Great Uncial Codices
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Great Uncial Codices
The great uncial codices or four great uncials are the only remaining Uncial script, uncial codex, codices that contain (or originally contained) the entire text of the Bible (Old Testament, Old and New Testament) in Koine Greek, Greek. They are the Codex Vaticanus in the Vatican Library, the Codex Sinaiticus and the Codex Alexandrinus in the British Library, and the Codex Ephraemi Rescriptus in the Bibliothèque nationale de France in Paris. Description Only four great codices have survived to the present day: Codex Vaticanus (abbreviated: B), Codex Sinaiticus (א), Codex Alexandrinus (A), and Codex Ephraemi Rescriptus (C).Edward Ardron Hutton and Francis Crawford Burkitt, ''An atlas of textual criticism: being an attempt to show the mutual relationship of the authorities for the text of the New Testament up to about 1000 A.D.'', University Press, 1911. Although discovered at different times and places, they share many similarities. They are written in a certain Uncial script, ...
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Codex Sinaiticus Matthew 6,4-32
The codex (: codices ) was the historical ancestor format of the modern book. Technically, the vast majority of modern books use the codex format of a stack of pages Bookbinding, bound at one edge, along the side of the text. But the term ''codex'' is now reserved for older manuscript books, which mostly used sheets of vellum, parchment, or papyrus, rather than paper. By convention, the term is also used for any Aztec codex (although the earlier examples do not actually use the codex format), Maya codices and other Pre-Columbian era, pre-Columbian manuscripts. Library practices have led to many European manuscripts having "codex" as part of their usual name, as with the Codex Gigas, while most do not. Modern books are divided into paperback (or softback) and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuo ...
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