Jazz Standards
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Jazz Standards
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive List of jazz standards (other), list of jazz standards, and the list of songs deemed to be standard (music), standards changes over time. Songs included in major fake book publications (lead sheet collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway theatre, Broadway show tunes or songs from Cinema of the United States, Hollywood musical film, musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of a minority ethnic group's music (such as gypsy music ( ...
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Musical Composition
Musical composition can refer to an Originality, original piece or work of music, either Human voice, vocal or Musical instrument, instrumental, the musical form, structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music, sheet music "score", which is then performed by the composer or by other musicians. In popular music and Folk music, traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American Jazz piano, jazz pianist, composer, and leader of his eponymous Big band, jazz orchestra from 1924 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become Standard (music), standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan (1937 song), Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty five-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writ ...
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Blue Amberol
Blue Amberol Records was the trademark name for cylinder records manufactured by Thomas A. Edison, Inc. in the US from 1912 to 1929. They replaced the 4-minute black wax Amberol cylinders introduced in 1908, which had replaced the 2-minute wax cylinders that had been the standard format since the late 1880s. Blue Amberols can play for as long as 4 minutes and 45 seconds and have a surface layer of the "indestructible" plastic celluloid, which Edison tinted a trademark blue color. Edison brand phonographs designed to play Amberol cylinders were named Amberolas. History Edison wax Amberols The four-minute Amberol cylinder made its debut in 1908. Amberols were made of a fragile, black, wax-like compound which was harder than the original 1902 black wax. This Amberol wax was also used for 2-minute standard records from 1908 until the Blue Amberol appeared in 1912. The introduction of the Amberol started a resurgence of interest in cylinder records, but problems soon became appar ...
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Thomas A
Thomas may refer to: People * List of people with given name Thomas * Thomas (name) * Thomas (surname) * Saint Thomas (other) * Thomas Aquinas (1225–1274) Italian Dominican friar, philosopher, and Doctor of the Church * Thomas the Apostle * Thomas (bishop of the East Angles) (fl. 640s–650s), medieval Bishop of the East Angles * Thomas (Archdeacon of Barnstaple) (fl. 1203), Archdeacon of Barnstaple * Thomas, Count of Perche (1195–1217), Count of Perche * Thomas (bishop of Finland) (1248), first known Bishop of Finland * Thomas, Earl of Mar (1330–1377), 14th-century Earl, Aberdeen, Scotland Geography Places in the United States * Thomas, Idaho * Thomas, Illinois * Thomas, Oklahoma * Thomas, Oregon * Thomas, South Dakota * Thomas, Virginia * Thomas, Washington * Thomas, West Virginia * Thomas County (other) * Thomas Township (other) Elsewhere * Thomas Glacier (Greenland) Arts and entertainment * ''Thomas'' (Burton novel), a 19 ...
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Collins And Harlan
Collins & Harlan, the team of American singers Arthur Collins and Byron G. Harlan, formed a popular comic duo between 1903 and 1926. They sang ragtime standards as well as what were known as " coon songs" – music sung by white performers in a black dialect. Their material also employed many other stereotypes of the time including Irishmen and farmers. Rival recording artist Billy Murray nicknamed them "The Half-Ton Duo" as both men were rather overweight. Collins and Harlan produced many number one hits with recordings of minstrel songs such as "My Gal Irene", "I Know Dat I'll be Happy Til I Die", "Who Do You Love?" and "Down Among the Sugarcane". Their song "That Funny Jas Band from Dixieland", recorded November 8, 1916, is among the first recorded uses of the word "jas" which eventually evolved to "jass", and to the current spelling "jazz". Songs by year ;1902 "First Rehearsal for the Husking Bee", "Jerry Murphy is a Friend of Mine", "Two Rubes in a Tavern", "The Troubles ...
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New Orleans Rhythm Kings
The New Orleans Rhythm Kings (NORK) were one of the most influential jazz bands of the early to mid-1920s. The band included New Orleans and Chicago musicians who helped shape Chicago jazz and influenced many younger jazz musicians. They composed and recorded several jazz standards such as " Bugle Call Rag", " Milenburg Joys", " Farewell Blues", and " Tin Roof Blues". The 1954 pop song " Make Love to Me" was based on their music for "Tin Roof Blues". History The New Orleans Rhythm Kings in its earliest stages was the creation of the drummer Mike "Ragbaby" Stevens, solely in that he sent the first telegram to Albert Brunies about going to Chicago to form a band and find better gigs than New Orleans had to offer. Albert "Abbie" Brunies and his younger brother, the trombonist George Brunies, were initially hesitant but suggested the idea to a friend, the trumpet player Paul Mares, who immediately took the opportunity. "So I says Paul, I says, Abbie don't want to go to Chicago ...
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King Oliver's Creole Jazz Band
Joseph Nathan "King" Oliver (December 19, 1881 – April 10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of Mute (music), mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville, Louisiana, Donaldsonville in Ascension Parish, Louisiana, Ascension Parish, to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his t ...
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Johnny Green
John Waldo Green (October 10, 1908 – May 15, 1989) was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earliest, " Body and Soul" from the revue '' Three's a Crowd''. Green won four Academy Awards for his film scores and a fifth for producing a short musical film, and he was inducted into the Songwriters Hall of Fame in 1972. He was also honored with a star on the Hollywood Walk of Fame. Early years John Waldo Green was born in New York City, the son of musical parents Vivian Isidor Green (1885–1940) and Irina Etelka Jellenik (1885–1947), a.k.a. Irma (or Erma) Etelka Jellenik. Vivian and Irina wed in 1907 in Manhattan. John attended Horace Mann School and the New York Military Academy, and was accepted by Harvard at the age of 15, entering the university in 1924. His musical tutors were Herman Wasserman, Ignace Hilsberg and Walter Spal ...
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Body And Soul (1930 Song)
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama '' Body and Soul''. Background "Body and Soul" was written in New York City for the British actress and singer Gertrude Lawrence, who introduced it to London audiences. Published in England, it was first performed in the United States by Libby Holman in the 1930 Broadway revue '' Three's a Crowd''. In Britain the orchestras of Jack Hylton and Ambrose recorded the ballad first in the same week in February 1930. In the United States, the tune grew quickly in popularity, and by the end of 1930 at least 11 American bands had recorded it. Louis Armstrong was the first jazz musician to record "Body and Soul", in October 1930, but it was Paul Whiteman and Jack Fulton who popularized it in United States. "Body and Soul" is one of the most re ...
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Stardust (1927 Song)
"Stardust" is a List of 1920s jazz standards, 1927 song Musical composition, composed by Hoagy Carmichael, with lyrics later added by Mitchell Parish. It has been recorded as an instrumental or Human voice, vocal track over 1,500 times. Carmichael developed a taste for jazz while attending Indiana University Bloomington, Indiana University. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his Romance (love), love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the song for Gennett Records. In 1928, Car ...
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Hoagy Carmichael
Hoagland Howard "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor, author and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s and 1940s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as old-time radio broadcasts, television, microphones, and sound recordings (musical records). Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing four of the most-recorded American songs of all time: " Stardust" (1927), with lyrics by Mitchell Parish, "Georgia on My Mind" (1930), with lyrics by Stuart Gorrell, " The Nearness of You" (1937), with lyrics by Ned Washington, and " Heart and Soul" (1938), with lyrics by Frank Loesser. He also collaborated with famed lyricist-songwriter Johnny Mercer (1909-1976), on " Lazybones" (1933), and later " Skylark" ( ...
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