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Countess Of Pembroke's Arcadia
''The Countess of Pembroke's Arcadia'', also known simply as the ''Arcadia'', is a long prose pastoral romance by Sir Philip Sidney written towards the end of the 16th century. Having finished one version of his text, Sidney later significantly expanded and revised his work. Scholars today often refer to these two major versions as the ''Old Arcadia'' and the ''New Arcadia''. The ''Arcadia'' is Sidney's most ambitious literary work by far, and as significant in its own way as his sonnets. Composition and publication Sidney's ''Arcadia'' has a history that is unusually complex even for its time. The ''Old Arcadia'' Sidney may have begun an early draft in the late 1570s, when he was in his twenties. His own comments indicate that his purpose was humble; he asserts that he intended only to entertain his sister, Mary Herbert (Countess of Pembroke from 1577). This version is narrated in chronological order, with sets of poems separating the books from each other. It seems likely th ...
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Philip Sidney
Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar and soldier who is remembered as one of the most prominent figures of the Elizabethan era, Elizabethan age. His works include a sonnet sequence, ''Astrophil and Stella'', a treatise, ''An Apology for Poetry, The Defence of Poesy'' (also known as ''The Defence of Poesie'' or ''An Apology for Poetrie'') and a Pastoral#Pastoral romances, pastoral romance, ''The Countess of Pembroke's Arcadia''. He died fighting the Spanish in the Netherlands, age 31, and his funeral procession in London was one of the most lavish ever seen. Biography Early life Born at Penshurst Place, Kent, England, Kent, of an aristocratic family, he was educated at Shrewsbury School and Christ Church, Oxford. He was the eldest son of Henry Sidney, Sir Henry Sidney and Mary Dudley, Lady Sidney, Lady Mary Dudley. His mother was the eldest daughter of John Dudley, 1st Duke of Northumberland, and the sister of Robert Du ...
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Matthew Gwinne
Matthew Gwinne (16 May 1558 – 1627) was an English physician. Life Gwinne was born in London on 16 May 1558. He was of Welsh descent, a son of Edward Gwinne, grocer. On 28 April 1570 he entered Merchant Taylors' School. He was elected to a scholarship at St John's College, Oxford, in 1574, and afterwards became a fellow there. He proceeded B.A. 14 May 1578, and M.A. 4 May 1582. In 1582, as a regent master, he read lectures in music, but on 19 February 1583 he was allowed to discontinue the lecture. In 1588 he was junior proctor. Queen Elizabeth visited Oxford in September 1592, and he took part as replier in moral philosophy in an academic disputation held for her amusement, defending the Moderns against the Ancients and being cut short by the proctors; Christopher Hill, ''Intellectual Origins of the English Revolution Revisited'' (1997), p. 47. and at the same time was appointed to provide for plays in Christ Church. He took the degree of M.B. 17 July 1593, and was the ...
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Lady Mary Wroth
Lady Mary Wroth (née Sidney; 18 October 1587 – 1651/3) was an English noblewoman and a poet of the English Renaissance. A member of a distinguished literary family, Lady Wroth was among the first female English writers to have achieved an enduring reputation. Mary Wroth was niece to Mary Herbert née Sidney (Countess of Pembroke and one of the most distinguished women writers and patrons of the 16th century), and to Sir Philip Sidney, a famous Elizabethan poet-courtier. Biography Because her father, Robert Sidney, was governor of Flushing, Wroth spent much of her childhood at the home of Mary Sidney, Baynard's Castle in London, and at Penshurst Place. Penshurst Place was one of the great country houses in the Elizabethan and Jacobean period. It was a centre of literary and cultural activity and its gracious hospitality is praised in Ben Jonson's famous poem ''To Penshurst''. During a time when most women were illiterate, Wroth had the privilege of a formal education, which ...
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Peripeteia
Peripeteia (, peripety, alternative Latin form: Peripetīa, ultimately from ) is a reversal of circumstances, or turning point, within a work of literature. Aristotle's view Aristotle, in his '' Poetics'', defines peripeteia as "a change by which the action veers round to its opposite, subject always to our rule of probability or necessity." According to Aristotle, peripeteia, along with discovery, is the most effective when it comes to drama, particularly in a tragedy. He wrote that "The finest form of Discovery is one attended by Peripeteia, like that which goes with the Discovery in Oedipus...". Aristotle says that peripeteia is the most powerful part of a plot in a tragedy along with discovery ( anagnorisis). A peripety is the change of the kind described from one state of things within the play to its opposite, and that too in the way we are saying, in the probable or necessary sequence of events. There is often no element like Peripeteia; it can bring forth or result in t ...
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Anagnorisis
Anagnorisis (; ) is a moment in a play or other work when a character makes a critical discovery. Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what that person stood for. Anagnorisis was the hero's sudden awareness of a real situation, the realization of things as they stood, and finally, the hero's insight into a relationship with an often antagonistic character in Aristotelian tragedy. Tragedy In his '' Poetics,'' Aristotle discussed peripeteia. In this work, he defined anagnorisis as "a change from ignorance to knowledge, producing love or hate between the persons destined by the poet for good or bad fortune" (1452a). Anagnorisis is often discussed along with Aristotle's concept of catharsis. In the Aristotelian definition of tragedy, it was the discovery of one's own identity or true character (e.g. Cordelia, Edgar, Edmund, etc. in Shakespeare's ''King Lear'') or of someone else's identity or true nature (e.g. Lear's chi ...
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Date Rape Drug
A date rape drug is any drug that incapacitates another person and renders that person vulnerable to sexual assault, including rape. These substances are associated with date rape because of reported incidents of their use in the context of two people dating, during which the victim is sexually assaulted, raped or suffers other harm. However, such substances have also been exploited during retreats, for example ayahuasca retreats. While these substances are not exclusively used to perpetrate sexual assault or rape, as they are also used for personal recreation or medical purposes, their side effects facilitate such acts. The most common incapacitating agent for date rape is alcohol, administered either surreptitiously or consumed voluntarily, rendering the victim unable to make informed decisions or give consent. Frequency No comprehensive data exists on the frequency of drug-facilitated sexual assaults involving the use of surreptitious drug administration, due to the report ra ...
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Pastoral
The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A ''pastoral'' is a work of this genre. A piece of music in the genre is usually referred to as a pastorale. The genre is also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy) ...
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Oracle At Delphi
Pythia (; ) was the title of the high priestess of the Temple of Apollo at Delphi. She specifically served as its oracle and was known as the Oracle of Delphi. Her title was also historically glossed in English as the Pythoness. The Pythia was established at the latest in the 8th century BC (though some estimates date the shrine to as early as 1400 BC), and was widely credited for her prophecies uttered under divine possession (enthusiasmos) by Apollo. The Pythian priestess emerged pre-eminent by the end of the 7th century BC and continued to be consulted until the late 4th century AD. During this period, the Delphic Oracle was the most prestigious and authoritative oracle among the Greeks, and she was among the most powerful women of the classical world. The oracle is one of the best-documented religious institutions of the classical Greeks. Authors who mention the oracle include Aeschylus, Aristotle, Clement of Alexandria, Diodorus, Diogenes, Euripides, Herodotus, Julian, ...
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Arcadia (ancient Region)
Arcadia (; ) is a region in the central Peloponnese, Greece. It takes its name from the mythological character Arcas, and in Greek mythology it was the home of the gods Hermes and Pan. In European Renaissance arts, Arcadia was celebrated as an unspoiled, harmonious wilderness; as such, it was referenced in popular culture. The modern regional unit of the same name more or less overlaps with the historical region, but is slightly larger. History Arcadia was gradually linked in a loose confederation that included all the Arcadian towns and was named League of the Arcadians. In the 7th century BC, it successfully faced the threat of Sparta and the Arcadians managed to maintain their independence. They participated in the Persian Wars alongside other Greeks by sending forces to Thermopylae and Plataea. During the Peloponnesian War, Arcadia allied with Sparta and Corinth. In the following years, during the period of the hegemony of Thebes, the Theban general Epaminondas re ...
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Jean Robertson (author)
Jean Robertson (also known as Jean Bromley; 27 September 1913 – 23 August 1990 Birmingham) was a British scholar of English Renaissance literature. She won the British Academy's Rose Mary Crawshay Prize in 1974. Life Jean Robertson was born in 1913 to Ainslie Robertson and Phyllis Mary Raeghton. She attended Howell's School, Denbigh and graduated from the University of Liverpool The University of Liverpool (abbreviated UOL) is a Public university, public research university in Liverpool, England. Founded in 1881 as University College Liverpool, Victoria University (United Kingdom), Victoria University, it received Ro .... She was an assistant lecturer at Liverpool between 1937–1942 in the English department. In 1939, she married J. S. Bromley, a naval historian (1913–1985). By 1942, she was working for the Board of Trade on war service. She was a research fellow at the Huntington Library in California, publishing articles, among others, on Nicholas Breton. Robertson ...
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Theatre Of Ancient Greece
A Theatre, theatrical culture flourished in ancient Greece from 700 BC. At its centre was the Polis, city-state of Classical Athens, Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Greek tragedy, Tragedy (late 500 BC), Ancient Greek comedy, comedy (490 BC), and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Etymology The word , from which the word "tragedy" is derived, is a compound (linguistics), compound of two Greek language, Greek words: or "goat" and meaning "song", from . This etymology indicates a link with th ...
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Romance (heroic Literature)
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''medieval'' ...
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