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Neu! Songs
Neu! (; German for "New!"; styled in block capitals) were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—''Neu!'' (1972), '' Neu! 2'' (1973), and '' Neu! 75'' (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s. Although Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement. They are known for pioneering the " motorik" beat, a minimalist rhythm associated with krautrock artists. Their work has exerted a widespread influence on genres such as electronica and punk. History 1970–1971: Pre-formation Neu! was formed in 1971 in Düsseldorf as an offshoot from an early line-up of another seminal krautrock band, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klaus Dinger
Klaus Dinger (24 March 1946 – 21 March 2008) was a German musician and songwriter most famous for his contributions to the seminal krautrock band Neu!. He was also the guitarist and chief songwriter of New wave music, new wave group La Düsseldorf and briefly the percussionist of Kraftwerk. 1946–1971: The No, The Smash, and Kraftwerk Klaus Dinger was born in Scherfede, Province of Westphalia, Westphalia, Germany, to Heinz and Renate Dinger on 24 March, 1946. He was their first child. Before he was a year old, his parents moved from the town, which had been badly damaged by an Allies of World War II, Allied siege at the end of World War II, to Düsseldorf. In 1956 he attended Görres Gymnasium School for the first time. During his time there he was part of an a cappella choir, which he had to leave when his voice broke. He was part of the school Swing music, swing band (as a drummer) despite having no prior musical experience. He left the school with a ''Mittlere Reife'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uli Trepte
Uli Trepte (born 27 September 1941, Konstanz, Germany — died 21 May 2009, Berlin) was a German musician best known for his collaborations with various influential Krautrock bands in the early 1970s. Early career Uli Trepte began his musical career in 1966 on double bass as a free jazz player/founder member of the Irene Schweizer Trio, a formation that wrote avantgarde history (Frankfurt Jazz Festival 66/1. Montreux Jazz Festival 67/Donaueschinger Tage für Neue Musik 67/Berliner Jazztage 67; 2 LPs). At about that time and later he also appeared with jazz musicians like Yusef Lateef, Gato Barbieri, Barney Wilen, John McLaughlin and Mal Waldron. Guru Guru In 1968 he changed to bass guitar and with drummer Mani Neumeier formed Guru Guru as part of the newly emerging psychedelic rock music, writing both lyrics and music for that group. It was a band which set a radical new playing standard and belonged to the few genuine pioneers of the so-called Krautrock ( International ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralf Hütter
Ralf Hütter (born 20 August 1946) is a German musician and composer best known as the lead singer and keyboardist of Kraftwerk, which he founded with Florian Schneider in 1970, and became the only consistent member of the band (although he briefly left the band for several months in 1971), and the only one to have appeared on every single one of the band's albums. On 12 May 2021, Kraftwerk was announced as one of the inductees of the Rock and Roll Hall of Fame. Personal life Hütter was born on 20 August 1946 in Krefeld, Germany. In 2009 he lived near Düsseldorf. He met Florian Schneider while studying improvisation at the Robert Schumann Hochschule. The pair started performing at happenings and art galleries in the late 1960s, subsequently incorporating electronic sounds and building their own Kling Klang Studio. He is a vegetarian. Hütter is a secretive musician who avoids interviews. Hütter is an enthusiastic cycling fan, a fact reflected in some of the band's work. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Flür
Wolfgang Flür (born 17 July 1947) is a German musician, best known for playing percussion in the electronic group Kraftwerk from 1973 to 1987. Flür claims that he invented the electric drums the group used throughout the 1970s. However, patent records dispute this, citing Florian Schneider and Ralf Hütter as the creators. Background In the 1960s, Flür played an acoustic drum kit in the Düsseldorf band The Spirits of Sound, along with guitarist Michael Rother, who would also go on to play in Kraftwerk, and who would later form Neu! with Kraftwerk drummer Klaus Dinger. Post-Kraftwerk In 1997, Flür founded the band Yamo and released the album ''Time Pie'', a collaboration with Mouse on Mars. Yamo's next release, the 12" ''I Was a Robot'', reached number 6 in the German club charts. Collaborations with Pizzicato Five and Der Plan founding member Pyrolator were announced, and the lyrics to a song called "Greed" appeared in Flür's autobiography, but this material rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk (album)
''Kraftwerk'' is the debut studio album by German electronic band Kraftwerk. It was released in Germany in 1970, and produced by Konrad "Conny" Plank. Background and recording After the commercial failure of '' Tone Float'' (1970), Organisation were dropped by RCA Records while Ralf Hütter and Florian Schneider signed a new deal with Philips and named their new project Kraftwerk. To begin work, the duo rented an empty workshop in an industrial era near a railway station in Düsseldorf, which would eventually become Kling Klang Studio. The album was recorded from July to September 1970 and was produced by colleague Conny Plank, who shared the credit with Hütter and Schneider. They were also joined by two drummers during the recording of the album: Andreas Hohmann and Klaus Dinger. Hohmann played on "Ruckzuck" and "Stratovarius", while Dinger played on "Vom Himmel Hoch". The other instrumentation features Hütter on guitar, as well as both Hammond and Tubon electric organs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Rock
Punk rock (also known as simply punk) is a rock music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Punk rock lyrics often explore anti-establishment and Anti-authoritarianism, anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record label, independent labels. The term "punk rock" was previously used by American Music criticism, rock critics in the early 1970s to describe the mid-1960s garage bands. Certain late 1960s and early 1970s Detroit acts, such as MC5 and Iggy and the Stooges, and other bands from elsewhere created out-of-the-mainstream music that became highly influential on what was to come. Glam rock in the UK and the New York Dolls from New York ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: Origins and UK scene The original widespread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4/4 Time
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in musical notation, music notation that specifies how many note values of a particular type fit into each measure (bar (music), bar). The time signature indicates the Metre (music), meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter (music), meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate #Complex time signatures, complex, #Mixed meters, mixed, #Additive meters, additive, and #Irrational meters, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motorik
Motorik is the 4/4 beat often used by, and heavily associated with, krautrock bands. Coined by music journalists, the term is German for "motor skill". The motorik beat was pioneered by Jaki Liebezeit, drummer with German experimental rock band Can. Klaus Dinger of Neu!, another early pioneer of motorik, later called it the "Apache beat". The motorik beat is heard in one section of Kraftwerk's "Autobahn", a song composed to convey the feeling of driving on the German highway. It is heard throughout Neu!'s "Hallogallo", from their self-titled album ''Neu!'', and used on all subsequent Neu! albums with differing tempos and variations; Hawkwind reproduced Neu!'s "Hallogallo" motorik beat on the track "Opa-Loka" on their 1975 '' Warrior on the Edge of Time'' album. Some music critics observed that the motorik style conveys a similar sense of forward momentum as the music of Beethoven and Rossini and bears a resemblance to the rhythmic drumming in jazz. They opined that it ini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu! 75
''Neu! 75'' is the third studio album by German krautrock band Neu!, released in February 1975 on Brain Records. It was recorded and mixed at Conny Plank's studio between December 1974 and January 1975. The album was officially reissued on CD on 29 May 2001 by Astralwerks in the US and Grönland in the UK. Overview This album saw Neu! regroup after a few years' hiatus, during which time Michael Rother had worked with Cluster as the supergroup Harmonia. By this time, Rother and bandmate Klaus Dinger had somewhat diverged in their musical intentions for the band, with Dinger preferring a more aggressive, rock-influenced style than Rother's ambient predilections; the two compromised, and the resulting album showcases both sounds. Side one of the record, which reflects Rother's preferences, was recorded as a duo. On side two, Dinger switched from drums to guitar and lead vocals, with his brother Thomas and Hans Lampe double drumming. On both sides, the use of keyboards and phasin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu! 2
''Neu! 2'' is the second studio album by the krautrock band Neu!. It was recorded in January 1973 and mixed in February 1973, both at Windrose-Dumont-Time Studios in Hamburg, West Germany, and released in 1973 by Brain Records. It was reissued by Astralwerks in the US and by Grönland in the UK and Europe on 29 May 2001. Critic Paul Morley included it in his list of the "5 x 100 Greatest Albums of All Time" in 2003. Overview This album further focused the classic Neu! krautrock sound, with the 11-minute "Für Immer" in particular being the archetypal example of their style -- a forward-driving vamping, propelled by Klaus Dinger's drumming and Michael Rother's layered guitar with its fluid lines and droning harmonic structure. '' Pitchfork'' described the album as featuring a proto-punk sound, while ''Fact'' labeled it " spartan psych-rock set to power-driven drum tracks." Side 2 of the record caused consternation at the time. Neu! had quite simply run out of money ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu! (album)
''Neu!'' is the debut studio album by German krautrock band Neu!, released in 1972 by Brain Records. It was the first album recorded by the duo of Michael Rother and Klaus Dinger after leaving Kraftwerk in 1971. They continued to work with producer Konrad "Conny" Plank, who had also worked on the Kraftwerk recording sessions. Upon release, the album was largely ignored internationally but did well in West Germany, selling 35,000 copies. In 2001, the album was reissued by Grönland and then licensed to Astralwerks for US distribution. In 2014, ''Fact'' named it the 36th best album of the 1970s. History Having broken off from an early incarnation of Kraftwerk, Michael Rother and Klaus Dinger quickly began the recording sessions for what would become'' Neu!''. The pair recorded the album across four nights in December 1971 at Star Studios in Hamburg with producer and engineer Conny Plank. Dinger noted that Plank served as a "mediator" between the often disagreeing factions withi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
