Swedish Nobility
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Swedish Nobility
The Swedish nobility (, or , ) has historically been a legally or socially privileged Social class, class in Sweden, and part of the so-called ''frälse'' (a derivation from Old Swedish meaning ''free neck''). The archaic term for nobility, ''frälse'', also included the clergy, a classification defined by tax exemptions and representation in the Diet (assembly), diet (the Riksdag of the Estates, Riksdag). Today the nobility does not maintain its former legal privileges although family names, titles and coats of arms are still protected. The Swedish nobility consists of both "introduced" and "unintroduced" nobility, where the latter has not been formally "introduced" at the Swedish House of Nobility, House of Nobility (''Riddarhuset''). The House of Nobility still maintains a fee for male members over the age of 18 for upkeep on pertinent buildings in Stockholm. Belonging to the nobility in present-day Sweden may still carry some informal social privileges, and be of certain soc ...
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Riddarhuset (3727617792)
The House of Nobility () in Stockholm, Sweden, is a corporation and a building that maintains records and acts as an interest group on behalf of the Swedish nobility. Name The name is literal translation, literally translated as ''House of Knights'', as the knights () belong to the higher ranks of the Swedish nobility, sometimes also together with titles as count () and baron (). All esquires are also represented in the corporation (most of the families are so called ''untitled nobility'', ). This is a tradition from the Middle Ages when Sweden during the Kalmar Union only had one knight: Sten Sture the Younger, Sten Sture. History Between the 17th and the 19th century the House of Nobility was a chamber in the Riksdag of the Estates. In the 18th century, the building was often used for public concerts. From 1731, public concerts were performed here by Kungliga Hovkapellet. Elisabeth Olin is believed to have debuted here in the 1750s, and foreign artists performed such as Eli ...
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