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Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock music genre#subtypes, subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington, D.C., hardcore#History, Washington, D.C., and Punk rock#New York City, New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics". Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of grass-roots acts produced regional hits, some of which gained national popularity, usually played on AM radio stations. Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Magazine (band), Magazine, Joy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowpunk
Cowpunk (or country punk) is a subgenre of punk rock that began in the United Kingdom and Southern California in the late 1970s and early 1980s. It combines punk rock or new wave with country, folk, and blues in its sound, lyrical subject matter, attitude, and style. Examples include Social Distortion, the Gun Club, the Long Ryders, Dash Rip Rock, Violent Femmes, the Blasters, Mojo Nixon, Meat Puppets, the Beat Farmers, Rubber Rodeo, Rank and File, and Jason and the Scorchers. Many of the musicians in this scene subsequently became associated with alternative country, roots rock or Americana. Etymology and characteristics The term "cowpunk" is first attested in 1979, as a blend of "cowboy" and "punk". The term "country punk" has been proposed as an equivalent term. Both terms are sometimes hyphenated, especially in late 1970s or early 1980s sources (e.g., cow-punk or country-punk). In 1984, Robert Palmer wrote in the ''New York Times'' on the emerging aesthetic ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-folk
Anti-folk (sometimes spelled antifolk) is a music genre that emerged in the 1980s in New York City, founded by the musician, author and comedian Lach, as a reaction to the commercialization of folk music. It is characterized by its DIY ethos, unconventional songwriting, and often humorous or satirical lyrics. Antifolk music was made to mock the perceived seriousness of the era's mainstream music scene, and artists aim to protest with their mocking and clever lyrics. History In the United States Antifolk was introduced by artists who were unable to obtain gigs at established folk venues in Greenwich Village such as Folk City and The Speakeasy. (article in on pages 1 and 36) In the mid-1980s, singer-songwriter Lach started The Fort, an after-hours club on NYC's Rivington Street on the Lower East Side. The Fort's opening coincided with the New York Folk Festival. Because of this, Lach dubbed his event the New York Antifolk Festival. Other early proponents of the movement incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2 Tone (music Genre)
Two-tone, or 2 tone, also known as ska-rock and ska revival, is a genre of British popular music of the late 1970s and early 1980s that fused traditional Jamaican ska, rocksteady, and reggae music with elements of punk rock and new wave music. Its name derives from 2 Tone Records, a record label founded in 1979 by Jerry Dammers of the Specials, and references a desire to transcend and defuse racial tensions in Thatcher-era Britain: many two-tone groups, such as the Specials, the Selecter and the Beat, featured a mix of black, white, and multiracial people. Originating in Coventry in the West Midlands of England in the late 1970s, it was part of the second wave of ska music. It followed on from the first ska music that developed in Jamaica in the 1950s and 1960s, infused with punk and new wave textures. Although two-tone's mainstream commercial appeal was largely limited to the UK, it influenced the ska punk movement that developed in the US in the late 1980s and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Punk
Street punk (sometimes alternatively spelled streetpunk) is an urban working class-based subgenre of punk rock, which emerged as a rebellion against the perceived artistic pretensions of the first wave of British punk. The earliest street punk songs emerged in the late 1970s by bands including Sham 69, the U.K. Subs and Cockney Rejects. By 1982, bands such as Discharge, GBH and the Exploited had pushed this sound to become faster and more abrasive, while also embracing the influence of heavy metal music. In the 1990s and 2000s, a street punk revival began with bands such as the Casualties, Rancid and the Analogs. Characteristics Street punk lyrics commonly address topics such as fighting, drinking, partying, inner-city turmoil, gang violence, blue-collar issues, union or organized labor issues. Punk veteran Felix Havoc said: History Origins (late 1970s and early 1980s) Street punk grew out of working class young people who disliked the first wave of punk's more artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skate Punk
Skate punk (also known as skatecore and skate rock) is a skateboarding, skater subculture and punk rock Music genre, subgenre that developed in the 1980s. Originally a form of hardcore punk that had been closely associated with skate culture, skate punk evolved into a more melodic genre of punk rock in the 1990s similar to pop punk. Since then, it has predominately featured fast tempos, lead guitar playing (including guitar riffs and guitar solos), fast drumming, and singing (sometimes including vocal harmonies). Occasionally, skate punk also combines the fast tempos of hardcore punk and melodic hardcore with the catchy hooks of pop-punk. 1970s and early 1980s punk rock bands like Buzzcocks, Descendents, Adolescents (band), Adolescents, Black Flag (band), Black Flag, and Circle Jerks paved the way for skate punk. Skate punk was pioneered in the 1980s by bands such as the Big Boys (band), Big Boys, Suicidal Tendencies, JFA (band), JFA, T.S.O.L., Drunk Injuns and Love Canal. Many e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riot Grrrl
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington, and the greater Pacific Northwest, and has expanded to at least 26 other countries. A subcultural movement that combines feminism, punk music, and politics, it is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express anger, rage, and frustration, emotions considered socially acceptable for male songwriters but less commonly for women. Riot grrrl songs often addressed issues such as rape, domestic abuse, sexuality, racism, patriarchy, classism, anarchism, and female empowerment. Primary bands most associated with the movement by media include Bikini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queercore
Queercore (or homocore) is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBTQ community. Queercore expresses itself in a DIY style through magazines, music, writing and film. As a music genre, it may be distinguished by lyrics exploring themes of prejudice and dealing with issues such as sexual identity, gender identity and the rights of the individual; more generally, queercore bands offer a critique of society endemic to their position within it, sometimes in a light-hearted way, sometimes seriously. Musically, many queercore bands originated in the punk scene but the industrial music culture has been influential as well. Queercore groups encompass many genres such as hardcore punk, electropunk, indie rock, power pop, no wave, noise, experimental, industrial and others. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. Like the term " post-punk", the term "post-hardcore" has been applied to a broad constellation of groups. Initially taking inspiration from post-punk and noise rock, post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities which had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black, Jawbox, Quicksand, and Shellac who stuck closer to post-hardcore's noise rock roots. Dischord Records became a major nexus of post-hardcore during this period. The genre also began to incorporate more dense, complex, and atmospheric instrumentals with bands like Slint and Unwound, and also experienced some crossover from indie rock with bands like The Dismemberment Plan. In the early- an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Punk
Horror punk is a music genre that mixes punk rock and 1950s-influenced doo-wop and rockabilly sounds with morbid and violent imagery and lyrics which are often influenced by horror films and science fiction B-movies. The genre was pioneered by the Misfits (band), Misfits in the late 1970s and early 1980s. Subsequent bands formed in the Misfits' wake like Mourning Noise, the Undead and Samhain (band), Samhain, solidifying horror punk's first wave. In the late 1990s and early 2000s the genre gained attention through the reunion of the Misfits and success of groups like AFI (band), AFI, Son of Sam (band), Son of Sam and the Murderdolls. This popularity continued to the modern day with Blitzkid, Calabrese (band), Calabrese and Creeper (band), Creeper. Characteristics Horror punk is defined by its fusion of punk rock music with the imagery and lyrical topics common in the horror film genre. Typically it references B movies, doing so in a way that emphasises Camp (style), cheesiness. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
