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Intangible Cultural Properties Of Japan
An , as defined by the Japanese government's Law for the Protection of Cultural Properties (1950), is a part of the Cultural Properties of high historical or artistic value such as drama, music, and craft techniques. The term refers exclusively to human skills possessed by individuals or groups which are indispensable to produce Cultural Properties. Items of particular importance can be designated as . Recognition is also given to the owners of an item to encourage its transmission. There are three types of recognition: individual recognition, collective recognition, and group recognition. Special grants of two million yen a year are given to individual holders (the so-called Living National Treasures) to help protect their properties. The government also contributes part of the expenses incurred either by the holder of an Intangible Cultural Property during training of his successor, or by a recognized group for public performances. To promote the understanding, and therefore th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Property (Japan)
A is administered by the Japanese government's Agency for Cultural Affairs (Ministry of Education, Culture, Sports, Science and Technology), and includes tangible properties (structures and works of art or craft); intangible properties (performing arts and craft techniques); folk properties both tangible and intangible; monuments historic, scenic and natural; cultural landscapes; and groups of traditional buildings. Buried properties and conservation techniques are also protected. Together these cultural properties are to be preserved and utilized as the heritage of the Japanese people. Not all Cultural Properties of Japan were created in Japan; some are from China, Korea or other countries. See for example the letter from Duarte de Menezez to Toyotomi Hideyoshi, pictured above, a National Treasure originating in India. In total, some 857 Important Cultural Properties are Chinese in origin, 96 from Korea, 27 from the West, and three from elsewhere. To protect Japan's cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Small Hand Drum,kotsudumi,katori-city,japan
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japanese studies , sometimes known as Japanology in Europe, is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese language, history, culture, litera ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagauta
is a kind of traditional Japanese music played on the and used in kabuki theater, primarily to accompany dance and to provide reflective interludes. History It is uncertain when the was first integrated into kabuki, but it was sometime during the 17th century; Malm argues that it was probably before 1650. The first reference to as music appears in the second volume of (1703). By the 18th century, the had become an established instrument in kabuki, when the basic forms and classifications of crystallized as a combination of different styles stemming from the music popular during the Edo period. is considered a subset of . Many of the "classic" repertoire was composed in the 19th century, which is the time of the best-known composers as well. Many pieces are based on Noh theater, partly due to the number of kabuki plays derived from Noh theater pieces, and many were revived during the 19th century. There is evidence of the influence of Japanese folk music on too. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku Doll In National Theatre Osaka 1
is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century puppeteer from Awaj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Playing Shamisen
A man is an adult male human. Before adulthood, a male child or adolescent is referred to as a boy. Like most other male mammals, a man's genome usually inherits an X chromosome from the mother and a Y chromosome from the father. Sex differentiation of the male fetus is governed by the SRY gene on the Y chromosome. During puberty, hormones which stimulate androgen production result in the development of secondary sexual characteristics that result in even more differences between the sexes. These include greater muscle mass, greater height, the growth of facial hair and a lower body fat composition. Male anatomy is distinguished from female anatomy by the male reproductive system, which includes the testicles, sperm ducts, prostate gland and epididymides, and penis. Secondary sex characteristics include a narrower pelvis and hips, and smaller breasts and nipples. Throughout human history, traditional gender roles have often defined men's activities and opportuni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shamisen
The , also known as or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular rendaku, sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany Bunraku, puppet plays and Min'yo, folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The nec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or (puppeteers), the (chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century puppeteer from Awaji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nohkan
The is a high pitched, Japanese transverse bamboo flute, or . It is commonly used in traditional Imperial Noh and Kabuki theatre. The nohkan flute was created by Kan'ami and his son Zeami in the 15th century, during the time when the two were transforming the Noh theatre forms Dengaku and Sarugaku. Construction The nohkan or ''fue' '' ("flute") is made of split and tapered strips of smoked bamboo (''susudake'') or burned bamboo (''yakidake''), glued together to form a tapering conical bore. The smoking carbonizes the bamboo and preserves it. The split strips of bamboo are reversed to place the hard bamboo surface on the inside for improved acoustics. Some modern versions of nohkan use an interior coating of tempera paint for this. The strips are then glued together, bound with thin strips of twisted cherry bark (''kabamaki'') and lacquered to make the conical tube. The result is a keyless tube of 39.1 cm with an average bore width of 1.7 cm and there are 7 fing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fue (flute)
is the Japanese word for bamboo flute, and refers to a class of flutes native to Japan. come in many varieties, but are generally high-pitched and made of a bamboo called . The most popular of the is the . Categorization are traditionally broken up into two basic categories – the transverse flute and the end-blown flute. Transverse flutes are held to the side, with the musician blowing across a hole near one end; end-blown flutes are held vertically and the musician blows into one end. History The earliest may have developed from pitch pipes known as in Chinese language, Chinese.Malm, William P. Traditional Japanese Music and Musical Instruments. 1959. Rev. ed. Otowa: Kodansha International, 2000. The instrument eventually made its way over to Japan from China in the 5th century, becoming prevalent during the Nara Period. Soon after the introduction of instruments, Komusō, members of the Fuke-shū, Fuke sect of Zen Buddhism made normal use of the . These "priests of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
