Cymbala
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Cymbala
:See also Carillon and Bell chime'' The cymbalum (plural ''cymbala'') was the name of two historical instruments, medieval European bells hung and struck with a hammer and Greek ''kymbalon'' cymbals. The two instruments may possibly be related, based on the same name being used for both and for the similar "cup-like shape." This relationship in not unique to European bells and cymbals; Persian bells (Zang (bell), zang) and cymbals (Sanj, sanj) share a similar Zang (bell)#Word spread, word spread. The singular ''cymbalum'' is a single chime bell, while ''cymbalum'' refers to a group of bells (a bell chime). ''Chimes'', which today are bells and bell sounds (such as clock chimes) derives from cymbala. The term is used for "stationary bells...less extensive than a carillon", such as tubular bells in an orchestra. Chimes is used for groups of bells hung in a "set location", with a "limited range" of tones that are struck. They may be Chime (bell instrument), large or Tubular bells, sma ...
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Krotala
In classical antiquity, a crotalum, ( κρόταλον ''krotalon'') plural crotala, was a kind of clapper or castanet used in religious dances by groups in ancient Greece and elsewhere, including the Korybantes. The term has been erroneously supposed by some writers to be the same as the sistrum. These mistakes are refuted at length by Friedrich Adolph Lampe (1683–1729) in ''De cymbalis veterum''. From the ''Suda'' and the Scholiast on Aristophanes (''Nubes'', 260), it appears to have been a split reed or cane, which clattered when shaken with the hand. According to Eustathius (''Il.'' XI.160), it was made of shell and brass, as well as wood. Clement of Alexandria attributes the instruments invention to the Sicilians, and forbids the use thereof to the Christians, because of the motions and gestures accompanying the practice. Women who played on the crotalum were termed ''crotalistriae''. Such was Virgil's Copa (2), :''Crispum sub crotalo docta movere latus.'' This line a ...
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Crotalum
In classical antiquity, a crotalum, ( κρόταλον ''krotalon'') plural crotala, was a kind of clapper or castanet used in religious dances by groups in ancient Greece and elsewhere, including the Korybantes. The term has been erroneously supposed by some writers to be the same as the sistrum. These mistakes are refuted at length by Friedrich Adolph Lampe (1683–1729) in ''De cymbalis veterum''. From the '' Suda'' and the Scholiast on Aristophanes (''Nubes'', 260), it appears to have been a split reed or cane, which clattered when shaken with the hand. According to Eustathius (''Il.'' XI.160), it was made of shell and brass, as well as wood. Clement of Alexandria Titus Flavius Clemens, also known as Clement of Alexandria (; – ), was a Christian theology, Christian theologian and philosopher who taught at the Catechetical School of Alexandria. Among his pupils were Origen and Alexander of Jerusalem. A ... attributes the instruments invention to the Sicilians ...
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Crotala
In classical antiquity, a crotalum, ( κρόταλον ''krotalon'') plural crotala, was a kind of clapper or castanet used in religious dances by groups in ancient Greece and elsewhere, including the Korybantes. The term has been erroneously supposed by some writers to be the same as the sistrum. These mistakes are refuted at length by Friedrich Adolph Lampe (1683–1729) in ''De cymbalis veterum''. From the ''Suda'' and the Scholiast on Aristophanes (''Nubes'', 260), it appears to have been a split reed or cane, which clattered when shaken with the hand. According to Eustathius (''Il.'' XI.160), it was made of shell and brass, as well as wood. Clement of Alexandria attributes the instruments invention to the Sicilians, and forbids the use thereof to the Christians, because of the motions and gestures accompanying the practice. Women who played on the crotalum were termed ''crotalistriae''. Such was Virgil's Copa (2), :''Crispum sub crotalo docta movere latus.'' This li ...
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Rotte (lyre)
:''See Rotte (psaltery) for the medieval psaltery, or Crwth, Rote for the fiddle'' Rotte or rotta is a historical name for the List of early Germanic peoples, Germanic lyre, used in northwestern Europe in the early medieval period (circa 450 A.D.) into the 13th century. The plucked variants declined in the medieval era (spreading less often in manuscripts in the 13th century), while bowed variants have survived into modern times. Non-Greek or Roman lyres were used in pre-Christian Europe as early as the 6th century B.C. by the Hallstatt culture, by Celtic peoples as early as the 1st century B.C., and by Germanic peoples. They were played in Anglo-Saxon England, and more widely, in Germanic regions of northwestern Europe. Their existence was recorded in the Scandinavian and Old-English story ''Beowulf'', set in pre-Christian times (5th-6th century A.D.) and written or retold by a Christian scribe about 975 A.D. The Germanic lyre has been thought to be a descendant of Lyre#Ancient ...
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Carillon
A carillon ( , ) is a pitched percussion instrument that is played with a musical keyboard, keyboard and consists of at least 23 bells. The bells are Bellfounding, cast in Bell metal, bronze, hung in fixed suspension, and Musical tuning, tuned in Chromatic scale, chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and Pedal keyboard, pedals played with the feet. Often housed in bell towers, carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which the time is announced and simple tunes are played throughout the day. Carillons come in many designs, weights, sizes, and sounds. They are among the world's heaviest instruments, and the heaviest carillon weighs over . Most weigh between . To be considered a carillon, a minimum of 23 bells are needed; otherwise, it is called a chime (bell instrument), chime. S ...
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Chime (bell Instrument)
:''See also Cymbalum'' A chime () or set of chimes is a carillon-like instrument, i.e. a pitched percussion instrument consisting of 22 or fewer bells. Chimes are primarily played with a musical keyboard, keyboard, but can also be played with an Ellacombe apparatus. Chimes are often automated, in the past with mechanical drums connected to clocks and in the present with electronic action. Bellfounders often did not attempt to tune chime bells to the same precision as carillon bells. Chimes are defined as specifically having fewer than 23 bells to distinguish them from the carillon. American chimes usually have one to one and a half diatonic octaves. According to a recent count, there are over 1,300 existing chimes throughout the world. Almost all are in the Netherlands and the United States, with most of the remainder in Western European countries. Etymology The word ''chime'' dates back to the 14th-century Middle English word , meaning 'cymbal'. It probably originates from the O ...
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Bell Chime
:''See also Cymbalum'' A chime () or set of chimes is a carillon-like instrument, i.e. a pitched percussion instrument consisting of 22 or fewer bells. Chimes are primarily played with a keyboard, but can also be played with an Ellacombe apparatus. Chimes are often automated, in the past with mechanical drums connected to clocks and in the present with electronic action. Bellfounders often did not attempt to tune chime bells to the same precision as carillon bells. Chimes are defined as specifically having fewer than 23 bells to distinguish them from the carillon. American chimes usually have one to one and a half diatonic octaves. According to a recent count, there are over 1,300 existing chimes throughout the world. Almost all are in the Netherlands and the United States, with most of the remainder in Western European countries. Etymology The word ''chime'' dates back to the 14th-century Middle English word , meaning 'cymbal'. It probably originates from the Old French or dir ...
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Carillon
A carillon ( , ) is a pitched percussion instrument that is played with a musical keyboard, keyboard and consists of at least 23 bells. The bells are Bellfounding, cast in Bell metal, bronze, hung in fixed suspension, and Musical tuning, tuned in Chromatic scale, chromatic order so that they can be sounded harmoniously together. They are struck with clappers connected to a keyboard of wooden batons played with the hands and Pedal keyboard, pedals played with the feet. Often housed in bell towers, carillons are usually owned by churches, universities, or municipalities. They can include an automatic system through which the time is announced and simple tunes are played throughout the day. Carillons come in many designs, weights, sizes, and sounds. They are among the world's heaviest instruments, and the heaviest carillon weighs over . Most weigh between . To be considered a carillon, a minimum of 23 bells are needed; otherwise, it is called a chime (bell instrument), chime. S ...
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Elders Of The Apocalypse
The Twenty-Four Elders are figures from the Book of Revelation who appear in the ''Revelations'' 4, 5, 7, 11 and 19 of the Christian Bible; in white robes and golden crowns they on sit with musical instruments on thrones before God during the Apocalypse and praise and worship him. Religious scholars have pointed out the thrones indicate that these are beings of power and authority in Heaven, the crowns indicate that their faith has been tested and the white robes indicate that they are clothed in righteousness. They are described in the King James Bible, Book of Revelation 4 as: :4 And round about the throne were four and twenty seats: and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold. :10 The four and twenty elders fall down before him that sat on the throne, and worship him that liveth for ever and ever, and cast their crowns before the throne, saying, :11 Thou art worthy, O Lord, to receive glory and ...
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Maenad
In Greek mythology, maenads (; ) were the female followers of Dionysus and the most significant members of his retinue, the '' thiasus''. Their name, which comes from μαίνομαι (''maínomai'', “to rave, to be mad; to rage, to be angry”), literally translates as 'raving ones'. Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythologized as the "mad women" who were nurses of Dionysus in Nysa. Lycurgus "chased the Nurs ...
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Augusta Traiana
Stara Zagora (, ) is a city in Bulgaria, and the administrative capital of Stara Zagora Province. It is located in the Upper Thracian Plain, near the cities of Kazanlak, Plovdiv, and Sliven. Its population is 121,582 making it the sixth largest city of Bulgaria. The city has had different names previously, including ''Beroe, Borui, Irenepolis, Eski Zagra, Augusta Traiana,'' etc. The earliest traces of civilisation date back to the 7th millennium BC. Some scholars believe that the ancient Thracian city of Beroe was located on the present site of Stara Zagora. In 1968, Neolithic dwellings from the mid-6th millennium BC were discovered in the town, which are the best preserved and richest collection in Europe of its kind and have been turned into a museum. A high density of Neolithic and Chalcolithic settlements has been identified by researchers and a ritual structure nearly 8,000 years old has also been discovered. The first copper factory in Europe and a large ore mining centre w ...
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