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Ikebana
is the Japanese art of flower arrangement. It is also known as . The origin of ikebana can be traced back to the ancient Japanese custom of erecting Evergreen, evergreen trees and decorating them with flowers as yorishiro () to invite the gods. Later, flower arrangements were instead used to adorn the (alcove) of a traditional Japanese home. is counted as one of the three classical Japanese arts of refinement, along with for incense appreciation and for tea and the tea ceremony. Etymology The term comes from the combination of the Japanese and . Possible translations include and . History The pastime of viewing plants and appreciating flowers throughout the four seasons was established in Japan early on from the aristocracy. poetry anthologies such as the and from the Heian period (794–1185) included many poems on the topic of flowers. With the introduction of Japanese Buddhism, Buddhism, offering flowers at Buddhist altars became common. Although the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chadō
The Japanese tea ceremony (known as or lit. 'Hot water for tea') is a Japanese cultural activity involving the ceremonial preparation and presentation of , powdered green tea, the procedure of which is called . The term "Japanese tea ceremony" does not exist in the Japanese language. In Japanese the term is ''Sadō'' or ''Chadō'', which literally translated means "tea way" and places the emphasis on the Tao (道). The English term "Teaism" was coined by Okakura Kakuzō to describe the unique worldview associated with Japanese way of tea as opposed to focusing just on the presentation aspect, which came across to the first western observers as ceremonial in nature. In the 1500s, Sen no Rikyū revolutionized Japanese tea culture, essentially perfecting what is now known as the Japanese tea ceremony and elevating it to the status of an art form. He redefined the rules of the tea house, tea garden, utensils, and procedures of the tea ceremony with his own interpretation, introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokonoma
A , or simply , is a recessed space in a Japanese-style reception room, in which items for artistic appreciation are displayed. In English, a could be called an Alcove (architecture), alcove. History There are two theories about the predecessor of : the first is that it derives from the room structure of the , which flourished in the Heian period (794–1185) and declined in the Muromachi period (1336–1573); the second is that it derives from the room structure of Zen monasteries in the Kamakura period (1185–1333). In the room of the monastery, there was a board called which displayed Buddhist altar fittings such as candlesticks, incense burners and vases. On the wall behind was a hanging scroll with a Buddhist theme. The second theory is that the and the back wall developed into a -style in the Muromachi period. In , an architectural style developed in the Muromachi period, came to be used as room decoration, and the owner of the house sat in front of decorated wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kōdō
is the art of appreciating Japanese incense, and involves using incense within a structure of codified conduct. ''Kōdō'' includes all aspects of the incense process, from the , to activities such as the incense-comparing games and . ''Kōdō'' is counted as one of the three classical Japanese arts of refinement, along with ''ikebana'' for flower arrangement, and ''chadō'' for tea and the tea ceremony. Etymology The word 香 ''kō'' is written with the Chinese Kangxi radical, Kangxi radical 186, which is composed of nine strokes (although it can be expanded up to 18 strokes 馫). Translated, it means "fragrance"; however, in this context, it may also be translated as "incense". The word 道 ''dō'' (written with the same character as Chinese ''tao''/''dao'') means "way", both literally (street) and metaphorically (a stream of life experience). The suffix -道 generally denotes, in the broadest sense, the totality of a movement as endeavor, tradition, practice and ethos. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kakemono
__NOTOC__ A , more commonly referred to as a , is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage. The origin is said to date back to the Nara period (710-794). The "Maruhyōsō" style of kakejiku has four distinct named sections. The top section is called the "ten" heaven. The bottom is the "chi" earth with the "hashira" pillars supporting the heaven and earth on the sides. The maruhyōsō style, also contains a section of "ichimonji" made from "kinran" gold thread. On observation, the Ten is longer than the Chi. This is because in the past, Kakemono were viewed from a kneeling (seiza) position and provided perspective to the "Honshi" main work. This tradition carries on to modern times. There is a cylindrical rod called ''jikugi'' (軸木) at the bottom, which becomes the axis or center of the rolled scroll. The end knobs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Art
Japanese art consists of a wide range of art styles and media that includes Jōmon pottery, ancient pottery, Japanese sculpture, sculpture, Ink wash painting, ink painting and Japanese calligraphy, calligraphy on silk and paper, Ukiyo-e, paintings and Woodblock printing in Japan, woodblock prints, Japanese pottery and porcelain, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BCE, to the present day. Japan has alternated between periods of exposure to new ideas, and long periods of minimal contact with the outside world. Over time the country absorbed, imitated, and finally assimilated elements of foreign culture that complemented already-existing aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries Buddhist art in Japan, in connection with Buddhism. In the 9th century, as the Japanese began to turn awa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitsu-gusoku
''Mitsu-gusoku'' (Japanese: 三具足) in Japanese Buddhism is a traditional arrangement of three articles, often displayed in front of a painting of the Buddha or important Buddhist figures. The articles normally consist of a censer, a candlestick, later in the shape of a red-crowned crane, and a vase for flower offerings. They are placed next to each other either on a tablet or a small table. This type of arrangement became popular during the Kamakura period and Nanbokucho period. The ''tatehana'' ("standing flowers") style of the ''mitsu-gusoku'' was the earliest form of flower arrangements in Japan, which was later formalised into the art of ''ikebana''. It is mentioned that starting in the mid-15th century, the priest Ikenobō Senkei of the Rokkaku-dō The , official name , is a Buddhism, Buddhist temple in Kyoto, Japan, said to have been established by Prince Shōtoku. The name comes from its main hall's hexagonal shape. This temple is part of the Saigoku Kannon Pilgrima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nanboku-chō Period
The , also known as the Northern and Southern Courts period, was a period in Japanese history between 1336-1392 CE, during the formative years of the Ashikaga shogunate, Muromachi (Ashikaga) shogunate. Ideologically, the two courts fought for 50 years, with the South giving up to the North in 1392. In reality the Northern court was under the power of the Ashikaga shogunate and had little real independence. The destruction of the Kamakura shogunate of 1333 and the failure of the Kenmu Restoration in 1336 opened up a legitimacy crisis for the new shogunate. Institutional changes in the estate system (''shōen'') that formed the bedrock of the income of nobles and warriors altered the status of the various social groups. The establishment of the Ashikaga shogunate broadened the economic base of the warriors, while undercutting the noble proprietors. However, this trend had started already with the Kamakura Shogun#Shogunate, ''bakufu''. Background During the early period, there ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flower Garland Sutra
Flowers, also known as blooms and blossoms, are the reproductive structures of flowering plants (angiosperms). Typically, they are structured in four circular levels, called whorls, around the end of a stalk. These whorls include: calyx, modified leaves; corolla, the petals; androecium, the male reproductive unit consisting of stamens and pollen; and gynoecium, the female part, containing style and stigma, which receives the pollen at the tip of the style, and ovary, which contains the ovules. When flowers are arranged in groups, they are known collectively as inflorescences. Floral growth originates at stem tips and is controlled by MADS-box genes. In most plant species flowers are heterosporous, and so can produce sex cells of both sexes. Pollination mediates the transport of pollen to the ovules in the ovaries, to facilitate sexual reproduction. It can occur between different plants, as in cross-pollination, or between flowers on the same plant or even the same flower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotus Sutra
The ''Lotus Sūtra'' (Sanskrit: ''Saddharma Puṇḍarīka Sūtram'', ''Sūtra on the White Lotus of the True Dharma'', zh, p=Fǎhuá jīng, l=Dharma Flower Sutra) is one of the most influential and venerated Buddhist Mahāyāna sūtras. It is the main scripture on which the Tiantai along with its derivative schools, the Japanese Tendai and Nichiren, Korean Cheontae, and Vietnamese Thiên Thai schools of Buddhism were established. It is also influential for other East Asian Buddhist schools, such as Zen. According to the British Buddhologist Paul Williams, "For many Buddhists in East Asia since early times, the ''Lotus Sūtra'' contains the final teaching of Shakyamuni Buddha—complete and sufficient for salvation." The American Buddhologist Donald S. Lopez Jr. writes that the ''Lotus Sūtra'' "is arguably the most famous of all Buddhist texts," presenting "a radical re-vision of both the Buddhist path and of the person of the Buddha." Two central teachings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chōjū-jinbutsu-giga
, commonly shortened to , is a famous set of four picture scrolls, or '' emakimono'', belonging to Kōzan-ji temple in Kyoto, Japan. The ''Chōjū-giga'' scrolls are also referred to as ''Scrolls of Frolicking Animals'' and ''Scrolls of Frolicking Animals and Humans'' in English. Some think that Toba Sōjō created the scrolls; however, it seems clear from the style that more than one artist is involved. The right-to-left reading direction of ''Chōjū-jinbutsu-giga '' is traditional in East Asia, and is still common in Japan. ''Chōjū-jinbutsu-giga '' is also credited as the oldest work of manga. The scrolls are now entrusted to the Kyoto National Museum and Tokyo National Museum. The scrolls are the earliest in a linear monochrome drawing style that was to continue in use in Japanese painting (as they are all done with the usual writing and painting brush, they count as painting).Paine and Soper, 139-140 As opened, the first scroll illustrates anthropomorphic rabbits a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
