ὀρέστης ) was the son of Clytemnestra and Agamemnon, and the brother of Electra. He is the subject of several Ancient Greek plays and of various myths connected with his madness and purification, which retain obscure threads of much older ones. Etymology The Greek name Ὀρέστης, having become "Orestēs" in Latin and its descendants, is derived from Greek ὄρος (óros, “mountain”) and ἵστημι (hístēmi, “to stand”), and so can be thought to have the meaning "stands on a mountain". Greek literature Homer In the Homeric telling of the story, Orestes is a member of the doomed house of Atreus, which is descended from Tantalus and Niobe. He is absent from Mycenae when his father, Agamemnon, returns from the Trojan War with the Trojan princess Cassandra as his concubine, and thus not present for Agamemnon's murder by Aegisthus, the lover of his wife, Clytemnestra. Seven years later, Orestes retu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Joachim Winckelmann
Johann Joachim Winckelmann (; ; 9 December 17178 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and founding hero of modern archaeology", Boorstin, 584 Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. Many consider him the father of the discipline of art history. He was one of the first to separate Greek Art into periods, and time classifications. He had a decisive influence on the rise of the Neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. Winckelmann's ''History of Ancient Art'' (1764) was one of the first books written in German to become a classic of European literature. His subsequent influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis (Eclogues)
Corydon (Greek Κορύδων ''Korúdōn'', probably related to κόρυδος ''kórudos'' "lark") is a stock name for a shepherd in ancient Greek pastoral poems and fables, such as the one in Idyll 4 of the Syracusan poet Theocritus (c. 300 – c. 250 BC). The name was used by the Latin poets Siculus and, more significantly, Virgil. In the second of Virgil's ''Eclogues'', it is used for a shepherd whose love for the boy Alexis is described therein. Virgil's Corydon gives his name to the modern book ''Corydon''. Corydon is the name of a character that features heavily in the Eclogues of Calpurnius Siculus. Some scholars believe that Calpurnius represents himself, or at least his "poetic voice"Hubbard, T.K. The Pipes of Pan (1996) pp 152 through Corydon, Corydon is mentioned in Edmund Spenser's ''The Faerie Queen'' as a shepherd in Book VI, Canto X. In this section he is portrayed as a coward who fails to come to the aid of Pastorell when she is being pursued by a tiger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corydon (character)
Corydon (Greek Κορύδων ''Korúdōn'', probably related to κόρυδος ''kórudos'' "lark") is a stock name for a shepherd in ancient Greek pastoral poems and fables, such as the one in Idyll 4 of the Syracusan poet Theocritus (c. 300 – c. 250 BC). The name was used by the Latin poets Siculus and, more significantly, Virgil. In the second of Virgil's ''Eclogues'', it is used for a shepherd whose love for the boy Alexis is described therein. Virgil's Corydon gives his name to the modern book ''Corydon''. Corydon is the name of a character that features heavily in the Eclogues of Calpurnius Siculus. Some scholars believe that Calpurnius represents himself, or at least his "poetic voice"Hubbard, T.K. The Pipes of Pan (1996) pp 152 through Corydon, Corydon is mentioned in Edmund Spenser's ''The Faerie Queen'' as a shepherd in Book VI, Canto X. In this section he is portrayed as a coward who fails to come to the aid of Pastorell when she is being pursued by a tig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanatos
In Greek mythology, Thanatos (; grc, Θάνατος, pronounced in "Death", from θνῄσκω ''thnēskō'' "(I) die, am dying") was the personification of death. He was a minor figure in Greek mythology, often referred to but rarely appearing in person. His name is transliterated in Latin as ''Thanatus'', but his counterpart in Roman mythology is Mors or Letum. In myth and poetry The Greek poet Hesiod established in his ''Theogony'' that Thánatos has no father, but is the son of Nyx (Night) and brother of Hypnos (Sleep).Hesiod, ''Theogony'' 758 ff, trans. Evelyn-White, Greek epic 8th or 7th century BC Homer confirmed Hypnos and Thanatos as twin brothers in his epic poem, the ''Iliad'', where they were charged by Zeus via Apollo with the swift delivery of the slain hero Sarpedon to his homeland of Lycia. Counted among Thanatos' siblings were other negative personifications such as Geras (Old Age), Oizys (Suffering), Moros (Doom), Apate (Deception), Momus (Blame) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypnos
In Greek mythology, Hypnos (; Ancient Greek: means 'sleep') also spelled Hypnus is the personification of sleep; the Roman equivalent is known as Somnus. His name is the origin of the word hypnosis. Pausanias wrote that Hypnos was a dearest friend of the Muses. Description Hypnos is usually the fatherless son of Nyx ("The Night"), although sometimes Nyx's consort Erebus ("The Darkness") is named as his father. His twin brother is Thanatos ("Death"). Both siblings live in the underworld ( Hades). According to rumors, Hypnos lived in a big cave, which the river Lethe ("Forgetfulness") comes from and where night and day meet. His bed is made of ebony, on the entrance of the cave grow a number of poppies and other soporific plants. No light and no sound would ever enter his grotto. According to Homer, he lives on the island Lemnos, which later on has been claimed to be his very own dream-island. He is said to be a calm and gentle god, as he helps humans in need and, due to their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daemon (mythology)
Daimon or Daemon (Ancient Greek: , "god", "godlike", "power", "fate") originally referred to a lesser deity or guiding spirit such as the daimons of ancient Greek religion and mythology and of later Hellenistic religion and philosophy. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the souls of men of the golden age acting as tutelary deities, according to entry at Liddell & Scott. See also daimonic: a religious, philosophical, literary and psychological concept. Description Daimons are lesser divinities or spirits, often personifications of abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's ''Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pederasty In Ancient Greece
Pederasty in ancient Greece was a socially acknowledged romantic relationship between an older male (the ''erastes'') and a younger male (the ''eromenos'') usually in his teens. It was characteristic of the Archaic Greece, Archaic and Classical Greece, Classical periods. The influence of pederasty on Greek culture of these periods was so pervasive that it has been called "the principal cultural model for free relationships between citizens." Some scholars locate its origin in initiation ritual, particularly rites of passage on Crete, where it was associated with entrance into military life and the religion of Zeus. It has no formal existence in the Homeric epics, and seems to have developed in the late 7th century BC as an aspect of Greek homosociality, homosocial culture, which was characterized also by Nudity in sport, athletic and Depictions of nudity, artistic nudity, delayed marriage for aristocrats, symposium, symposia, and the social seclusion of women. Pederasty was both i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eromenos
In ancient Greece, an ''eromenos'' was the younger and passive (or 'receptive') partner in a male homosexual relationship. The partner of an ''eromenos'' was the ''erastes'', the older and active partner. The ''eromenos'' was often depicted as a beautiful, and smaller and more youthful-looking than the ''erastes''. Terminology ''Erômenos'' (ἐρώμενος) means ‘one who is sexually desired’ in Greek language and is the past participle of the verb ''eramai'', to have sexual desire. In '' Greek Homosexuality'', the first modern scholarly work on this topic, Kenneth Dover used the literal translation of the Greek word as an English word to refer to the passive partner in Greek homosexual relationship. Though in many contexts the younger man is also called ''pais'', ‘boy’, the word can also be used for child, girl, son, daughter and slave, and therefore ''eromenos'' would be more specific and can “avoid the cumbrousness and…imprecision of ‘boy’”. It is in cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
