CAPC Musée D'art Contemporain De Bordeaux
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CAPC Musée D'art Contemporain De Bordeaux
CAPC musée d'art contemporain de Bordeaux, formerly the Centre d'arts plastiques contemporains (CAPC), is a museum of modern art established in 1973 in Bordeaux, France. Building The museum is housed in the ''Entrepôt Lainé'', a former warehouse for colonial goods (sugar, coffee, cocoa, cotton, spices and oils) which were then re-exported to northern Europe by Bordeaux merchants. The warehouse was built in 1824 by the architect Claude Deschamps, known for the construction of the ''Pont de pierre'' of Bordeaux. It is built of brick, stone and wood in a style inspired by italian architecture. There are two grand naves that are reminiscent of the Roman basilicas and that are used to present temporary exhibitions. The building was restored by the architects Denis Valode and Jean Pistre in the 1980s, the second project that this architectural team had undertaken. Their treatment was unusual for the time, emphasizing shadows and depth. The designer Andrée Putman renovated the in ...
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Bordeaux
Bordeaux ( , ; Gascon oc, Bordèu ; eu, Bordele; it, Bordò; es, Burdeos) is a port city on the river Garonne in the Gironde department, Southwestern France. It is the capital of the Nouvelle-Aquitaine region, as well as the prefecture of the Gironde department. Its inhabitants are called ''"Bordelais"'' (masculine) or ''"Bordelaises"'' (feminine). The term "Bordelais" may also refer to the city and its surrounding region. The city of Bordeaux proper had a population of 260,958 in 2019 within its small municipal territory of , With its 27 suburban municipalities it forms the Bordeaux Metropolis, in charge of metropolitan issues. With a population of 814,049 at the Jan. 2019 census. it is the fifth most populated in France, after Paris, Lyon, Marseille and Lille and ahead of Toulouse. Together with its suburbs and exurbs, except satellite cities of Arcachon and Libourne, the Bordeaux metropolitan area had a population of 1,363,711 that same year (Jan. 2019 census), ma ...
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Pont De Pierre (Bordeaux)
The Pont de pierre, or "Stone Bridge" in English, is a bridge in Bordeaux, (in the Gironde department of France), which connects the left bank of the river Garonne (''cours Victor Hugo'') to the right bank '' quartier de la Bastide'' (''Avenue Thiers''). It is in length and wide. It constitutes the legal frontier between the maritime domain and the river domain in the port of Bordeaux. Name and translation "Stone bridge" is the usual translation of "Pont de pierre", however the real meaning of the french phrase "pont de pierre" is "masson bridge". As a matter of fact, the bridge is built mainly of brick and not stone. Overview First bridge over the river Garonne at Bordeaux, the Pont de pierre was planned and designed during the First French Empire, under the orders of Napoleon I. As he campaigned in Spain, he needed his troops cross rapidly the river, and the original project envisaged a wood bridge, easier to build. Until then, it was necessary to cross the river by boa ...
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Ancient Roman Architecture
Ancient Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and to even a greater extent under the Empire, when the great majority of surviving buildings were constructed. It used new materials, particularly Roman concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well-engineered. Large numbers remain in some form across the former empire, sometimes complete and still in use to this day. Roman architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Few substantial examples survive from before about 100 BC, and most of t ...
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Andrée Putman
Andrée Putman (23 December 1925 – 19 January 2013) was a French interior and product designer. She was the mother of Olivia Putman and of Cyrille Putman. Life and work Childhood and youth (1925–1944) Andrée Christine Aynard was born into a wealthy family of bankers and notables from Lyon. Her paternal grandfather, Edouard Aynard, founded the Maynard & Sons Bank; her paternal grandmother, Rose de Montgolfier, was a descendant of the hot-air balloon inventors' family. Her father was a graduate from the prestigious Ecole Normale Supérieure who spoke seven languages but swore to a life of austerity and seclusion to protest against his own milieu; her mother, Louise Saint-René Taillandier, was a concert pianist who found comfort in the frivolity of "being a great artist without a stage." Her formal artistic education first came, however, through music. Her mother took her and her sister to concerts and urged them to learn the piano. But she was later told that her han ...
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Gina Pane
Gina Pane (Biarritz, May 24, 1939 – Paris, March 6, 1990) was a French artist of Italian origins. She studied at the École des Beaux-Arts in Paris from 1960 to 1965 and was a member of the 1970s Body Art movement in France, called "Art corporel". Parallel to her art, Pane taught at the Ecole des Beaux-Arts in Mans from 1975 to 1990 and ran an atelier dedicated to performance art at the Centre Pompidou from 1978 to 1979 at the request of Pontus Hulten. Pane is possibly best known for her performance piece ''The Conditioning'' (1973), in which she is laid on a metal bedframe over an area of burning candles. ''The Conditioning'' was recreated by Marina Abramović as part of her ''Seven Easy Pieces'' (2005) at the Solomon R. Guggenheim Museum in New York in 2005. Gina Pane's estate is managed by her former partner Anne Marchand. She is represented by Galerie Kamel Mennour in Paris. Biography Born in Biarritz to Italian parents, Pane spent part of her early life in Italy. She ...
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Andy Warhol
Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings '' Campbell's Soup Cans'' (1962) and ''Marilyn Diptych'' (1962), the experimental films ''Empire'' (1964) and ''Chelsea Girls'' (1966), and the multimedia events known as the '' Exploding Plastic Inevitable'' (1966–67). Born and raised in Pittsburgh, Warhol initially pursued a successful career as a commercial illustrator. After exhibiting his work in several galleries in the late 1950s, he began to receive recognition as an influential and controversial artist. His New York studio, ...
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Christian Boltanski
Christian Liberté Boltanski (6 September 1944 – 14 July 2021) was a French sculptor, photographer, painter, and film maker. He is best known for his photography installations and contemporary French conceptual style. Early life Boltanski was born in Paris on 6 September 1944. His father, Étienne Alexandre Boltanski,BoltanskiBUENOS AIRES
bio(graphy), on the website of the 2012 project, accessed 26 June 2019
Christian Boltanski: Documentation and Reiteration
Guggenheim Museum, accessed 26 June 2019
He dropped out of school at age 12.


Early career

Boltanski began creating art in the late 1950s, ...
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Entrepôt Laîné, Sur La Terrasse (Juin 2016)
An ''entrepôt'' (; ) or transshipment port is a port, city, or trading post where merchandise may be imported, stored, or traded, usually to be exported again. Such cities often sprang up and such ports and trading posts often developed into commercial cities due to the growth and expansion of long-distance trade. These places played a critical role in trade during the days of wind-powered shipping. In modern times customs areas have largely made entrepôts obsolete, but the term is still used to refer to duty-free ports with a high volume of re-export trade. ''Entrepôt'' also means 'warehouse' in modern French, and is derived from the Latin roots 'between' + 'position', literally 'that which is placed between.' Entrepôts had an important role in the early modern period, when mercantile shipping flourished between Europe and its colonial empires in the Americas and Asia. For example, the spice trade to Europe, which necessitated long trade routes, led to a much higher m ...
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