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Pan (god)
In ancient Greek religion and Greek mythology, mythology, Pan (; ) is the god of the wild, shepherds and flocks, Pastoral#Pastoral music, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia (ancient region), Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Religion in ancient Rome, Roman religion and myth, Pan was frequently identified with Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna (goddess), Fauna; he was also closely associated with Silvanus (mythology), Silvanus, due to their similar relationships with woodlands, and Inuus, a vaguely-defined deity also sometimes identified with Faunus. In the eighteenth and nineteenth centuries, Pan became a significant figure in Romanticism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eromenos
In ancient Greece, an ''eromenos'' was the younger and passive (or 'receptive') partner in a male homosexual relationship. The partner of an ''eromenos'' was the ''erastes'', the older and active partner. The ''eromenos'' was often depicted as beautiful, beardless and more youthful-looking than the ''erastes''. Terminology ''Erômenos'' (ἐρώμενος) means 'one who is sexually desired' in Greek language and is the past participle of the verb ''eramai'', to have sexual desire. In '' Greek Homosexuality'', the first modern scholarly work on this topic, Kenneth Dover used the literal translation of the Greek word as an English word to refer to the passive partner in Greek homosexual relationship. Though in many contexts the younger man is also called ''pais'', 'boy', the word can also be used for child, girl, son, daughter and slave, and therefore ''eromenos'' would be more specific and can "avoid the cumbrousness and…imprecision of 'boy'". It is in contrast to the mascul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Religion
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and Greek mythology, mythology, in the form of both popular public religion and Cult (religious practice), cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The Ancient Greece, ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer is known to have classified either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs". Most ancient Greeks recognized the Twelve Olympians, twelve major Olympian gods and goddesses—Zeus, Hera, Poseidon, Demeter, Athena, Ares, Aphrodite, Apollo, Artemis, Hephaestus, Hermes, and either Hestia or Dionysus—although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dictionary Of Greek And Roman Biography And Mythology
The ''Dictionary of Greek and Roman Biography and Mythology'' is a biographical dictionary of classical antiquity, edited by William Smith (lexicographer), William Smith and originally published in London by John Taylor (English publisher), Taylor, Walton (and Maberly) and John Murray (publishing house), John Murray from 1844 to 1849 in three volumes of more than 3,700 pages. It is a classic work of 19th-century lexicography. The work is a companion to Smith's ''Dictionary of Greek and Roman Antiquities'' and ''Dictionary of Greek and Roman Geography''. Authors and scope The work lists thirty-five authors in addition to the editor, who was also the author of the unsigned articles. The other authors were Classics, classical scholars, primarily from University of Oxford, Oxford, University of Cambridge, Cambridge, Rugby School, and the University of Bonn, but some were from other institutions. Many of the mythological entries were the work of the German expatriate Leonhard Schmit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silvanus (mythology)
Silvanus (; meaning "of the woods" in Latin) was a Roman tutelary deity of woods and uncultivated lands. As protector of the forest (''sylvestris deus''), he especially presided over plantations and delighted in trees growing wild.Tibullus II.5.27, 30.Lucan. ''Pharsalia'' III.402.Pliny the Elder. ''Naturalis historia'' XII.2. He is also described as a god watching over the fields and husbandmen, protecting in particular the boundaries of fields.Horace. '' Epodes'' II.21-22. The similarly named Etruscan deity Selvans may be a borrowing of Silvanus, or not even related in origin.Peter F. Dorcey, ''The Cult of Silvanus: A Study in Roman Folk Religion'' (Brill, 1992), pp. 10–1online noting earlier efforts to press an Etruscan etymology on Silvanus. Silvanus is described as the divinity protecting the flocks of cattle, warding off wolves, and promoting their fertility.Virgil. ''Aeneid'' VIII.600-1.Cato the Elder. ''De Agricultura'' 83 Dolabella, a rural engineer of whom only a few p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauna (goddess)
Fauna is a Roman mythology, Roman rustic goddess said in differing ancient sources to be the wife, sister, or daughter of Faunus (the Roman counterpart of Pan (mythology), Pan). Varro regarded her as the female counterpart of Faunus, and said that the ''fauni'' all had prophetic powers. She is also called Fatua or Fenta Fauna. Name Etymology The name ''Fauna'' is a feminine form of Latin ''Faunus'', the deity of the countryside. ''Faunus'' itself is generally thought to stem from Proto-Italic ''*fawe'' or ''*fawono'', ultimately from Proto-Indo-European language, Proto-Indo-European ''*bʰh₂u-n'' ('favourable'). Consequently, Georges Dumézil translated her name as "the Favourable." In his conceptual approach to Roman deity, Michael Lipka sees Faunus and Fauna as an example of a characteristically Roman tendency to form gender-complementary pairs within a sphere of functionality. The male-female figures never have equal prominence, and one partner (not always the female) see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bona Dea
Bona Dea (; 'Good Goddess') was a List of Roman deities, goddess in Religion in ancient Rome, ancient Roman religion. She was associated with chastity and fertility among married Women in ancient Rome, Roman women, healing, and the protection of the SPQR, state and people of Rome. According to Roman literary sources, she was brought from Magna Graecia at some time during the early or middle Roman Republic, Republic, and was given her own Religion in ancient Rome#History of Roman religion, state cult on the Aventine Hill. Her rites allowed women the use of strong wine and blood-sacrifice, things otherwise forbidden them by Mos maiorum, Roman tradition. Men were barred from some of her Greco-Roman mysteries, mysteries and only initiates were given the possession of her true name. Given that male authors had limited knowledge of her rites and attributes, ancient speculations about her identity abound, among them that she was an aspect of Terra (mythology), Terra, Ops, Cybele, or Ceres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religion In Ancient Rome
Religion in ancient Rome consisted of varying imperial and provincial religious practices, which were followed both by the Roman people, people of Rome as well as those who were brought under its rule. The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety () in maintaining Pax deorum, good relations with the gods. Their Polytheism, polytheistic religion is known for having honoured List of Roman deities, many deities. The presence of Magna Graecia, Greeks on the Italian peninsula from the beginning of the historical period influenced Culture of ancient Rome, Roman culture, introducing some religious practices that became fundamental, such as the of Apollo. The Romans looked for common ground between their major gods and those of the Greeks (), adapting Greek mythology, Greek myths and iconography for Latin literature and Roman art, as the Etruscans had. Etruscan religion was also a major influence, partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr (, ), also known as a silenus or ''silenos'' ( ), and sileni (plural), is a male List of nature deities, nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbation, masturbating or engaging in bestiality. In classical Athens, satyrs made up the Greek chorus, chorus in a genre of play kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faun
The faun (, ; , ) is a half-human and half-goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were ghosts ( genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as naked men (e.g. the Barberini Faun). Later fauns became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By the Renaissance, fauns were depicted as two-footed creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their look from the satyrs, who in turn borrowed their look from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. Origins Romans believed fauns stirred fear in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nymph
A nymph (; ; sometimes spelled nymphe) is a minor female nature deity in ancient Greek folklore. Distinct from other Greek goddesses, nymphs are generally regarded as personifications of nature; they are typically tied to a specific place, landform, or tree, and are usually depicted as Virginity, maidens. Because of their association with springs, they were often seen as having healing properties; other divine powers of the nymphs included divination and shapeshifting. In spite of their divine nature, they were not immortality, immortal. Nymphs are divided into various Nymph#List, broad subgroups based on their habitat, such as the Meliae (ash tree nymphs), the Dryads (oak tree nymphs), the Alseids (Grove (nature), grove nymphs), the Naiads (Spring (hydrology), spring nymphs), the Nereids (sea nymphs), the Oceanids (ocean nymphs), and the Oreads (mountain nymphs). Other nymphs included the Hesperides (evening nymphs), the Hyades (mythology), Hyades (rain nymphs), and the Pleiade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impromptu
An impromptu (, , loosely meaning "offhand") is a free-form musical composition with the character of an ''ex tempore'' improvisation as if prompted by the spirit of the moment, usually for a solo instrument, such as piano. According to ''Allgemeine musikalische Zeitung'', Johann Baptist Cramer began publishing piano pieces under the (sub-)title of "impromptu." (AMZ, Mar. No II, 1815, col. 6), which seems to be the first recorded use of the term ''impromptu'' in this sense. Form usage Since the very concept of unpremeditated, spur-of-the-moment inspiration without studied care is at the heart of Romanticism, Romantic artistic theory, it did not take long before the first generation of Romantic music, Romantic composers took up the idea. Others were: * Frédéric Chopin composed 4 ''Impromptus (Chopin), Impromptus'', including the famous Fantaisie-Impromptu. * Jan Václav Voříšek was the first one to compose impromptus published under that title, in 1822. * Franz Schubert publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastoral
The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A ''pastoral'' is a work of this genre. A piece of music in the genre is usually referred to as a pastorale. The genre is also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
