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Monotype Typefaces
Monotype fonts were developed by the Monotype company. This name has been used by three firms. Two of them had their roots in "hot metal" or lead type in the printing industry. They did not adapt when the market changed as computer, offset and photographic systems became dominant. These were: * Lanston Monotype Company, Lanston Monotype Cooperation in Philadelphia, US * Monotype Imaging, The Monotype Corporation Limited in Salfords, UK A third firm produces fonts for computer use: * Monotype Imaging Inc. The latter firm is in a sense the successor to the English Monotype factory. It has the rights to the original designs, and later obtained rights to many more designs from other sources. The remains of the production archive and what is left of the machines are at the Type Museum in London, England. There the original matrices can still be accessed and parts of the old machines ordered. The collection itself is the property of the British Science Museum, London, Science Museum. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lanston Monotype Company
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Based in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical Hot metal typesetting, hot metal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, and Arial. Via acquisitions including Linotype GmbH, International Typeface Corporation, Bitstream Inc., Bitstream, FontShop, URW Type Foundry, URW, Hoefler & Co., Fontsmith, and Colophon Foundry, the company has gained the rights to major font fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pica (typography)
The pica is a typographic unit of measure corresponding to approximately of an inch. One pica is further divided into 12 Point (typography), points. In printing, three pica measures are used: * The French pica of 12 Didot points (also called Cicero (typography), cicero) generally is: 12 × 0.376 = . * The American pica of . It was established by the United States Type Founders' Association in 1886. In TeX one pica is of an inch. * The contemporary computer PostScript pica is exactly of an inch, i.e. 0.1 in or 4.2 mm. Publishing applications such as Adobe InDesign and QuarkXPress represent pica measurements with whole-number picas left of a lower-case ''p'', followed by the points number, for example: 5p6 represents 5 picas and 6 points, or 5 picas. Cascading Style Sheets (CSS) defined by the World Wide Web Consortium use pc as the abbreviation for pica ( of an inch), and pt for point ( of an inch). The pica is also used in measuring the font capacity and is applied in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arial (typeface)
Arial is a sans-serif typeface in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, Apple's macOS, and many PostScript 3 printers. In Office 2007, Arial was replaced by Calibri as the default typeface in PowerPoint, Excel, and Outlook. The typeface was designed in 1982 by Robin Nicholas and Patricia Saunders, for Monotype Typography. It is metrically compatible with Helvetica, enabling documents to use either typeface without affecting the visual layout. Because of their similar appearance, Arial and Helvetica are commonly mistaken for each other. Etymology The name Arial was derived from the word "aerial", introduced as a trademark by Monotype. Design characteristics Embedded in version 3.0 of the OpenType version of Arial is the following description of the typeface: In 2005, Robin Nicholas said, "It was designed as a generic sans serif; almost a bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antique Old Style (typeface)
An antique () is an item perceived as having value because of its aesthetic or historical significance, and often defined as at least 100 years old (or some other limit), although the term is often used loosely to describe any object that is old. An antique is usually an item that is collected or desirable because of its age, beauty, rarity, condition, utility, personal emotional connection and/or other unique features. It is an object that represents a previous era or time period in human history. Vintage and collectible are used to describe items that are old, but do not meet the 100-year criterion. Antiques are usually objects of the decorative arts that show some degree of craftsmanship, collectability, or an attention to design, such as a desk or an vintage car, early automobile. They are bought at antique shops, estate sales, auction houses, online auctions and other venues, or estate inherited. Antiques dealers often belong to national trade associations, many of wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angulus (typeface)
The Tellinidae are a family of marine bivalve molluscs of the order Cardiida. Commonly known as tellins or tellens, they live fairly deep in soft sediments in shallow seas and respire using long siphons that reach up to the surface of the sediment.Bouchet, P. (2012). Tellinidae. Accessed through: World Register of Marine Species at http://www.marinespecies.org/aphia.php?p=taxdetails&id=235 on 2012-07-04 Characteristics Tellinids have rounded or oval, elongated shells, much flattened. The two valves are connected by a large external ligament. The two separate siphons are exceptionally long, sometimes several times the length of the shell. These siphons have a characteristic cruciform muscle at their base.Barrett, J. H. and C. M. Yonge, 1958. Collins Pocket Guide to the Sea Shore. P. 160. Collins, London Selected genera * '' Abranda'' Iredale, 1924 * '' Acorylus'' Olsson & Harbison, 1953 * '' Aenigmotellina'' Matsukuma, 1989 * † '' Aenona'' Conrad, 1870 * '' Afsharius'' M. Hub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalé Mono
Andalé Mono (for technical reasons also Andale Mono) is a monospaced sans-serif typeface designed by Steve Matteson for terminal emulation and software development environments, originally for the Taligent project by Apple Inc. and IBM. Andalé Mono has a sibling called Andalé Sans. IBM's legacy The character set and design choices of Andalé Mono reveal its origin as a custom font for the Apple and IBM joint project Taligent. The character set includes many IBM specific symbols from IBM Courier, published in 1991. Some characters, like the card symbols, have even identical outlines. Also the dotted zero, which seems to have originated as an option on IBM 3270 displays, is included in both fonts. Distribution Andalé Mono was first distributed as an Internet Explorer 4.0 add-on, originally under the name Monotype.com. Starting with version 1.25 of the font, it was renamed to Andale Mono, and distributed with Internet Explorer 5 and 6. Andalé Mono is no longer distributed w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albion (typeface)
Albion is an alternative name for Great Britain. The oldest attestation of the toponym comes from the Greek language. It is sometimes used poetically and generally to refer to the island, but is less common than "Britain" today. The name for Scotland in most of the Celtic languages is related to Albion: ''Alba'' in Scottish Gaelic, ''Albain'' (genitive ''Alban'') in Irish, ''Nalbin'' in Manx and ''Alban'' in Welsh and Cornish. These names were later Latinised as ''Albania'' and Anglicised as ''Albany'', which were once alternative names for Scotland. ''New Albion'' and ''Albionoria'' ("Albion of the North") were briefly suggested as names of Canada during the period of the Canadian Confederation. Francis Drake gave the name New Albion to what is now California when he landed there in 1579. Etymology The toponym in English is thought to derive from the Greek word , Latinised as (genitive ). The root ' is also found in Gaulish and Galatian 'world' and Welsh (Old W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albertus (typeface)
Albertus is a glyphic serif display typeface designed by Berthold Wolpe in the period 1932 to 1940 for the British branch of the printing company Monotype. Wolpe named the font after Albertus Magnus, the thirteenth-century German philosopher and theologian. Wolpe studied as a metal engraver, and Albertus was modelled to resemble letters carved into bronze. The face began as titling capitals. Eventually a lowercase roman was added, and later a strongly cursive, narrow italic. Albertus has slight glyphic serifs. It is available in light and italic varieties. The project began in 1932. Titling caps were released first, and the ''Monotype Recorder'' of summer 1935 presented the capitals as an advance showing. Other characters and a lower case were added by 1940. Albertus has remained popular since its release and since the end of mass use of metal type phototypesetting and digital versions have been released. Characteristics * In the uppercase "M" the middle strokes descend only p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Offset Printing
Offset printing is a common printing technique in which the inked image is transferred (or "offset") from a plate to a rubber blanket and then to the printing surface. When used in combination with the lithography, lithographic process, which is based on the repulsion of oil and water, the offset technique employs a flat (planographic printing, planographic) image carrier. Ink rollers transfer ink to the image areas of the image carrier, while a water roller applies a water-based film to the non-image areas. The modern "web" process feeds a large reel of paper through a large press machine in several parts, typically for several meters, which then prints continuously as the paper is fed through. Development of the offset press came in two versions: in 1875 by Robert Barclay of England for printing on tinplate, tin and in 1904 by Ira Washington Rubel of the United States for printing on paper. Rubel's contemporary in Continental Europe was Kašpar Hermann, the author of the off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Letterpress
Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper. In practice, letterpress also includes wood engravings; photo-etched zinc plates ("cuts"); linoleum blocks, which can be used alongside metal type; wood type in a single operation; stereotypes; and electrotypes of type and blocks. With certain letterpress units, it is also possible to join movable type with slugs cast using hot metal typesetting. In theory, anything that is "type high" (i.e. it forms a layer exactly 0.918 inches thick between the bed and the paper) can be printed using letterpress. Letterpress printing was the normal form of printing text from its invention by Joha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Times New Roman
Times New Roman is a serif typeface commissioned for use by the British newspaper ''The Times'' in 1931. It has become one of the most popular typefaces of all time and is installed on most personal computers. The typeface was conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in ''The Times's'' advertising department. Asked to advise on a redesign, Morison recommended that ''The Times'' change their body text typeface from a spindly nineteenth-century face to a more robust, solid design, returning to traditions of printing from the eighteenth century and before. This matched a common trend in printing tastes of the period. Morison proposed an older Monotype typeface named Plantin as a basis for the design, and Times New Roman mostly matches Plantin's dimensions. The main change was that the contrast between strokes was enhanced to give a crisper image. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
