Improvised Explosive Device Bombings In 2022
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Improvised Explosive Device Bombings In 2022
Improvisation, often shortened to improv, is the activity of making or doing something not planned beforehand, using whatever can be found. The origin of the word itself is in the Latin "improvisus", which literally means un-foreseen. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Skills and techniques The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines. For example, improvisation can make a significant contribution in music, dance, cooking, presenting a speech, sales, personal or romantic relationships, sports, flower arranging, martial arts, psychotherapy, and much more. Technique ...
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Performing Arts
The performing arts are arts such as music, dance, and drama which are performed for an audience. They are different from the visual arts, which involve the use of paint, canvas or various materials to create physical or static art objects. Performing arts include a range of disciplines which are performed in front of a live audience, including theatre, music, and dance. Theatre, music, gymnastics, object manipulation, and other kinds of performances are present in all human cultures. The history of music and dance date to pre-historic times whereas circus skills date to at least Ancient Egypt. Many performing arts are performed professionally. Performance can be in purpose-built buildings, such as theatres and opera houses; on open air stages at festivals; on stages in tents, as in circuses; or on the street. Live performances before an audience are a form of entertainment. The development of audio and video recording has allowed for private consumption of the performin ...
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Derek Bailey (guitarist)
Derek Bailey (29 January 1930 – 25 December 2005) was an English avant-garde guitarist and an important figure in the free improvisation movement. Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise in music, noise, and whatever unusual sounds he could produce with the guitar. Much of his work was released on his own label Incus Records. In addition to solo work, Bailey collaborated frequently with other musicians and recorded with collectives such as Spontaneous Music Ensemble and Company (free improvisation group), Company. Career Bailey was born in Sheffield, England. A third-generation musician, he began playing guitar at the age of ten. He studied with Sheffield City Hall organist C. H. C. Biltcliffe, an experience he disliked, and with his uncle George Wing and John W. Duarte, John Duarte. As an adult he worked as a guitarist and session musician in clubs, radio, and dance hall bands, playing with Morecambe and Wise, Gracie Fie ...
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Contact Improvisation
Contact Improvisation (CI) is a postmodern dance practice that explores movement through shared weight, touch, and physical awareness. Originating in the United States in 1972, contact improvisation was developed by dancer and choreographer Steve Paxton, drawing on influences from modern dance, aikido, and somatic practices. Contact Improvisation emphasizes the interplay of gravity, momentum, and improvisation, fostering an experimental approach to movement that invites both professional dancers and newcomers into its global community.Novack, Cynthia Jean., ''Sharing the dance'', Univ. Of Wisconsin Press, 1 January 1990 ( , read online), chapters 2, 3, and 4. The practice involves continuous physical touch between dancers, where gravity, momentum, inertia, and friction shape their interactions. The dance is further described by Paxton: "The exigencies of the form dictate a mode of movement which is relaxed, constantly aware and prepared, and onflowing". Known for its open ...
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Dance Composition
Choreography is the art of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer creates choreographies through the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation to develop innovative movement ideas. Generally, choreography designs dances intended to be performed as concert dance. The art of choreography involves specifying human movement and form in terms of space, shape, time, and energy, typically within an emo ...
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Choreography
Choreography is the art of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer creates choreographies through the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation to develop innovative movement ideas. Generally, choreography designs dances intended to be performed as concert dance. The art of choreography involves specifying human movement and form in terms of space, shape, time, a ...
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Dance Improvisation
Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema. Improvisation is a free, seemingly unstructured, less technically strict and impulsive form that draws inspiration from everyday dance practices and influences. It is a movement technique that is capable of evoking dramatic and thought-provoking content just as well as more codified western dance techniques such as ballet and non-western movement forms. Dance improvisation is not only about creating ''new'' movement but is also defined as freeing the body from habitual movement patterns (see Postmodern dance and Judson Dance Theater). Dancer and singer Michael Jackson combined improvisation in both of those definitions, insisting that he had an interest in performing a dance to ''Billie Jean'' only if he could do it a new way each time. A lot of improvisat ...
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Ligue D'improvisation Montréalaise (LIM) 20101031-01
The Catholic League of France (), sometimes referred to by contemporary (and modern) Catholics as the Holy League (), was a major participant in the French Wars of Religion. The League, founded and led by Henry I, Duke of Guise, intended the eradication of Protestantism from Catholic France, as well as the replacement of the French King Henry III, who had acquiesced to Protestant worship in the Edict of Beaulieu (1576). The League also fought against Henry of Navarre, the Protestant prince who became presumptive heir to the French throne in 1584. Pope Sixtus V, Philip II of Spain, and the Jesuits were all supporters of this Catholic party. Origins Local confraternities were initially established by French Catholics to counter the Edict of Beaulieu in 1576. King Henry III placed himself at the head of these associations as a counter-balance to the ultra-Catholic League of Peronne. Following the repudiation of that edict by the Estates General, most of the local leagues ...
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The Dozens
The Dozens is a game played between two contestants in which the participants insult each other until one of them gives up. Common in African American communities, the Dozens is almost exclusively played in front of an audience, who encourage the participants to reply with increasingly severe insults in order to heighten the tension and consequently make the contest more interesting to watch. Comments in the game may focus on the opposite player's intelligence, appearance, competency, social status, and financial situation. Disparaging remarks about the other player's family members are common, especially regarding their mother. Commentary is often related to sexual issues, and this version of the game is referred to as the "Dirty Dozens".Chimezie, Amuzie (June 1976). "The Dozens: An African-Heritage Theory", ''Journal of Black Studies'', Vol. 6, No. 4, pp. 401–420. According to sociologist Harry Lefever and journalist John Leland, the game is played almost entirely by Afric ...
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Battle Rap
Battle rap (also known as rap battling)Edwards, Paul, 2009, p. 25. is a type of rapping performed between two or more performers that incorporates boasts, insults, wordplay and Diss (music), disses originating in the African Americans, African-American community. Battle rap is often performed spontaneously, or freestyle rap, freestyled, in live battles known as rap battles, where participants will compete on the same stage to see who has the better verses. Battle rap was loosely described by 40 Cal, previously a member of American hip hop collective the Diplomats, in the book ''How to Rap'' (2009) as an "extracurricular" display of skill, comparing it to the dunk contest in the NBA. Battle rap has been developed into highly organized league events drawing in significant revenue and attention. Mainstream artists such as Sean Combs, Diddy, Busta Rhymes, Eminem, Machine Gun Kelly (musician), Machine Gun Kelly, Drake (musician), Drake, Kendrick Lamar, Joe Budden and Cassidy (rapper), Ca ...
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Rappers
Rapping (also rhyming, flowing, spitting, emceeing, or MCing) is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and ommonlystreet vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content" (what is being said, e.g., lyrics), "flow" (rhythm, rhyme), and "delivery" ( cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music". Precursors to modern rap music include the West African griot tradition, certain vocal styles of blues and jazz, an African-American insult game called ...
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Freestyle Rap
Freestyle rap, also simply known as Freestyle, is a style of hip hop music where an artist normally improvises an unwritten verse from the head, with or without instrumental beats, in which lyrics are recited with no particular subject or structure. Kevin Fitzgerald (director), '' Freestyle: The Art of Rhyme'', Bowery, 2000.Gwendolyn D. Pough, 2004, ''Check It While I Wreck It'', UPNE, p.224Murray Forman, Mark Anthony Neil, 2004, ''That's The Joint!'', Routledge, p.196Raquel Z. Rivera, 2003, ''New York Ricans From The Hip-Hop Zone'', Palgrave Macmillan, p. 88 It is similar to other improvisational music, such as jazz, where a lead instrumentalist acts as an improviser with a supporting band providing a beat. Freestyle originally was simply verse that is free of style, written rhymes that do not follow a specific subject matter, or predetermined cadence. The newer style with the improvisation grew popular starting in the early 1990s. It is now mainly associated with hip hop. Origina ...
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Seppe Gebruers
Seppe Gebruers (born May 9, 1990) is a Belgian musician, composer and improvisor. He is also a teacher and researcher at KASK conservatory Ghent. Gebruers plays both solo and in bands. His work ranges from jazz to contemporary classical music. Gebruers has, since his first concerts at the age of twelve, gained a reputation as an adventurous and uncompromising musician. Currently, he investigates the possibilities of quartertones in piano, composition and improvisation. Early life Gebruers started to play classical piano when he was 8 years old, but soon became interested in jazz. Jef Neve became his teacher and at age 12 he played in Belgium and abroad with his pianotrio (with Jakob Warmenbol and Nathan Wouters). In 2004 he performed at Sportpaleis for Night of the Proms. The same year he won a grant for Young Musical Talent. At age 17 he shared the stage with Jim Black and Andrew D'Angelo and met musicians such as Kris Defoort, Bill Carrothers, Eric Thielemans, and Joze ...
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