Throat Singing
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Throat Singing
Throat singing refers to several vocal practices found in different cultures worldwide. These vocal practices are generally associated with a certain type of guttural voice that contrasts with the most common types of voices employed in singing, which are usually represented by Chest voice, chest (Modal voice, modal) and Head voice, head (light, or falsetto) registers. Throat singing is often described as evoking the sensation of Diaphonic (music), more than one pitch at a time, meaning that the listener perceives two or more distinct musical notes while the singer is producing a single vocalization. Throat singing consists of a range of singing techniques that originally belonged to particular cultures and which may share sound characteristics, making them noticeable by other cultures and users of mainstream singing styles. Terminology Throat singing is characteristic of the culture of a number of Turkic peoples (Tuvans, Tofalars, Altai people, Altai, Bashkirs, Tatars, Khakass, Y ...
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Guttural
Guttural Phone (phonetics), speech sounds are those with a primary place of articulation near the back of the oral cavity, where it is difficult to distinguish a sound's place of articulation and its phonation. In popular usage it is an imprecise term for sounds produced relatively far back in the vocal tract, such as the German ''ch'' or the Arabic ayin, but not simple glottal sounds like ''h''. The term 'guttural language' is used for languages that have such sounds. As a technical term used by phoneticians and phonologists, ''guttural'' has had various definitions. The concept always includes pharyngeal consonants, but may include velar consonant, velar, uvular consonant, uvular or laryngeal consonants as well. Guttural sounds are typically consonants, but breathy voice, murmured, Pharyngealization, pharyngealized, glottalization, glottalized and strident vowels may be also considered guttural in nature. Some phonologists argue that all post-velar sounds constitute a natural clas ...
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Mongols
Mongols are an East Asian ethnic group native to Mongolia, China ( Inner Mongolia and other 11 autonomous territories), as well as the republics of Buryatia and Kalmykia in Russia. The Mongols are the principal member of the large family of Mongolic peoples. The Oirats and the Buryats are classified either as distinct ethno-linguistic groups or as subgroups of Mongols. The Mongols are bound together by a common heritage and ethnic identity, descending from the Proto-Mongols. Their indigenous dialects are collectively known as the Mongolian language. The contiguous geographical area in which the Mongols primarily live is referred to as the Mongol heartland, especially in discussions of the Mongols' history under the Mongol Empire. Definition Broadly defined, the term includes the Mongols proper (also known as the Khalkha Mongols), Buryats, Oirats, the Kalmyks and the Southern Mongols. The latter comprises the Abaga Mongols, Abaganar, Aohans, Arkhorchin, Asud, ...
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Music Of Sardinia
Sardinia is probably the most Sardinia#Culture, culturally distinct of all the Regions of Italy, regions in Italy and, musically, is best known for the ''Cantu a tenore, tenore'' polyphonic singing, sacred chants called ''gosos'', the ''launeddas'', an ancient instrument that consists of a set of three single-reed pipes, all three mouth-blown simultaneously using circular breathing, with two chanters and one drone and the ''cantu a chiterra'', a monodic song that is accompanied by guitar, widespread mainly in the center and north of the island. Launeddas The ''launeddas'' are an ancient instrument, dating back to at least the 8th century BC. They are played using circular breathing. ''Launeddas'' are used to play a complex style of music that has achieved some international attention, and they are still played during religious ceremonies and dances (''su ballu''). Some of the most famous player were Efisio Melis, Antonio Lara (musician), Antonio Lara, Dionigi Burranca and Luigi ...
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Inuit Music
Traditional Inuit music (sometimes Eskimo music, Inuit-Yupik music, Yupik music or Iñupiat music), the music of the Inuit, Yupik peoples, Yupik, and Iñupiat, has been based on drums used in dance music as far back as can be known, and a vocal style called ''katajjaq'' (Inuit throat singing) has become of interest in Canada and abroad. Characteristics of Inuit music include recitative-like singing, complex rhythmic organization, a relatively small melodic range averaging about a sixth, prominence of major thirds and minor seconds melodically, and undulating melodic movement. The Copper Inuit living around Coppermine River flowing north to Coronation Gulf have generally two categories of music. A song is called ' (also known as ''pisiit'' or ''piheq'') if the performer also plays drums and ''aton'' if he only dances. Each ''pisik'' functions as a personal song of a drummer and is accompanied by dancing and singing. Each drummer has his own style and performs during gatherings. On ...
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Xhosa Music
Xhosa music has long been a major part of the music of South Africa, especially in the field of jazz. Since olden times, singing has been a tradition and part of culture among the Xhosas. Xhosa music is characteristically expressive and communicative which includes rhythmical expression of words and sounds. It also includes physical movement employed when clapping, dancing or playing a musical instrument. Different Xhosa chiefdoms share similar musical concepts. Music in Xhosa society Learning traditional music begins with incentive and desire to fully share in the life of the village as almost every occasion of life including play songs for children, the girls' and boys' umtshotsho song as they grow, the intlombe dance parties, songs and dances of initiation practices, ancestor songs and beer songs. In order to share in the rites and ceremonies, it is necessary to learn the songs. The learning of music happens through observation, attention, developing music memory, practicing and ...
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Music Of Japan
In Japan, music includes a wide array of distinct genres, both traditional and modern.ref> The word for "music" in Japanese is 音楽 (''ongaku''), combining the kanji 音 ''on'' (sound) with the kanji 楽 ''gaku'' (music, comfort). Japan is the world's largest market for music on physical media and the second-largest overall music market, with a retail value of US$2.7 billion in 2017. Traditional and folk music Gagaku, hougaku The oldest forms of traditional Japanese music are: * , or Buddhist chanting * , or orchestral court music both of which date to the Nara (710–794) and Heian (794–1185) periods. Gagaku classical music has been performed at the Imperial court since the Heian period. Kagura-uta (神楽歌), Azuma-asobi (東遊) and Yamato-uta (大和歌) are indigenous repertories. Tōgaku (唐楽) allegedly resembles a Chinese Tang dynasty (618–907) style; komagaku may have come from the Korean Peninsula. In addition, gagaku subdivides into kangen (管弦) ...
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Music Of Mongolia
Music is an integral part of culture of Mongolia, Mongolian culture. Among the unique contributions of Mongolia to the world's musical culture are the long songs, overtone singing, and morin khuur, the horse-headed fiddle. The music of Mongolia is also rich with varieties related to the various ethnic groups of the country: Oirats, Hotogoid, Tuvans, Darhad, Buryats, Tsaatan, Dariganga Mongols, Dariganga, Uzemchins, Barga, Kazakhs and Khalha. Besides the traditional music, Western culture, Western classical music and ballet flourished during the Mongolian People's Republic. Among the most popular forms of modern music in Mongolia are Western Pop music, pop and Rock music, rock genres and the mass songs, which are written by modern authors in a form of folk songs. Traditional music Overtone singing Overtone singing, known as ''Tuvan throat singing, höömij'' (throat), is a singing technique also found in the general Central Asian area. This type of singing is considered more as ...
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Tuvan Throat Singing
Tuvan throat singing, also known as Mongolian throat singing, is a style of singing practiced by people in Tuva and Mongolia, the main technique of which is known as ''khoomei'' ( or ). It is noted for including overtone singing. In 2009, it was included in the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. The term or means and in various Turkic languages. Overview In Tuvan throat singing, the performer hums a fundamental pitch and—simultaneously—manipulates the overtones that belong to that fundamental pitch, creating a melody. The history of Tuvan throat singing reaches far back. Many male herders can throat sing, but women have begun to practice the technique as well. The popularity of throat singing among Tuvans seems to have arisen as a result of geographic location and culture. The open landscape of Tuva allows for the sounds to carry a great distance. Ethnomusicologists studying throat singing in these areas mark ''khoomei'' as ...
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Tuvan Language
Tuvan, also spelt Tyvan, is a Turkic language spoken in the Republic of Tuva in South Central Siberia, Russia. There are small groups of Tuvans that speak distinct dialects of Tuvan in China and Mongolia. History The earliest record of Tuvan is from the early 19th century by ''Wūlǐyǎsūtái zhìlüè'' (), Julius Klaproth 1823, Matthias Castrén 1857, Nikolay Katanov, Vasily Radlov, etc. The name Tuva goes back as early as the publication of ''The Secret History of the Mongols''. The Tuva (as they refer to themselves) have historically been referred to as Soyons, Soyots or Uriankhais. Classification Tuvan (also spelled Tyvan) is linguistically classified as a Sayan Turkic language. Its closest relative is the moribund Tofa. Tuvan, as spoken in Tuva, is principally divided into four dialect groups; Western, Central, Northeastern, Southeastern. * Central: forms the basis of the literary language and includes Ovyur and Bii-Khem subdialects. The geographical c ...
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Evens
The Evens /əˈvɛn/ ( Even: эвэн; pl. эвэсэл, ''evesel'' in Even and эвены, ''eveny'' in Russian; formerly called ''Lamuts'') are a people in Siberia and the Russian Far East. They live in regions of the Magadan Oblast and Kamchatka Krai and northern parts of Sakha east of the Lena River, although they are a nomadic people. According to the 2002 census, there were 19,071 Evens in Russia. According to the 2010 census, there were 22,383 Evens in Russia. They speak their own language called Even, one of the Tungusic languages; it is heavily influenced by their lifestyle and reindeer herding. It is also closely related to the language of their neighbors, the Evenks. The Evens are close to the Evenks by their origins and culture, having migrated with them from central China over 10,000 years ago. Officially, they have been considered to be of Orthodox faith since the 19th century, though the Evens have retained some pre-Christian practices, such as shamanism. ...
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Evenks
The Evenki, also known as the Evenks and formerly as the Tungus, are a Tungusic peoples, Tungusic people of North Asia. In Russia, the Evenki are recognised as one of the Indigenous peoples of the Russian North, indigenous peoples of the Russian North, with a population of 38,396 (Russian Census (2010), 2010 census). In China, the Evenki form one of the List of Chinese ethnic groups, 56 ethnic groups officially recognised by the People's Republic of China, with a population of 30,875 (Sixth National Population Census of the People's Republic of China, 2010 census). There are 537 Evenki in Mongolia (2015 census), called ''Khamnigan'' in the Mongolian language. Origin The Evenki or Ewenki are sometimes conjectured to be connected to the Shiwei people who inhabited the Greater Khingan Range in the 5th to 9th centuries, although the native land of the majority of Evenki people is in the vast regions of Siberia between Lake Baikal and the Amur River. The Evenki language forms the ...
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