Symbols Of Georgia (U.S. State)
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Symbols Of Georgia (U.S. State)
A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise different concepts and experiences. All communication is achieved through the use of symbols: for example, a red octagon is a common symbol for " STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals. The academic study of symbols is called semiotics. In the arts, symbolism is the use of a concrete element to represent a more abstract idea. In cartography, an organized collection of symbols forms a legend for a map. Etymology The word ''symbol'' derives from the late Middle French masculine noun , which appeared around 1380 in a theological sense signif ...
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Blank Stop Sign Octagon
Blank or Blanks may refer to: *Blank (archaeology), a thick, shaped stone biface for refining into a stone tool *Blank (cartridge), a type of gun cartridge *Blank (Scrabble), a playing piece in the board game Scrabble *Blank (solution), a solution containing no analyte *A planchet or blank, a round metal disk to be struck as a coin *Application blank, a space provided for data on a form *Glass blank, an unfinished piece of glass *Intake blank, used to cover aircraft components *Key blank, an uncut key *About:blank, a Web browser function *Blank (playing card), playing card in card-point games Created works *Blank (Eyehategod song), "Blank" (Eyehategod song), a track on the album ''Take as Needed for Pain'' *Blank (2009 film), ''Blank'' (2009 film), a French drama film *Blank (2019 film), ''Blank'' (2019 film), an Indian action thriller film *The Blanks, an American a cappella group *"Blank!", a 1957 short story by Isaac Asimov *''(BLANK), [BLANK]'', a 2019 play by Alice Birch * ...
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Artistic Symbol
In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas.Johnson, Greg; Arp, Thomas R. (2018). ''Perrine's Literature: Structure, Sound and Sense, Third Edition''. Cengage Learning. pp. 286-7: "A literary symbol is something that means more than what it suggests on the surface. It may be an object, a person, a situation, an action, or some other element that has a literal meaning in the story but that suggests or represents other meanings as well."Kennedy, X. J.; Gioia, Dana (2007). ''Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Tenth Edition''. Pearson Longman. p. 292: " a symbol: in literature, a thing that suggests more than its literal meaning. Symbols generally do not 'stand for' any one meaning, nor for anything absolutely definite; they point, they hint, or, as Henry James put it, they cast long shadow ...
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Denotation
In linguistics and philosophy, the denotation of a word or expression is its strictly literal meaning. For instance, the English word "warm" denotes the property of having high temperature. Denotation is contrasted with other aspects of meaning including '' connotation''. For instance, the word "warm" may evoke calmness, coziness, or kindness (as in the warmth of someone's personality) but these associations are not part of the word's denotation. Similarly, an expression's denotation is separate from pragmatic inferences it may trigger. For instance, describing something as "warm" often implicates that it is not hot, but this is once again not part of the word's denotation. Denotation plays a major role in several fields. Within semantics and philosophy of language, denotation is studied as an important aspect of meaning. In mathematics and computer science, assignments of denotations are assigned to expressions are a crucial step in defining interpreted formal languages. The ...
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Survey Translation
Survey may refer to: * Survey (human research), including opinion polls * Surveying, the technique and science of measuring positions and distances on Earth * Statistical survey, a method for collecting quantitative information about items in a population * Astronomical survey An astronomical survey is a general celestial cartography, map or astrophotography, image of a region of the sky (or of the whole sky) that lacks a specific observational target. Alternatively, an astronomical survey may comprise a set of image ..., imaging or mapping regions of the sky * Field survey, or field research ** Archaeological field survey, collection of information by archaeologists prior to excavation * Geological survey, investigation of the subsurface of the ground to create a geological map or model * Site survey, inspection of an area where work is proposed * Vessel safety survey, required for ships * Survey article, a scholarly publication to summarize an area of research See ...
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Linguistics
Linguistics is the scientific study of language. The areas of linguistic analysis are syntax (rules governing the structure of sentences), semantics (meaning), Morphology (linguistics), morphology (structure of words), phonetics (speech sounds and equivalent gestures in sign languages), phonology (the abstract sound system of a particular language, and analogous systems of sign languages), and pragmatics (how the context of use contributes to meaning). Subdisciplines such as biolinguistics (the study of the biological variables and evolution of language) and psycholinguistics (the study of psychological factors in human language) bridge many of these divisions. Linguistics encompasses Outline of linguistics, many branches and subfields that span both theoretical and practical applications. Theoretical linguistics is concerned with understanding the universal grammar, universal and Philosophy of language#Nature of language, fundamental nature of language and developing a general ...
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Semiotics
Semiotics ( ) is the systematic study of sign processes and the communication of meaning. In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter. Semiosis is any activity, conduct, or process that involves signs. Signs often are communicated by verbal language, but also by gestures, or by other forms of language, e.g. artistic ones (music, painting, sculpture, etc.). Contemporary semiotics is a branch of science that generally studies meaning-making (whether communicated or not) and various types of knowledge. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes the study of indication, designation, likeness, analogy, allegory, metonymy, metaphor, symbolism, signification, and communication. Semiotics is frequently seen as having important anthropological and sociological dimensions. Some semioticians regard every cultural phenomenon as being able to ...
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Heinrich Zimmer
Heinrich Robert Zimmer (6 December 1890 – 20 March 1943) was a German Indologist and linguist, as well as a historian of South Asian art, most known for his works, ''Myths and Symbols in Indian Art and Civilization'' and ''Philosophies of India''. He was the most important German scholar in Indian philology after Max Müller (1823–1900). Early life and education He was born in Greifswald, Germany. Zimmer began studying Sanskrit and linguistics at the University of Berlin in 1909. He earned his doctorate in 1914 with a thesis entitled ''Studien zur Geschichte der Gotras'' and directed by Heinrich Lüders. He completed his Ph.D. in philology and comparative linguistics in 1914 at the University of Berlin. Career Between 1920 and 1924, he lectured at the University of Greifswald, moving to Heidelberg University to fill the Chair of Indian Philology (1924–1938).
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Constitutive Rhetoric
Constitutive rhetoric is a theory of discourse devised by James Boyd White about the capacity of language or symbols to create a collective identity for an audience, especially by means of condensation symbols, literature, and narratives. Such discourse often demands that action be taken to reinforce the identity and the beliefs of that identity. White explains that it denotes "the art of constituting character, community and culture in language." Development of constitutive rhetorical theory The constitutive model of rhetoric dates back to the ancient Greek Sophists, with theories that speech moved audiences to action based on a contingent, shared knowledge. Kenneth Burke contributed to the theory of constitutive rhetoric by highlighting identification, rather than persuasion, as the major means by which language functioned. Burke contended that social identity is founded "spontaneously, intuitively, even unconsciously." Edwin Black's theory of the second persona also ...
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Identification (psychology)
Identification is a psychological process whereby the individual assimilates an aspect, property, or attribute of the other and is transformed wholly or partially by the model that other provides. It is by means of a series of identifications that the personality is constituted and specified. The roots of the concept can be found in Freud's writings. The three most prominent concepts of identification as described by Freud are: primary identification, narcissistic (secondary) identification and partial (secondary) identification.Laplanche, J. and Pontalis, J.-B. (1973), The language of psychoanalysis. The Hogarth Press. While "in the psychoanalytic literature there is agreement that the core meaning of identification is simple – to be like or to become like another", it has also been adjudged the most perplexing clinical/theoretical area' in psychoanalysis". Freud Freud first raised the matter of identification () in 1897, in connection with the illness or death of one's parent ...
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Faerie Queene
''The Faerie Queene'' is an English Epic poetry, epic poem by Edmund Spenser. Books IIII were first published in 1590, then republished in 1596 together with books IVVI. ''The Faerie Queene'' is notable for its form: at over 36,000 lines and over 4,000 stanzas, it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues. The poem is also an allegory, allegorical work. As such, it can be read on several levels, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing ''The Faerie Queene'' was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of ''The Faerie Queene'' to Elizabet ...
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