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Hellenistic Architecture
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the Roman Greece, conquest of the Greek world by the Romans, a process well underway by 146 BC, when the Greek mainland was taken, and essentially ending in 30 BC with the conquest of Ptolemaic Kingdom, Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Dying Gaul'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Ancient Greek art, Classical Greek art, while the succeeding Roman art, Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus De Milo
The ''Venus de Milo'' or ''Aphrodite of Melos'' is an Ancient Greece, ancient Greek marble sculpture that was created during the Hellenistic art, Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC. It was discovered in 1820 on the island of Milos, Greece, and has been displayed at the Musée du Louvre, Louvre Museum since 1821. Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world. The ''Venus de Milo'' is believed to depict Aphrodite, the Greek goddess of love, whose Roman mythology, Roman Interpretatio graeca, counterpart was Venus (mythology), Venus. Made of Parian marble, the statue is larger than life size, standing over high. The statue is missing both arms. The original position of these missing arms is uncertain. The sculpture was originally identified as depicting Aphrodite holding the apple of discord as a marble hand h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laocoön And His Sons
The statue of ''Laocoön and His Sons'', also called the Laocoön Group (), has been one of the most famous ancient sculptures since it was excavated in Rome in 1506 and put on public display in the Vatican Museums, where it remains today. The statue is very likely the same one praised in the highest terms by Pliny the Elder, the main Roman writer on art, who attributed it to Greek sculptors but did not say when it was created. The figures are nearly life-sized, with the entire group measuring just over in height. The sculpture depicts the Troy, Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents. The Laocoön Group has been called "the prototypical icon of human agony" in Art of Europe, Western art. Unlike the agony often portrayed in Christian art depicting the Passion of Jesus and martyrs, the suffering here suggests neither redemption or reward. The agony is conveyed through the contorted facial expressions, particularly Laocoön's bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
