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Csárdás (Liszt)
The three csárdás that Franz Liszt wrote in 1881–82 and 1884 are solo piano pieces based on the Hungarian dance form of the same name. Liszt treats the dance form itself much less freely than he did much earlier with the ''verbunkos'' in the Hungarian Rhapsodies, and the material itself remains more specifically Hungarian than gypsy in thematic material. Their spare lines, angular rhythms and advanced harmonies show these pieces to be direct ancestors of the compositions of Béla Bartók. Because of these attributes, the csárdás are considered by Liszt scholars among the more interesting of the composer's late output.Howard, 3. One potential pitfall in discussing these works is labeling them as atonal on the basis of hearing strange sonorities at the surface of the music. The ''Csárdás macabre'', for instance, is solidly based on compositional procedures consistent with Liszt's earlier style. The music focuses on variant forms of the mediant with concomitant contrast of sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Csárdás
Csárdás (, ; ), often seen as Czárdás, is a traditional Hungarian folk dance, the name derived from ' (old Hungarian term for roadside tavern and restaurant). It originated in Hungary and was popularized by bands in Hungary as well as neighboring countries and regions such as of Slovenia, Burgenland, Croatia, Transylvania, Slovakia, Vojvodina and Moravia, as well as among the Banat Bulgarians, including those in Bulgaria. History The origin of the csárdás was a death dance, when the soldier fought with his opponent, watched him, watched his weak points, then as a victor killed him and danced in joy with the others. So the origin of the csárdás can be traced back to the Turkish wars. The csárdás is characterized by a variation in tempo: it starts out slowly (''Lassan (music), lassú'') and ends in a very fast tempo (''Friska, friss'', literally "fresh"). There are other tempo variations, called ''ritka csárdás'', ''sűrű csárdás'' and ''szökős csárdás''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The A major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic major and melodic major scales are: In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. Scale degree chords The scale degree chords of A major are: * Tonic – A major * Supertonic – B minor * Mediant – C-sharp minor * Subdominant – D major * Dominant – E major * Submediant – F-sharp minor * Leading-tone – G-sharp diminished History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Franz Liszt
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press was the university press of the University of Cambridge. Granted a letters patent by King Henry VIII in 1534, it was the oldest university press in the world. Cambridge University Press merged with Cambridge Assessme .... Each book is a collection of essays on the topic commissioned by the publisher. The first was published in 1993, the ''Cambridge Companion to the Violin''. Since then numerous volumes have been published nearly every year, covering a variety of instruments, composers, performers, compositions genres and traditions. Volumes References External links Cambridge music series {{DEFAULTSORT:Cambridge Companions Book series introduced in 1993 Cambridge University Press books Book series Music guides Lists of books ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
France Clidat
France Clidat (Nantes, 22 November 1932 – Paris, 17 May 2012) was a French piano, pianist renowned for her interpretations of the works of Franz Liszt, a great many of which she recorded, and Erik Satie, whose complete piano works she recorded. Biography In 1948, at age 15, France Clidat played Henri Sauguet's Concerto in A minor in Geneva under the conductor Ernest Ansermet. She studied at the Conservatoire de Paris, Paris Conservatory with Lazare Lévy, Maurice Hewitt, Alexis Roland-Manuel, Norbert Dufourcq, and Robert Siohan and received first prize in piano in 1950, at the age of 18. She later studied with Emil Gilels and Lélia Gousseau. At the Budapest International Competition in September 1956, she won the Franz Liszt Prize, a prize that had not been awarded since 1937. She later performed in many venues around the world. After a recital at the Théâtre des Champs-Élysées in Paris, Bernard Gavoty, reviewer for ''Le Figaro'', dubbed her "Madame Liszt". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
