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Frick Collection
The Frick Collection (colloquially known as the Frick) is an art museum on the Upper East Side of Manhattan in New York City. It was established in 1935 to preserve the collection of the industrialist Henry Clay Frick. The collection (museum), collection consists of 14th- to 19th-century European paintings, as well as other pieces of European fine and decorative art. It is located at the Henry Clay Frick House, a Beaux-Arts architecture, Beaux-Arts mansion designed for Henry Clay Frick. The Frick also houses the Frick Art Research Library, an art history research center established by Frick's daughter Helen Clay Frick in 1920, which contains sales catalogs, books, periodicals, and photographs. The museum dates to 1920, when the trustees of Frick's estate formed the Frick Collection Inc. to care for his art collection, which he had bequeathed for public use. After Frick's wife Adelaide Frick died in 1931, John Russell Pope converted the Frick House into a museum, which opened o ...
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John Russell Pope
John Russell Pope (April 24, 1874 – August 27, 1937) was an American architecture, architect whose firm is widely known for designing major public buildings, including the National Archives and Records Administration building (completed in 1935), the Jefferson Memorial (completed in 1943) and the West Building of the National Gallery of Art (completed in 1941), all in Washington, D.C. Early life and education Pope was born in New York City, on April 24, 1874, the son of a successful portrait painter and his wife. He studied architecture at Columbia University, where he graduated in 1894. He was the first recipient of the Rome Prize to attend the newly founded American Academy in Rome, a training ground for the designers of the American Renaissance. He would remain involved with the academy until his death. Pope traveled for two years through Italy and Greece, where he studied, sketched and made measured drawings of more Romanesque, Gothic, and Renaissance structures than he di ...
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The Frick Collection Logo
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ...
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Jean-Honoré Fragonard
Jean-Honoré Fragonard (; 5 April 1732 (birth/baptism certificate) – 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Régime, Fragonard produced more than 550 paintings (not counting drawings and etchings), of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism. Biography Jean-Honoré Fragonard was born in Grasse, Alpes-Maritimes, France the only child of François Fragonard, a glover, and Françoise Petit. Harrison, Colin (2003). "Fragonard, Jean-Honoré". Grove Art Online. Retrieved March 2024. Fragonard was apprenticed to a Paris notary when his father's circumstances became strained through unsuccessful speculations, but showed such talent and inclination for art that he was taken at the age of eighteen to François Bouc ...
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Henry Havemeyer
Henry Osborne Havemeyer (October 18, 1847 – December 4, 1907) was an American industrialist, entrepreneur and sugar refiner who founded and became president of the American Sugar Refining Company in 1891. Havemeyer was the third generation of his family in the sugar business and oversaw the expansion of the family firm into the American Sugar Refining Company, which dominated the sugar industry in the late 19th century. Together with his wife, Louisine Havemeyer, he was an avid and prolific collector of art, one of the earliest collectors to bring Impressionist art to America, guided by artist Mary Cassatt. After Louisine Havemeyer's death in 1929, a large part of their collection was bequeathed to the Metropolitan Museum of Art. Early life Henry Osborne Havemeyer was born in New York City on October 18, 1847, the eighth of nine children, to Frederick Christian Havemeyer Jr. (1807-1891) and Sarah Louise ( Henderson) Havemeyer (1812-1851). His mother died in 1851, when Henry ...
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