Manuscripts Of Leiden University Library
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Manuscripts Of Leiden University Library
A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand or typewritten, as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include ''any'' written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of prints, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The word "manuscript" derives from the (from , hand and from , to write), and is first recorded in English in 1597. An earlier term in English that shares the meaning of a handwritten document is "hand-writ" (or "handwrit"), which is first attested around 1175 and is now rarely used. The study of the writing (the ...
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Codex Bruchsal 1 68r
The codex (: codices ) was the historical ancestor format of the modern book. Technically, the vast majority of modern books use the codex format of a stack of pages Bookbinding, bound at one edge, along the side of the text. But the term ''codex'' is now reserved for older manuscript books, which mostly used sheets of vellum, parchment, or papyrus, rather than paper. By convention, the term is also used for any Aztec codex (although the earlier examples do not actually use the codex format), Maya codices and other Pre-Columbian era, pre-Columbian manuscripts. Library practices have led to many European manuscripts having "codex" as part of their usual name, as with the Codex Gigas, while most do not. Modern books are divided into paperback (or softback) and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuo ...
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Book Cover
A book cover is any protective covering used to bind together the pages of a book. Beyond the familiar distinction between hardcovers and paperbacks, there are further alternatives and additions, such as dust jackets, ring-binding, and older forms such as the nineteenth-century "paper-boards" and the traditional types of bookbinding, hand-binding. The term ''bookcover'' is also commonly used for a book cover image in library management software. This article is concerned with modern mechanically produced covers. History Before the early nineteenth century, books were hand-bound, in the case of luxury medieval manuscripts in treasure bindings using materials such as gold, silver and jewels. For hundreds of years, book bindings had functioned as a protective device for the expensively printed or hand-made pages, and as a decorative tribute to their cultural authority. In the 1820s great changes began to occur in how a book might be covered, with the gradual introduction of tech ...
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Page Numbering
Page numbering is the process of applying a sequence of numbers (or letters, or Roman numerals) to the pages of a book or other document. The number itself, which may appear in various places on the page, can be referred to as a page number or as a ''folio''.The Chicago Manual of Style, Sixteenth Edition' (2003), pp. 32–33. Like other numbering schemes such as Chapter (books), chapter numbering, page numbers allow the citation of a particular page of the numbered document and facilitates to the reader to find specific parts of the document and to know the size of the complete text (by checking the number of the last page). Numbering conventions Even numbers usually appear on verso (left-hand) pages, while odd numbers appear on recto (right-hand) pages. In the printing industry, in cases where odd numbers appear on verso pages and even numbers on recto pages, this is referred to as ''non-traditional folios'' (in the past, it had been referred to as ''Chinese folios'', however thi ...
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Pagination
Pagination, also known as paging, is the process of dividing a document into discrete page (paper), pages, either electronic pages or printed pages. In reference to books produced without a computer, pagination can mean the consecutive page numbering to indicate the proper order of the pages, which was rarely found in documents pre-dating 1500, and only became common practice c. 1550, when it replaced foliation, which numbered only the front sides of wikt:folio, folios. Pagination in word processing, desktop publishing, and digital typesetting Word processing, desktop publishing, and typesetting, digital typesetting are technologies built on the idea of print as the intended final output medium, although nowadays it is understood that plenty of the content produced through these pathways will be viewed onscreen as electronic pages by most users rather than being printed on paper. All of these software tools are capable of flowing the content through algorithms to decide the p ...
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Collation
Collation is the assembly of written information into a standard order. Many systems of collation are based on numerical order or alphabetical order, or extensions and combinations thereof. Collation is a fundamental element of most office filing systems, library catalogs, and reference books. Collation differs from ''classification'' in that the classes themselves are not necessarily ordered. However, even if the order of the classes is irrelevant, the identifiers of the classes may be members of an ordered set, allowing a sorting algorithm to arrange the items by class. Formally speaking, a collation method typically defines a total order on a set of possible identifiers, called sort keys, which consequently produces a total preorder on the set of items of information (items with the same identifier are not placed in any defined order). A collation algorithm such as the Unicode collation algorithm defines an order through the process of comparing two given character s ...
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Inscription
Epigraphy () is the study of inscriptions, or epigraphs, as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literature, literary composition. A person using the methods of epigraphy is called an ''epigrapher'' or ''epigraphist''. For example, the Behistun inscription is an official document of the Achaemenid Empire engraved on native rock at a location in Iran. Epigraphists are responsible for reconstructing, translating, and dating the trilingual inscription and finding any relevant circumstances. It is the work of historians, however, to determine and interpret the events recorded by the inscription as document. Often, epigraphy and history are competences practised by the same person. Epigraphy is ...
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Interpolation (manuscripts)
An interpolation, in relation to literature and especially ancient manuscripts, is an entry or passage in a text that was not written by the original author. As there are often several generations of copies between an extant copy of an ancient text and the original, each handwritten by different scribes, there is a natural tendency for extraneous material to be inserted into such documents over time. Overview Interpolations originally may be inserted as an authentic explanatory note (for example, ), but may also be included for fraudulent purposes. The forged passages and works attributed to the Pseudo-Isidore are an example of the latter. Similarly, the letters of Ignatius of Antioch were interpolated by Apollinarian heretics, three centuries after the originals were written. Charters and legal texts are also subject to forgery of this kind. In the 13th century, a medieval romance, the Prose ''Tristan'', inserted another prose romance, the Vulgate Cycle's ''Queste del Saint ...
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Overdot
When used as a diacritic mark, the term dot refers to the glyphs "combining dot above" (, and "combining dot below" ( which may be combined with some letters of the extended Latin alphabets in use in a variety of languages. Similar marks are used with other scripts. Overdot Language scripts or transcription schemes that use the dot above a letter as a diacritical mark: * In some forms of Arabic romanization, stands for ''ghayn'' (غ). * The Latin orthography for Chechen includes ''ċ'', ''ç̇'', ''ġ'', ''q̇'' and ''ẋ'', corresponding to Cyrillic ''цӏ'', ''чӏ'', ''гӏ'', ''къ'' and ''хь'' and representing , , , and respectively. * Traditional Irish typography, where the dot denotes lenition, and is called a or "dot of lenition": ''ḃ ċ ḋ ḟ ġ ṁ ṗ ṡ ṫ''. Alternatively, lenition may be represented by a following letter ''h'', thus: ''bh ch dh fh gh mh ph sh th''. In Old Irish orthography, the dot was used only for ''ḟ ṡ'', while the follo ...
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Overstrike
In typography, overstrike is a method of printing characters that are missing from the printer's character set. The character is created by placing one character on another one – for example, overstriking ⟨L⟩ with ⟨-⟩ results in printing a ⟨Ł⟩ ( L with stroke) character. The ASCII code supports six different diacritics. These are: grave accent, tilde, acute accent (approximated by the apostrophe), diaeresis (double quote), cedilla (comma), and circumflex accent. Each is typed by typing the preceding character, then backspace, and then the 'related character', which is ⟨`⟩, ⟨~⟩, ⟨'⟩, ⟨"⟩, or ⟨^⟩, respectively for the above-mentioned accents. With the wide adoption of Unicode (especially UTF-8, which supports a much larger number of characters in different writing systems), this technique is of little use today. However, combining characters such as diacritics are still used to depict characters which cannot be shown otherwise. Many font r ...
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Codicological
Codicology (; from French ''codicologie;'' from Latin , genitive , "notebook, book" and Greek , ''-logia'') is the study of codices or manuscript books. It is often referred to as "the archaeology of the book," a term coined by François Masai. It concerns itself with the materials, tools and techniques used to make codices, along with their features. The demarcation of codicology is not clear-cut. Some view codicology as a discipline complete in itself, while others see it as auxiliary to textual criticism analysis and transmission, which is studied by philology. Codicologists may also study the history of libraries, manuscript collecting, book cataloguing, and scribes, which otherwise belongs to the history of the book. Some codicologists say that their field encompasses palaeography, the study of handwriting, while some palaeographers say that their field encompasses codicology. The study of written features such as marginalia, glosses, ownership inscriptions, etc. falls ...
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Degree Symbol
The degree symbol or degree sign, , is a glyph or symbol that is used, among other things, to represent degrees of arc (e.g. in geographic coordinate systems), hours (in the medical field), degrees of temperature or alcohol proof. The symbol consists of a small superscript circle. History The word degree is equivalent to Latin gradus which, since the medieval period, could refer to any stage in a graded system of ranks or steps. The number of the rank in question was indicated by ordinal numbers, in abbreviation with the ordinal indicator (a superscript letter ). Use of "degree" specifically for the degrees of arc, used in conjunction with Arabic numerals, became common in the 16th century, but this was initially without the use of an ordinal marker or degree symbol: instead, various abbreviation of ''gradus'' (e.g., Gra., Gr., gr., G.). The modern notation appears in print in the 1570s, with a borderline example by Jacques Pelletier du Mans in 1569, and was populari ...
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Shelfmark
A shelfmark is a mark in a book or manuscript that denotes the cupboard or bookcase where it is kept as well as the shelf and possibly even its location on the shelf. The closely related term pressmark (from press, meaning cupboard) denotes only the cupboard or case. It is distinct from a call number, which is the code under which a book or manuscript is registered and which is used to identify it when ordering it. Sometimes a shelfmark or pressmark may be used as a call number, but in other cases the call number contains no information about the book's physical location. In certain American institutions, shelfmark and call number are combined to create a long code containing information on location, classification, size, binding, author and date.Peter Beal (ed.), ''A Dictionary of English Manuscript Terminology, 1450–2000'' (Oxford University Press, 2008), s.v"shelf-mark"
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