Formalism (philosophy)
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Formalism (philosophy)
The term ''formalism'' describes an emphasis on form over content or meaning in the arts, literature, or philosophy. A practitioner of formalism is called a ''formalist''. A formalist, with respect to some discipline, holds that there is no transcendent meaning to that discipline other than the literal content created by a practitioner. For example, formalists within mathematics claim that mathematics is no more than the symbols written down by the mathematician, which is based on logic and a few elementary rules alone. This is as opposed to non-formalists, within that field, who hold that there are some things inherently true, and are not, necessarily, dependent on the symbols within mathematics so much as a greater truth. Formalists within a discipline are completely concerned with "the rules of the game," as there is no other external truth that can be achieved beyond those given rules. In this sense, formalism lends itself well to disciplines based upon axiomatic systems. Reli ...
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Arts
The arts or creative arts are a vast range of human practices involving creativity, creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thought, deeds, and existence in an extensive range of List of art media, media. Both a dynamic and characteristically constant feature of human life, the arts have developed into increasingly stylized and intricate forms. This is achieved through sustained and deliberate study, training, or theorizing within a particular tradition, generations, and even between civilizations. The arts are a medium through which humans cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space. The arts are divided into three main branches. Examples of visual arts include architecture, ceramic art, drawing, filmmaking, painting, photography, and sculpture. ...
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Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, household tale, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, monsters, monarchy, pixies, talking animals, trolls, unicorns, witches, wizards, magic, and enchantments. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance". ...
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Last Year At Marienbad
''Last Year at Marienbad'' (), released in the United Kingdom as ''Last Year in Marienbad'', is a 1961 French New Wave avant-garde psychological drama film directed by Alain Resnais and written by Alain Robbe-Grillet. Set in a palace in a park that has been converted into a luxury hotel, the film stars Delphine Seyrig and Giorgio Albertazzi as a woman and a man who may have met the year before and may have contemplated or begun an affair, with Sacha Pitoëff as a second man who may be the woman's husband. The characters are unnamed. Plot In an ornate baroque hotel populated by wealthy individuals and couples who socialize with one another, a man approaches a woman and claims they met the previous year at a similar resort (possibly Frederiksbad, Karlstadt, Marienbad, or Baden-Salsa) and had an affair. He asserts that she responded to his request to run away together by asking him to wait a year. The woman, however, insists she has never met the man. He attempts to remind her o ...
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André Bazin
André Bazin (; 18 April 1918 – 11 November 1958) was a renowned and influential French film critic and film theorist. He started to write about movies in 1943 and was a co-founder of the renowned film magazine '' Cahiers du cinéma'' in 1951 alongside Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. He is notable for arguing that realism is the most important function of cinema. His call for objective reality in film, as understood through the use of deep focus as well as the lack of montage, were linked to his belief that the interpretation of an entire movie or a specific scene should be left to the spectator. This placed him in opposition to prior film theorists, such as many writing during the 1920s and 1930s, who had emphasized how the cinema could manipulate reality. Bazin insisted that movies morally should serve as personalized projects by their directors to the degree that each and every one represents a director's individual vision, which reflected his broader p ...
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Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ...
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Diegetic
Diegesis (; , ) is a style of fiction storytelling in which a participating narrator offers an on-site, often interior, view of the scene to the reader, viewer, or listener by subjectively describing the actions and, in some cases, thoughts, of one or more characters. Diegetic events are those experienced by both the characters within a piece and the audience, while non-diegetic elements of a story make up the "fourth wall" separating the characters from the audience. Diegesis in music describes a character's ability to hear the music presented for the audience, in the context of musical theatre or film scoring. Origin ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Aristotle. For Aristotle, ''mimesis'' ''shows'' rather than ''tells'', by means of action that is enacted. ''Diegesis'' is the ''telling'' of a story by a narrator. The narrator may speak as a particular character, or may be the '' ...
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Graphical
Graphics () are visual images or designs on some surface, such as a wall, canvas, screen, paper, or stone, to inform, illustrate, or entertain. In contemporary usage, it includes a pictorial representation of the data, as in design and manufacture, in typesetting and the graphic arts, and in educational and recreational software. Images that are generated by a computer are called computer graphics. Examples are photographs, drawings, line art, mathematical graphs, line graphs, charts, diagrams, typography, numbers, symbols, geometric designs, maps, engineering drawings, or other images. Graphics often combine text, illustration, and color. Graphic design may consist of the deliberate selection, creation, or arrangement of typography alone, as in a brochure, flyer, poster, web site, or book without any other element. The objective can be clarity or effective communication, association with other cultural elements, or merely the creation of a distinctive style. Graphics can be ...
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Composition (visual Arts)
The term composition means "putting together". It can be thought of as the organization of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought. In the visual arts, composition is often used interchangeably with various terms such as ''design, form, visual ordering,'' or ''formal structure,'' depending on the context. In graphic design for press and desktop publishing, composition is commonly referred to as page layout. The composition of a picture is different from its subject (what is depicted), whether a moment from a story, a person or a place. Many subjects, for example Saint George and the Dragon, are often portrayed in art, but using a great range of compositions even though the two figures are typically the only ones shown. Elements of design The central visual element, known as ''element of design'', ''formal element'', or ''element of art,'' constitute the vocabulary with which the vi ...
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Editing
Editing is the process of selecting and preparing written language, written, Image editing, visual, Audio engineer, audible, or Film editing, cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organization, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods. Practicing editing can be a way to reduce language error in future literature works.Diab, N. M. (2010). Effects of peer-versus self-editing on students' revision of language errors in revised drafts. ''System'', ''38''(1), 85–95. There are various editorial positions in publishing. Typically, one finds edit ...
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Film Studies
Film studies is an academic discipline that deals with various film theory, theoretical, history of film, historical, and film criticism, critical approaches to film, cinema as an art form and a medium. It is sometimes subsumed within media studies and is often compared to television studies. Film studies is less concerned with advancing proficiency in Filmmaking, film production than it is with exploring the Narrative film, narrative, artistic, cultural, economic, and political implications of the cinema. In searching for these social-ideological values, film studies takes a series of critical approaches for the analysis of production, theoretical framework, context, and creation. Also, in studying film, possible careers include critic or production. Overall the study of film continues to grow, as does the Film industry, industry on which it focuses. List of film periodicals, Academic journals publishing film studies work include ''Sight & Sound'', ''Film Comment'', ''Film Inte ...
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The New Formalist
''The New Formalist'' was a United States–based literary periodical published (since 2001) monthly in electronic form and once a year in print form. Distributed by ''The New Formalist Press'' and edited by Leo Yankevich, it published many of the leading formal poets writing in English today. The magazine ceased publication in 2010. Published poets included Jared Carter, Keith Holyoak, Alfred Dorn, T. S. Kerrigan, Richard T. Moore, and Frederick Turner.A Flowering Tree: Selected Poems
by Frederick Turner. ''The New Formalist'' also publishes The New Formalist E-book Series.


See also

* Mezzo Cammin *

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Poetry Of The United States
American poetry refers to the poetry of the United States. It arose first as efforts by American colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the Thirteen Colonies (although a strong oral tradition often likened to poetry already existed among Native American societies). Most of the early colonists' work was similar to contemporary English models of poetic form, diction, and theme. However, in the 19th century, an American idiom began to emerge. By the later part of that century, poets like Walt Whitman were winning an enthusiastic audience abroad and had joined the English-language ''avant-garde''. Much of the American poetry published between 1910 and 1945 remains lost in the pages of small circulation political periodicals, particularly the ones on the far left, destroyed by librarians during the 1950s McCarthy era. Modernist poets like Ezra Pound and T.S. Eliot (who was awarded the Nobel Prize in Literatu ...
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