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Kobzarstvo
''Kobzarstvo'' () in the wider definition, is the art and related culture of singing to the accompaniment of the Ukrainian plucked string instruments ''bandura'' and ''kobza'', as well as the Ukrainian hurdy-gurdy, which is called ''lira''. More specifically, it deals with the related culture of the blind professional itinerant folk singers, known as the kobzar A ''kobzar'' ( ; ) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed kobza or bandura. Tradition The professional kobzar tradition was established during the Hetmanate Era around the sixteenth cen ...s and the lirnyks. It includes their musical genres, style of performing, playing techniques, customs, secret language (known as Lebiy), organization and para-religious traditions. The study of ''kobzarstvo'' initially started in the mid-18th century and continues to this day. The wider definition, although not accurate, it can also include the culture of the more modern n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandura
A bandura ( ) is a Ukrainians, Ukrainian plucked string instrument, plucked-string folk-instrument. It combines elements of the zither and lute and, up until the 1940s, was also often called a kobza. Early instruments () had 5 to 12 strings and resembled lutes. In the 20th century, the number of strings increased initially to 31 strings (1926), then to 56 strings – 68 strings on modern "concert" instruments (1954).Mizynec, V. ''Folk Instruments of Ukraine''. Bayda Books, Melbourne, Australia, 1987, 48с. Musicians who play the bandura are referred to as bandurists. In the 19th and early 20th centuries traditional bandura players, often blind, were called kobzars. It is suggested that the instrument developed as a hybrid of gusli (Eastern-European psaltery) and kobza (Eastern-European lute). Some also consider the ''kobza'' as a type or an instrument resembling the ''bandura''. The term ''bandura'' occurs in Polish chronicles from 1441. The hybridization, however, occurred in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lirnyk
The lirnyks ( Ukrainian: лірник; plural: лірники – lirnyky) were itinerant Ukrainian musicians who performed religious, historical and epic songs to the accompaniment of a lira, the Ukrainian version of the hurdy-gurdy. Lirnyks were similar to and belonged to the same guilds ( tsekhs) as the better known bandura and kobza players known as kobzars. However, the lirnyk played the lira, a kind of crank-driven hurdy-gurdy, while the kobzars played the lute-like banduras or kobzas. Lirnyks were usually blind or had some major disability. They were active in all areas of Ukraine from (at least) the 17th century on. Though the tradition was violently ended in Eastern/Central Ukraine in the mid-1930s, some lirnyks were seen in the regions of Western Ukraine until the 1970s and even the 1980s. Today, the repertoire of the instrument is mostly performed by educated, sighted performers. Notable performers of the lira include Mykhailo Khai, Vadym "Yarema" Shevchuk, Volod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobzarstvo
''Kobzarstvo'' () in the wider definition, is the art and related culture of singing to the accompaniment of the Ukrainian plucked string instruments ''bandura'' and ''kobza'', as well as the Ukrainian hurdy-gurdy, which is called ''lira''. More specifically, it deals with the related culture of the blind professional itinerant folk singers, known as the kobzar A ''kobzar'' ( ; ) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed kobza or bandura. Tradition The professional kobzar tradition was established during the Hetmanate Era around the sixteenth cen ...s and the lirnyks. It includes their musical genres, style of performing, playing techniques, customs, secret language (known as Lebiy), organization and para-religious traditions. The study of ''kobzarstvo'' initially started in the mid-18th century and continues to this day. The wider definition, although not accurate, it can also include the culture of the more modern n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobzars DS Lv9
A ''kobzar'' ( ; ) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed kobza or bandura. Tradition The professional kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzari were often blind and became predominantly so by the 1800s. ''Kobzar'' literally means 'kobza player', a Ukrainian stringed instrument of the lute family, and more broadly — a performer of the musical material associated with the kobzar tradition. Kobzari also played the bandura, an instrument which was likely developed from the kobza. Kozak Mamai and early origins Kozak Mamai ( Ukrainian: Козак Мамай) is a popular and iconic image that has many variants, but usually features a man sitting cross-legged and playing a kobza. The hairstyle is often a ''chupryna'' of Kozak style. Various items often surround Kozak Mamai including a horse, a tree, a rifle, a sword, and a gunpowder horn, and sometimes a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobza
The kobza (), also called bandura () is a Ukrainian folk music instrument of the lute family (Hornbostel-Sachs classification number 321.321-5+6), a relative of the Central European mandora. The term ''kobza'' however, has also been applied to a number of other Eastern European instruments distinct from the Ukrainian kobza. Construction The Ukrainian kobza was a traditionally gut-strung, lute-like stringed musical instrument with a body hewn from a single block of wood. Instruments with a staved assembly also exist. The kobza has a medium-length neck which may or may not have tied-on frets, which were usually made of gut. It was single-strung (sometimes also double-strung) and the strings were played with fingertips or occasionally with a plectrum threaded through a ring placed on the middle finger. History The term kobza is of Turkic languages, Turkic origin and is related to the terms kobyz and komuz, thought to have been introduced into the Ukrainian language in the 13th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobzar
A ''kobzar'' ( ; ) was an itinerant Ukrainian bard who sang to his own accompaniment, played on a multistringed kobza or bandura. Tradition The professional kobzar tradition was established during the Hetmanate Era around the sixteenth century in Ukraine. Kobzari were often blind and became predominantly so by the 1800s. ''Kobzar'' literally means ' kobza player', a Ukrainian stringed instrument of the lute family, and more broadly — a performer of the musical material associated with the kobzar tradition. Kobzari also played the bandura, an instrument which was likely developed from the kobza. Kozak Mamai and early origins Kozak Mamai ( Ukrainian: Козак Мамай) is a popular and iconic image that has many variants, but usually features a man sitting cross-legged and playing a kobza. The hairstyle is often a ''chupryna'' of Kozak style. Various items often surround Kozak Mamai including a horse, a tree, a rifle, a sword, and a gunpowder horn, and sometim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preservation Of Kobzar Music
The idea of the preservation of kobzar music by means of sound recording originated in 1901–02. Kobzars were itinerant Ukrainian folk musicians who sung ''dumas'' and folk songs to their own accompaniment of kobza, bandura or lira. The 12th Archeological Congress was held in Kharkiv, now in Ukraine, then part of the Russian Empire. It was dedicated to Ukrainian folk music. During its preparation, the committee discussed a letter from Russian ethnographer Vsevolod Miller with the suggestion to using recently invented graphophone ( Alexander Bell's version of phonograph, which used wax-coated cylinders). However, the suggestion was not accepted due to lack of money. Other people came with the same suggestion, both during the preparation and the sessions of the congress. A team of Hnat Khotkevych (musicologist, bandurist, engineer, and ethnographer), Oleksandr Borodai (engineer and bandurist), and Opanas Slastion (artist and ethnographer), have eventually taken the job. Borodai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lira
Lira is the name of several currency units. It is the current Turkish lira, currency of Turkey and also the local name of the Lebanese pound, currencies of Lebanon and of Syrian pound, Syria. It is also the name of several former currencies, including those of Italy, Malta and Israel. The term originates from the value of a Roman pound (, about 329g, 10.58 troy ounces) of high purity silver. The was the basis of the monetary system of the Roman Empire. When Europe resumed a monetary system, during the Carolingian Empire, the Roman system was adopted. The Roman denominations were used (becoming known in England as £sd). Specifically, this system was kept during the Middle Ages and Modern Age in England, France, and Italy. In each of these countries the was translated into local language: pound (currency), pound in England, in France, in Italy. The Venetian lira was one of the currencies in use in Italy and due to the economic power of the Venetian Republic a popular cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
