Grotesque Sans-serif Typefaces
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Grotesque Sans-serif Typefaces
Since at least the 18th century (in French and German, as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes an audience feeling of uncomfortable bizarreness as well as sympathy, sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, itself originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of Roman wall painting (200 BC–AD 79), ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome t ...
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Michelangelo Buonarroti - Studies - WGA15523
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ...
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Stucco
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes. In English, "stucco" sometimes refers to a coating for the outside of a building and " plaster" to a coating for interiors. As described below, however, the materials themselves often have little or no difference. Other European languages, notably Italian, do not have the same distinction: ''stucco'' means ''plaster'' in Italian and serves for both. Composition The basic composition of stucco is lime, water, and sand. The difference in nomenclature between stucco, plaster, and mortar is based more on use than composition. ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ...
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Francisco De Holanda
Francisco de Holanda (c. 1517 – 19 June 1585) was a Portuguese artist, architect, and art essayist. He served as a court painter for the kings João III of Portugal and Sebastião of Portugal. He was an influential figure in the Portuguese Renaissance. After a stay in Italy, he returned to Portugal and contributed to the propagation of the Italianate style mainly through his writings. In 1548 he completed a manuscript entitled ''Da pintura antigua'' (Of Ancient Painting) which was the first treatise on painting written in the Iberian peninsula. Biography Francisco de Holanda was born in Lisbon, Portugal in 1517, and began his career as an illuminator at the age of 20. His father, António de Holanda, was also a royal illuminator. Francisco studied in Italy between 1538 and 1547, where he frequented the circle of Vittoria Colonna, one of the notables of the Italian Renaissance. Colonna provided him with access to some of the greatest artists of the period such as Parmigi ...
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Villa Madama
Villa Madama is a Renaissance Architecture, Renaissance-style rural palace (villa) located on Via di Villa Madama #250 in Rome, Italy. Located west of the city center and a few miles north of the Vatican, and just south of the Foro Olimpico Stadium. Even though incomplete, this villa with its loggia and segmented columned garden court and its casino with an open center and terraced gardens, was initially planned by Raffaello Santi, Raphael, and highly influential for subsequent architects of the High Renaissance. Construction In the 1518, then the Pope Clement VII, Cardinal Giulio de' Medici, cousin of the reigning pontiff Pope Leo X, Leo X, commissioned the initial design of the villa from Raphael. However Raphael died in 1520, and the work continued under disciples of Raphael, including Antonio da Sangallo the Younger in construction and a large team involved in the decoration. There appear to have been frequent disputes over the plans. Construction soon ceased and the villa was ...
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Giovanni Da Udine
150px, Portrait in Vasari's Vite Giovanni Nanni, also Giovanni de' Ricamatori, better known as Giovanni da Udine (1487–1564), was an Italian painter and architect born in Udine. A painter also named ''Giovanni da Udine'' was exiled from his native city in 1472. Biography As a student and assistant of Raphael, he was responsible for most of the "decorative" (i.e. non-narrative) elements of the major Raphaellesque projects in Rome, and he was a specialist in fresco and stucco grotesque decorations. These included the stucco work in the Loggia di Raffaello (Vatican, 1517–1519) and the heavy fruit-laden wreaths in the ''loggia di psiche'' in the Villa Farnesina. He also assisted in the construction of a few monumental fountains, which are now destroyed. He is also known for his drawings of birds and fruit. 180 px, Decoration for Loggia of Cardinal Bibbiena left, 170px, Loggia di Psiche frescoes Stucco discovery One of his well-known discoveries is the art of Stucco, that Giova ...
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Classical Orders
An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greece, Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. The three orders of architecture—the Doric order, Doric, Ionic order, Ionic, and Corinthian order, Corinthian—originated in Greece. To these the Romans added, in practice if not in name, the Tuscan order, Tuscan, which they made simpler than Doric, and the Composite order, Composite, which was more ornamental than the Corinthian. The architectural order of a classical building is akin to the Musical mode, mode or Key (music), key of classical music; the grammar or rhetoric of a written composition. It is established by certai ...
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Vatican Palace
The Apostolic Palace is the official residence of the Pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace. The building contains the papal apartments, various offices of the Catholic Church and the Holy See, private and public chapels, the Vatican Museums, and the Vatican Library, including the Sistine Chapel, Raphael Rooms, and the Borgia Apartments. The modern tourist can see these last and other parts of the palace, but other parts, such as the Sala Regia (Regal Room) and Cappella Paolina, had long been closed to tourists, though the Sala Regia allowed occasional tourism by 2019. The Scala Regia (Regal Staircase) can be viewed from one end and used to enter the Sala Regia. The Cappella Paolina remains closed to tourists. Histor ...
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Raphael's Rooms
The four Raphael Rooms () form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome. The ''Stanze'', as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the ''Stanze'' are directly above Alexander's Borgia Apartment. They are on the second floor, overlooking the south side of the Cortile del Belvedere, Belvedere Courtyard. Running from east to west, as a visitor would have entered the apartment, but not following t ...
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Loggias
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, often on an upper level, sometimes on the ground level of a building. The corridor is open to the elements because its outer wall is only partial, with the upper part usually supported by a series of columns or arches. John Fleming, Hugh Honour and Nikolaus Pevsner, ''The Penguin Dictionary of Architecture'', p. 200, 3rd edn, 1980, Penguin, ISBN 0140510133 An overhanging loggia may be supported by a baldresca. From the early Middle Ages, nearly every Italian comune had an open arched loggia in its main square, which served as a "symbol of communal justice and government and as a stage for civic ceremony". In Italian architecture, a loggia is also a small garden structure or house built on the roof of a residence, open on one or more sides, to enjoy cooling winds and the view. They were especially popular in the 17th century and are prominent in Rome and Bologna, Italy. Definition of the ...
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Raphael Sanzio
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at the Vatican. He was given a series of important commissions there ...
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Siena
Siena ( , ; traditionally spelled Sienna in English; ) is a city in Tuscany, in central Italy, and the capital of the province of Siena. It is the twelfth most populated city in the region by number of inhabitants, with a population of 52,991 as of 2025. The city is historically linked to commercial and banking activities, having been a major banking centre until the 13th and 14th centuries. Siena is also home to the List of oldest banks in continuous operation, oldest bank in the world, the Banca Monte dei Paschi di Siena, Monte dei Paschi, which has been operating continuously since . Several significant Mediaeval and Renaissance painters were born and worked in Siena, among them Duccio di Buoninsegna, Ambrogio Lorenzetti, Simone Martini and Stefano di Giovanni, Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the List of oldest universities in continuous oper ...
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