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Croquis Et Agaceries D'un Gros Bonhomme En Bois
''Croquis et agaceries d'un gros bonhomme en bois'', translated as ''Sketches and Exasperations of a Big Wooden Dummy'', is a 1913 piano composition by Erik Satie. One of his pre-World War I humoristic suites, it was published by E. Demets that same year. Ricardo Viñes gave the premiere during a concert of the Société Nationale de Musique at the Salle Pleyel in Paris on March 28, 1914. A typical performance lasts about five minutes. Description In the April 5, 1913 issue of the periodical ''Le Guide du concert'', Satie advertised his plans to produce a series of pianistic works in which he would "devote myself to the sweet joys of fantasy", naming ''Descriptions automatiques'', '' Embryons desséchés'', ''Chapitres tournés en tous sens'' and ''Vieux sequins et vieilles cuirasses'' as upcoming projects. He stuck to this scheme, with one detour. The first part of the unannounced ''Croquis et agaceries d'un gros bonhomme en bois'' was completed on June 2 and the rest intermi ...
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Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionism in music, Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, ''Pelléas et Mélisande (opera), Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes (Debussy), Nocturnes'' (1897–18 ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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España (Chabrier)
''España, rhapsody for orchestra'' (french: España, rapsodie pour orchestre or ''Rapsodie España'') is the most famous orchestral composition by French composer Emmanuel Chabrier (1841–1894). Written in 1883 after a trip to Spain, it was dedicated to the conductor Charles Lamoureux, who conducted the first public performance on 4 November 1883, at the Théâtre du Château d’Eau for the Société des Nouveaux Concerts in Paris.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. Background From July to December 1882, Chabrier and his wife toured Spain, taking in San Sebastián, Burgos, Toledo, Sevilla, Granada, Málaga, Cádiz, Cordoba, Valencia, Zaragoza and Barcelona. His letters written during his travels are full of good humour, keen observation and his reactions to the music and dance he came across – and demonstrate his genuine literary gift.Myers R. ''Emmanuel Chabrier and his circle''. John Dent & Sons, London, 1969. In a letter to Édouard Moullé (1845–19 ...
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Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic composer and pianist. His bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España'' and ''Joyeuse marche'', Chabrier left a corpus of operas (including '' L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator and a catalyst who paved the way for French modernism. He was admired by, and influenced, composers as diverse ...
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Images Pour Orchestre
''Images pour orchestre'', L. 122, is an orchestral composition in three sections by Claude Debussy, written between 1905 and 1912. Debussy had originally intended this set of ''Images'' as a two-piano sequel to the first set of ''Images'' for solo piano, as described in a letter to his publisher Durand as of September 1905. However, by March 1906, in another letter to Durand, he had begun to think of arranging the work for orchestra rather than two pianos. Scoring ''Images pour orchestre'' is scored for a large orchestra consisting of 2 piccolos, 2 flutes, 2 oboes, oboe d'amore, cor anglais, 3 clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 horns, 4 trumpets (in C), 3 trombones, tuba, timpani, field drum, tambourine, castanets, 2 harps, celesta, triangle, xylophone, cymbals, 3 bells, and strings. Sections I. ''Gigues'' (1909–1912) The original title of ''Gigues'' was ''Gigues tristes''. Debussy used his memories of England as inspiration for the music, in ...
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Emmanuel Chabrier Cropped
Immanuel ( he, עִמָּנוּאֵל, 'Īmmānū'ēl, meaning, "God is with us"; also romanized: , ; and or in Koine Greek of the New Testament) is a Hebrew name that appears in the Book of Isaiah (7:14) as a sign that God will protect the House of David. The Gospel of Matthew ( Matthew 1:22 –23) interprets this as a prophecy of the birth of the Messiah and the fulfillment of Scripture in the person of Jesus. ''Immanuel'' "God ( El) with us" is one of the "symbolic names" used by Isaiah, alongside Shearjashub, Maher-shalal-hash-baz, or Pele-joez-el-gibbor-abi-ad-sar-shalom. It has no particular meaning in Jewish messianism. By contrast, the name based on its use in Isaiah 7:14 has come to be read as a prophecy of the Christ in Christian theology following Matthew 1:23, where ''Immanuel'' () is translated as (KJV: "God with us"). Isaiah 7–8 Summary The setting is the Syro-Ephraimite War, 735-734 BCE, which saw the Kingdom of Judah pitted against two northern ne ...
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Cyril Scott
Cyril Meir Scott (27 September 1879 – 31 December 1970) was an English composer, writer, poet, and occultist. He created around four hundred musical compositions including piano, violin, cello concertos, symphonies, and operas. He also wrote around 20 pamphlets and books on occult topics and natural health. Biography Scott was born in Oxton, Cheshire to Henry Scott (1843-1918), shipper and scholar of Greek and Hebrew, and Mary (née Griffiths), an amateur pianist of Welsh origin. He showed a talent for music from an early age and was sent to the Hoch Conservatory in Frankfurt, Germany to study piano in 1892 at age 12. He studied with Iwan Knorr and belonged to the Frankfurt Group, a circle of composers who studied at the Hoch Conservatory in the late 1890s. At 20, the German poet Stefan George helped Scott organize a performance of Scott's first symphony. He played his Piano Quartet with Fritz Kreisler, Emil Kreuz, and Ludwig Lebell in St. James' Hall in 1903. In 1902 he ...
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Alfredo Casella
Alfredo Casella (25 July 18835 March 1947) was an Italian composer, pianist and conductor. Life and career Casella was born in Turin, the son of Maria (née Bordino) and Carlo Casella. His family included many musicians: his grandfather, a friend of Paganini, was first cello in the San Carlo Theatre in Lisbon and eventually became soloist in the Royal Chapel in Turin. Alfredo's father, Carlo, was also a professional cellist, as were Carlo's brothers Cesare and Gioacchino; his mother was a pianist, who gave the boy his first music lessons. Alfredo entered the Conservatoire de Paris in 1896 to study piano under Louis Diémer and composition under Gabriel Fauré; in these classes, Lazare-Lévy, George Enescu and Maurice Ravel were among his fellow students. During his Parisian period, Claude Debussy, Igor Stravinsky and Manuel de Falla were acquaintances, and he was also in contact with Ferruccio Busoni, Gustav Mahler and Richard Strauss. Casella developed a deep admira ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western culture, Western musical notation to specify how many beat (music), beats (pulses) are contained in each measure (bar (music), bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter (music), meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including Time signature#Simple, simple (e.g., and ), and Time signature#Compound, compound (e.g., and ); or involves shifting beat patterns, including #C ...
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Piano Sonata No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the ...
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Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ...
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