Oberheim Synthesizers
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Oberheim Synthesizers
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. Beginning in 1975, Oberheim developed some of the first commercially available polyphonic synthesizers and was a prominent synthesizer and drum machine manufacturer through the mid-1980s. In 1988, the company changed ownership and was eventually purchased by Gibson (guitar company), Gibson Guitar Corporation, which developed new Oberheim products and licensed the trademark to other companies that produced Oberheim products, but development of Oberheim products ceased after 2000. In 2009, Tom Oberheim began developing instruments through his own company, and in 2019, Gibson returned the Oberheim trademark to Tom Oberheim, whose company rebranded as Oberheim. History and products Beginnings and first polyphonic synthesizers Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic Effects unit, effects devices for Chicago Musical Instruments under their ...
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Electronic Musical Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronics, electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch (music), pitch, frequency, or duration of each Musical note, note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano where the keys are each linked mechanically to swinging string hammers - whereas with an electronic keyboard, the keyboard interface is linked to a synth module, computer or other electronic or digital sound generator, which then creates a sound. However, it is increasingly common to separate user interface and sound-generating functions int ...
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Ring Modulation
In electronics, ring modulation is a signal processing function, an implementation of frequency mixing, in which two signals are combined to yield an output signal. One signal, called the carrier, is typically a sine wave or another simple waveform; the other signal is typically more complicated and is called the input or the modulator signal. The ring modulator takes its name from the original implementation in which the analog circuit of diodes takes the shape of a ring, a diode ring. The circuit is similar to a bridge rectifier, except that all four diodes are polarized in the same direction. Ring modulation is similar to amplitude modulation, with the difference that in the latter the modulator is shifted to be positive before being multiplied with the carrier, while in the former the unshifted modulator signal is multiplied with the carrier. This has the effect that ring modulation of two sine waves having frequencies of 1,500 Hz and 400 Hz produce an output signal th ...
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Pat Metheny Group
The Pat Metheny Group was an American jazz band founded in 1977 by guitarist and composer Pat Metheny, along with his core collaborating member, keyboardist and composer Lyle Mays. Other long-standing members included bassist and producer Steve Rodby from 1981 to 2010, and drummer Paul Wertico from 1983 to 2001, after which Antonio Sanchez (drummer), Antonio Sanchez became the percussionist from 2002 to 2010. Vocalist Pedro Aznar was also a long-time member, performing with the group from 1984 to 1993. In addition to a core quartet, the group was often joined by a variety of other instrumentalists expanding the size to six or eight musicians. History 1970s Founder Pat Metheny first emerged on the jazz scene in the mid-1970s with a pair of solo albums. First was ''Bright Size Life'', released in 1976, a trio album with bass guitarist Jaco Pastorius and drummer Bob Moses (musician), Bob Moses. The next album, released in 1977, was ''Watercolors (Pat Metheny album), Watercolors'', ...
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Lyle Mays
Lyle David Mays (November 27, 1953 – February 10, 2020) was an American jazz pianist, composer, and member of the Pat Metheny Group. Metheny and Mays composed and arranged nearly all of the group's music, for which Mays won eleven Grammy Awards. Biography While growing up in rural Wisconsin, Mays had a lot of curiosity but had to learn many things all by himself due to a lack of available resources and information. He had four main interests: chess, mathematics, architecture, and music. His mother Doris played piano and organ, and his father Cecil, a truck driver, taught himself to play guitar by ear. His teacher allowed him to practice improvisation after the structured elements of the lesson were completed. At the age of nine, he played the organ at a family member's wedding, and at fourteen he began to play in church. During his senior year of high school, at summer national stage band camp in Normal, Illinois, he was introduced to jazz pianist Marian McPartland. ''Bill ...
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Stevie Wonder
Stevland Hardaway Morris (; Judkins; born May 13, 1950), known professionally as Stevie Wonder, is an American and Ghanaian singer-songwriter, musician, and record producer. He is regarded as one of the most influential musicians of the 20th century. Wonder is credited as a pioneer and influence by musicians across a range of genres that include rhythm and blues, R&B, Pop music, pop, Soul music, soul, Gospel music, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LP record, LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Visual impairment, Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's s ...
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NAMM Show
The NAMM Show is an annual trade show in the United States organized by the National Association of Music Merchants (NAMM), which describes it as "the industry’s largest stage, uniting the global music, sound and entertainment technology communities". It is typically held in January at the Anaheim Convention Center in Anaheim, California. Overview One of the world's largest Trade fair, trade shows for music products, NAMM restricts entrance to owners, suppliers, distributors, journalists, employees, endorsed artists, and guests of NAMM member companies. Vendors display products, allowing dealers and distributors to see what's new, negotiate deals, and plan their purchasing for the next six to 12 months. The event attracts famous musicians, many of whom are endorsed by exhibitors and come to promote their own signature models and equipment. A smaller convention, NAMM Summer Session, typically takes place in June or July in Nashville, Tennessee. History NAPDA Convention ( ...
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Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ...
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Oberheim Polyphonic Synthesizer
The Oberheim Polyphonic Synthesizer is a series of analog music synthesizers that was produced from 1975 to 1979 by Oberheim Electronics. Developed by Tom Oberheim, they were the first production synthesizers capable of playing chords. Background After Oberheim introduced the DS-2 digital music sequencer, Tom Oberheim recognized that customers wanted to play one synthesizer while the DS-2 played a sequence on another, or layer the sound of one synthesizer with another. To address this need, he introduced the Synthesizer Expander Module (SEM), a semi-modular analog synthesizer module, in 1974. The SEM featured two VCOs and a two-pole voltage-controlled filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP four-pole low-pass ladder filters popular at the time. Specification In late 1975, after Norlin canceled several large Maestro orders, Oberheim developed a series of polyphonic synthesiz ...
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Oberheim Two Voice
The Oberheim Two Voice (TVS) is an analogue synthesizer produced by Oberheim Electronics from 1975 to 1979. It can be operated in either polyphonic or monophonic mode, and includes an onboard 8-step sequencer. The Two Voice was the first of Oberheim's Polyphonic Synthesizer series, and one of the first commercially-available polyphonic synthesizers. Development At the start of 1975, Oberheim did not consider itself a synthesizer manufacturer. At the time, the company's business consisted of contract manufacturing Maestro-branded effects units, as well its own products, the DS-2 digital music sequencer and Synthesizer Expansion Module, which were intended as add-ons for Minimoog and ARP 2600 owners. When Norlin canceled several large Maestro orders, the company was forced to develop new products to replace those lost sales. By combining multiple SEM synthesizer modules with a digitally-scanned keyboard developed by Dave Rossum and a two-channel sequencer, Oberheim created ...
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Dave Rossum
David P. Rossum (born 1948) is an American electronics engineer and inventor best known as the co-founder of synthesizer and sampler manufacturer E-mu Systems. Education and early career Rossum grew up in the San Francisco Bay Area and attended the California Institute of Technology (Caltech), earning a Bachelor of Science in Biology in 1970. Later that year while pursuing graduate studies at the University of California at Santa Cruz, Rossum's advisor, Harry Noller, invited him to join him in the music department where students were unpacking the university's new Moog Model 12 modular synthesizer. Rossum discovered an affinity for synthesis and invited his Caltech friends Steve Gabriel and Jim Ketcham to come see the Model 12. Together, they were inspired to start designing a synthesizer. In 1971 Ketcham heard there was a request for bid from the San Diego School District for music synthesizers to add to their high school music program, and Rossum and his friends decided t ...
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Polyphonic Synthesizer
Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic. An intuitively understandable example for a polyphonic instrument is a (classical) piano, on which the player plays different melody lines with the left and the right hand - depending on music style and composition, these may be musically tightly interrelated or may even be totally unrelated to each other, like in parts of Jazz music. An example for monophonic instruments is a trumpet which can generate only one tone (frequency) at a time, except when played by extraordinary musicians. Synthesizer Monophonic A monophonic synthesizer or ''monosynth'' is a synthesizer that produces only one note at a time, making it smaller and cheaper than a polyphonic synthesizer which can play multiple notes at once. This does not n ...
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Sound Module
A sound module is an electronic musical instrument without a human-playable interface such as a piano-style musical keyboard. Sound modules have to be operated using an externally connected device, which is often a MIDI controller, of which the most common type is the musical keyboard. Another common way of controlling a sound module is through a sequencer, which is computer hardware or software designed to record and playback control information for sound-generating hardware. Connections between sound modules, controllers, and sequencers are generally made with MIDI (Musical Instrument Digital Interface), which is a standardized interface designed for this purpose. Sound modules are often rack-mountable, but are also produced in table-top form factor, particularly when the intended user is a DJ or record producer. The height of a sound module is often described in rack units. Small sound modules are mostly 1U in height, the larger models a multiplication e.g. 2U or 3U. De ...
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